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Roosters on Horses
Håndmalet oliereproduktion fra $206 42 × 24 cm
Samme størrelse som originalen $466 146 × 66 cm Bestil i original størrelse →
Roosters on Horses (1880) er det mest berømte maleri af László Pataky, som er i Slovak National Gallerys samling i Bratislava. Cavalry Battle (1890) og Kuruci (1903) er de næste to værker, som verden kender bedst. Udvalgt fra de 5 værker af László Pataky i vores katalog er her de 3, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af László Pataky | Malerier fra denne liste |
|---|---|---|---|
 Slovak National Gallery |
Bratislava | 2 | Roosters on Horses, Cavalry Battle |
| Ernest Zmeták Art Gallery | Nové Zámky | 1 | Kuruci |
Roosters on Horses (1880), Slovak National Gallery, Bratislava. Derefter følger Cavalry Battle (1890) og Kuruci (1903).
23 år gammel: Roosters on Horses er fra 1880, og László Pataky blev født i 1857.
Vores katalog indeholder 5 værker af László Pataky, dateret fra 1880 til 1903.
De fleste af dem findes i Slovak National Gallery (Bratislava) og Ernest Zmeták Art Gallery (Nové Zámky). Tabellen ovenfor lister museerne enkeltvis.
Det tidligste på denne side er Roosters on Horses (1880), det seneste Kuruci (1903).
Roosters on Horses og Cavalry Battle er blandt de 2 værker på denne side, som er i Slovak National Gallery, Bratislava's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
László Pataky began his training within the walls of the arts and crafts school in Budapest. His hands learned the fundamentals before he moved toward the Academy of Fine Arts in Munich after 1880, working under Karl von Piloty. This period of study was followed by years spent moving between Paris, Budapest, and Munich from 1883 to 1889. These travels brought different light and different ways of seeing into his practice.
In 1888, a scholarship for his painting The Messenger opened a door to the studio of Mihály Munkácsy. He worked alongside Munkácsy on the large-scale Hungarian Conquest intended for the Hungarian Parliament Building. After this heavy task was finished, he settled in Alvinc, returning to the landscapes of his home province.
His brush often rested on the quiet rhythms of country life. He focused on rural genre scenes, capturing the movement of horses and the weight of a harvest. Some of his canvases hold specific moments of labor or rest:
Beyond the canvas, he spent much of his time translating words into images. He provided illustrations for several novels, including works by Carmen Sylva, Gabriele D'Annunzio, and Géza Gárdonyi. His gouache drawings appeared regularly in magazines such as Vasárnapi Ujság, Új Idők, and Magyar Salon.
The work of Pataky remains held in places like the Hungarian National Gallery. His career was marked by retrospective exhibitions, such as those organized by the Guild of St. George in 1913 and the Hall of Art in 1918. These gatherings allowed for a final look at his contributions to the depiction of Hungarian life before he passed away in Alvinc in 1912.