Robert Eigenberger, 1890 – 1979

Robert Eigenberger: De 4 mest berømte malerier

The Myth of Man Is Over (1950) er det mest berømte maleri af Robert Eigenberger. The Sensual One (1929) og Saint Sebastian (1934) er de næste to værker, som verden kender bedst. Udvalgt fra de 4 værker af Robert Eigenberger i vores katalog er her de 4, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.

Portræt af Robert Eigenberger
Robert Eigenberger · 1890 – 1979
Født · død
1890 – 1979, Sedlec
Værker i vores katalog
4
Mest kendte
The Myth of Man Is Over (1950)

Top 10: Robert Eigenbergers mest kendte malerier

Robert Eigenberger gennem årtierne: et mesterværk for hvert årti

  1. 1920s
  2. 1930s
  3. 1940s
  4. 1950s

Robert Eigenbergers malerier: ofte stillede spørgsmål

Hvad er det mest berømte maleri af Robert Eigenberger?Vis svaret

The Myth of Man Is Over (1950). Derefter følger The Sensual One (1929) og Saint Sebastian (1934).

Hvilken alder havde Robert Eigenberger, da The Myth of Man Is Over blev malet?Vis svaret

60 år gammel: The Myth of Man Is Over er fra 1950, og Robert Eigenberger blev født i 1890.

Hvor mange malerier af Robert Eigenberger er der?Vis svaret

Vores katalog indeholder 4 værker af Robert Eigenberger, dateret fra 1929 til 1950.

Hvad er det tidligste berømte maleri af Robert Eigenberger, og hvad er det nyeste?Vis svaret

Det tidligste på denne side er The Sensual One (1929), det seneste The Myth of Man Is Over (1950).

Robert Eigenberger: biografi

The Life and Academic Career of Robert Eigenberger

Robert Eigenberger was an Austrian art historian, painter, pedagogue, restorer, and university teacher. Born in Sedlec, Czech Republic, he pursued his studies in art history in Prague, Munich, Göttingen, and Berlin. His professional journey included serving as an assistant at the K. K. Zentralkommission für Denkmalpflege in Vienna and later becoming the director of the Gemäldegalerie at the Academy of Fine Arts in Vienna. Throughout his distinguished academic career, he held various roles at the Academy, including serving as a professor and eventually as the Rector from 1951 to 1955. He also led the Institute for Sacred Art following his retirement.

Artistic Practice and Pseudonym

In addition to his academic and restorative work, Eigenberger was an active painter who often exhibited under the pseudonym Karl Reigen. His artistic output was diverse, encompassing the following subjects:

His recognition within the art community included membership in the Vienna Secession and the Wiener Künstlerhaus, as well as receiving the Austrian State Prize for Painting in 1930.