Max Ackermann's mest berømte maleri er Tenerife (1956) i Staatliche Kunsthalle Karlsruhe, Karlsruhe. Sammen med Festive Song (1960) og Vertical Accents (1959) udgør de de tre værker, som alle kender. Vores katalog indeholder 5 værker af Max Ackermann; de 5 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Max Ackermann | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 3 | Festive Song, Composition in Blue, Composition in Blue and Brown |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 2 | Tenerife, Vertical Accents |
Max Ackermann arbejdede kun i 7 år, fra 1956 til 1962. Her er det korte karriereforløb år for år, gennem de mest berømte malerier.
Tenerife (1956), Staatliche Kunsthalle Karlsruhe, Karlsruhe. Derefter følger Festive Song (1960) og Vertical Accents (1959).
69 år gammel: Tenerife er fra 1956, og Max Ackermann blev født i 1887.
Vores katalog indeholder 5 værker af Max Ackermann, dateret fra 1956 til 1962.
De fleste af dem findes i Bavarian State Painting Collections (München) og Staatliche Kunsthalle Karlsruhe (Karlsruhe). Tabellen ovenfor lister museerne enkeltvis.
I 1962: 2 af de 5 værker på denne side stammer fra denne periode, herunder Composition in Blue.
Det tidligste på denne side er Tenerife (1956), det seneste Composition in Blue (1962).
Festive Song, Composition in Blue og Composition in Blue and Brown er blandt de 3 værker på denne side, som er i Bavarian State Painting Collections, München's samling.
Born in Berlin, Germany, Max Ackermann began his creative journey by carving wooden figures and modeling ornaments in his father's studio. His formal training took him through several significant institutions, including studying under Henry van de Velde in Weimar and at Gotthardt Kuehl's studio in Dresden. He later attended the Munich Art Academy in the class of Franz von Stuck and studied at the State Academy of Fine Arts in Stuttgart under Adolf Hölzel. It was through Hölzel that Ackermann was introduced to non-representational painting, a direction that would shape his future works.
Ackermann's practice encompassed various mediums, working as a painter, lithographer, graphic artist, draftsperson, and pastellist. His career was marked by both significant engagement and hardship; he was considered degenerate by the Nazi authorities, which led to a decree forbidding him from exhibiting and teaching, as well as the official confiscation of his works. Despite these challenges, he continued his abstract work at Hornstaad on Lake Constance, a location that became an artists' colony.
Throughout his life, Ackermann's work was showcased in numerous exhibitions, including solo shows in Stuttgart and West German cities, as well as collective exhibitions in Paris and Zurich. His reach extended internationally, with a retrospective exhibition in 1967 that traveled to locations such as Koblenz, Kaiserslautern, Constance, Wolfsburg, Cologne, and the University of Chicago. In 2018, his work was presented in a solo exhibition in Daegu, South Korea.
Ackermann received several honors for his contributions to art, including the honorary title of Professor in 1957 and being honored by the West German Academy in 1964. His notable works include: