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Portræt af en ung pige
Håndmalet oliereproduktion fra $181 28 × 35 cm
Samme størrelse som originalen $254 53 × 64 cm Bestil i original størrelse →
Maleriet, der gjorde Peter Copmann berømt, er Portræt af en ung pige (1824); det hænger på Statens Museum for Kunst i København. Af de 1 værker af Peter Copmann i vores katalog er disse 1 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Peter Copmann | Malerier fra denne liste |
|---|---|---|---|
 Statens Museum for Kunst |
København | 1 | Portræt af en ung pige |
Hvert dateret mesterværk af Peter Copmann på denne side tilhører 1824: her er de.
Portræt af en ung pige (1824)
30 år gammel: Portræt af en ung pige er fra 1824, og Peter Copmann blev født i 1794.
Vores katalog indeholder 1 værker af Peter Copmann.
De fleste af dem findes i Statens Museum for Kunst (København). Tabellen ovenfor lister museerne enkeltvis.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Born in 1794, Peter Copmann lived through a period of significant artistic transition. His life, which concluded in 1850, was defined by a commitment to capturing the likeness of individuals and the quiet details of the natural world. Working primarily in Denmark, he developed a skill for both the delicate touch of pastel and the precise lines of lithography. His hands were as comfortable with the soft, powdery texture of a portrait as they were with the technical demands of printmaking.
His work often focused on the human face, seeking to find the character within a sitter's gaze. In his 1832 pastel portrait of the composer Friedrich Kuhlau, Copmann demonstrated his ability to interpret existing works, creating a new version of a portrait originally painted by Christian Horneman. This ability to translate one medium into another shows a deep understanding of light and form. He did not merely copy; he reinterpreted the essence of his subjects through his own lens.
Copmann’s repertoire was diverse, spanning from the intimate scale of a portrait to the expansive views of a rural scene. He moved between different artistic subjects with ease, often finding beauty in the simplest elements of nature. His technical range allowed him to explore various ways of seeing the world:
In his lithograph of Johan Christian Ryge, there is a specific focus on the subject's unwavering gaze. This directness creates a sense of psychological depth, making the viewer feel the weight of the sitter's presence. It is a quiet, steady way of engaging with the world, avoiding the dramatic in favor of the sincere.