Michael Dailey, 1938 – 2009

Michael Daileys malerier: De 1 mest berømte værker, rangeret

Michael Dailey's mest berømte maleri er Scapa Evening (1973) i Smithsonian American Art Museum, Washington, D.C.. Vores katalog indeholder 1 værker af Michael Dailey; de 1 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.

Portræt af Michael Dailey
Michael Dailey · 1938 – 2009
Født · død
1938 – 2009
Værker i vores katalog
1
Mest kendte
Scapa Evening (1973)
Flest værker hos
Smithsonian American Art Museum

De 10 mest berømte Michael Dailey malerier

Hvor kan man se Michael Dailey's malerier

Det museum, der rummer flest af malerierne på denne side.

Museum By Værker af Michael Dailey Malerier fra denne liste
Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 1 Scapa Evening

Michael Daileys mest berømte malerier, år for år

Alle Michael Dailey's daterede værker på denne side er fra 1973: her er de mest berømte af dem.

  1. 1973
    Scapa Evening (1973) af Michael Dailey
    Rang 1 ud af 1

    Scapa Evening

    Alder 35 · Smithsonian American Art Museum

Spørgsmål om Michael Daileys malerier

Hvad er Michael Daileys mest berømte maleri?Vis svaret

Scapa Evening (1973)

Hvor gammel var Michael Dailey, da Scapa Evening blev malet?Vis svaret

35 år gammel: Scapa Evening er fra 1973, og Michael Dailey blev født i 1938.

Hvor mange malerier har Michael Dailey lavet?Vis svaret

Vores katalog indeholder 1 værker af Michael Dailey.

Hvor findes Michael Daileys mest berømte malerier?Vis svaret

De fleste af dem findes i Smithsonian American Art Museum (Washington, D.C.). Tabellen ovenfor lister museerne enkeltvis.

Om Michael Dailey

The Luminous Layers of Michael Dailey

Born in Des Moines, Iowa, Michael Dailey spent his life chasing the subtle shifts of light and atmosphere. He moved to Seattle in 1963, a transition that would define much of his professional existence. It was there that he began a long tenure as a professor of painting and drawing at the University of Washington, a position he held for over thirty years. His presence in the Pacific Northwest was not merely as an educator but as a quiet observer of the world's shifting hues. He sought to capture the very essence of light, often looking toward the misty landscapes of the region to inform his vision.

His technique was one of patience and repetition. He did not simply apply paint; he built it. By layering translucent colors, he created images that seemed to glow from within, as if the light were trapped beneath the surface of the canvas. This method allowed him to achieve a softness that felt both physical and ethereal. He would rework a single veil of color over and over again, seeking a specific, precise hue that could truly represent the moment he intended to freeze in time.

A Legacy of Light and Form

The reach of his work extended far beyond the classrooms of the University of Washington. His canvases found their way into significant collections and galleries, reflecting a deep engagement with the visual language of abstraction. His ability to translate the atmosphere of a place into a purely sensory experience led to his inclusion in several prestigious institutions:

One of his notable works, Scapa Evening, created in 1973, serves as a clear example of his dedication to color. Though an abstract work, it was inspired by the landscape of Scapa in Alberta, Canada. In this piece, he utilized shades of green, turquoise, and gray to mimic the fading light of dusk. The painting reveals the history of its own creation, as the underlying layers remain visible beneath the final surface, offering a glimpse into the labor required to reach his desired effect.

The Final Retrospective

In the later years of his life, the depth of his contribution to the art community was recognized through significant honors. A major retrospective at the Hallie Ford Museum of Art in 2008 provided an opportunity to view the breadth of his career. He passed away in Seattle, Washington, leaving behind a body of work that remains held in numerous public and corporate collections. His paintings continue to exist as studies in light, captured through the careful, repetitive application of oil on canvas.