Lucretia (1525) er det mest berømte maleri af Master IW. Madonna with Child (1525) og Altarpiece of St Barbara in the Cistercian Monastery in Osek [right wing]: St Paul [recto], St Sebastian [verso] er de næste to værker, som verden kender bedst. Udvalgt fra de 7 værker af Master IW i vores katalog er her de 7, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Master IW | Malerier fra denne liste |
|---|---|---|---|
| Prag | 4 | Madonna with Child, Altarpiece of St Barbara in the Cistercian Monastery in Osek [right wing]: St Paul [recto], St Sebastian [verso], Altarpiece of St Barbara in the Cistercian Monastery in Osek [central panel]: Beheading of St Barbara |
Lucretia (1525). Derefter følger Madonna with Child (1525) og Altarpiece of St Barbara in the Cistercian Monastery in Osek [right wing]: St Paul [recto], St Sebastian [verso].
Vores katalog indeholder 7 værker af Master IW.
De fleste af dem findes i Nationalgalleriet i Prag (Prag). Tabellen ovenfor lister museerne enkeltvis.
Madonna with Child, Altarpiece of St Barbara in the Cistercian Monastery in Osek [right wing]: St Paul [recto], St Sebastian [verso] og Altarpiece of St Barbara in the Cistercian Monastery in Osek [central panel]: Beheading of St Barbara er blandt de 4 værker på denne side, som er i Nationalgalleriet i Prag, Prag's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Master IW, also known as Monogramist I.W., was a Czech or Saxon Renaissance painter active between 1520 and 1550, primarily in north-west Bohemia. He was trained in the workshop of Lucas Cranach the Elder in Wittenberg before moving to Bohemia. While he had significant clients, no written documents have survived to identify the IW signature with a specific name. Some records from the Prague painters' fraternity suggest a painter named Jan Wrtilka, who worked in Louny, was the guest master of the Prague guild, but the neutral designation Master IW persisted in literature.
His clientele included Catholic clients such as the Osek Monastery, the Deacon's Church in Most, and St. Vitus Cathedral, as well as aristocratic families like the Saxon Fictum family. After 1538, he likely operated his own workshop with an assistant, supplying Marian devotional paintings to bourgeois families.
The artist's style evolved from an early period characterized by fragile figures and sharp drapery folds to a later style defined by decorative details, such as friezes and gilded edges, and a mastery of light and shadow. His works often drew inspiration from Cranach's graphic models. Notable works include:
His masterpiece is the double-sided votive painting from Šopka, which depicts the Sorrowful Christ on one side and the Holy Trinity on the other.