Fish, Fruits, and Flowers (1923) er det mest berømte maleri af Kathryn E. Cherry, som er i Saint Louis Art Museums samling i Saint Louis. Udvalgt fra de 1 værker af Kathryn E. Cherry i vores katalog er her de 1, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Kathryn E. Cherry | Malerier fra denne liste |
|---|---|---|---|
 Saint Louis Art Museum |
Saint Louis | 1 | Fish, Fruits, and Flowers |
1923 er året for hvert dateret Kathryn E. Cherry mesterværk på denne side: her er de, i rækkefølge efter berømmelse.
Fish, Fruits, and Flowers (1923)
43 år gammel: Fish, Fruits, and Flowers er fra 1923, og Kathryn E. Cherry blev født i 1880.
Vores katalog indeholder 1 værker af Kathryn E. Cherry.
De fleste af dem findes i Saint Louis Art Museum (Saint Louis). Tabellen ovenfor lister museerne enkeltvis.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Kathryn Evelyn Bard Cherry began her path in Quincy, Illinois. Her hands learned the delicate discipline of fine arts through studies at the St. Louis School of Fine Arts, the New York School of Arts, and the Pennsylvania Academy of Fine Arts. In those early years, much of her focus rested on the surface of porcelain. She worked with china paintings, a medium that requires a steady hand and a quiet patience. This period of her life was marked by a specific kind of precision, where floral subjects were captured on ceramic forms.
The 1904 St. and Louis World's Fair brought a moment of recognition for this careful work. Her china paintings earned her a gold medal for female art during the exposition. Following this, she began showing her creations at the Saint Louis Artist's Guild. Her skill in craft was noted by the Boston Society of Arts and Crafts, which appointed her as a Master Craftsman.
As time passed, her focus shifted from the small, controlled surfaces of ceramics toward the broader expanses of oil on canvas, watercolor, and gouache. The subjects of her work remained rooted in the natural world, though the scale grew. She turned her attention to landscapes, marine scenes, and floral still lifes. Her paintings often captured the light of St. Louis or the coastal atmosphere of Gloucester, Massachusetts, where she kept a studio in Rocky Neck during her summers.
Her technical approach included several methods:
In 1924, a specific work titled Fish, Fruit, and Flowers earned her a gold medal at the Kansas City Art Museum exhibition. Later, in 1926, her paintings at the Women's National Exposition brought a $1,000 prize and a bronze medal at a Kansas art exhibition.
Beyond her own studio practice, Cherry shared her knowledge with others. In 1912, she and her sister, Jessie M. Bard, taught at the Dawson Dawson-Watson Summer School of Painting and Handcraft. Her commitment to art education continued for many years at The Principia, where she served as Art Director from 1915 until 1931.
Her work was frequently seen in various galleries and collections, including the St. Louis Art League, the Kansas City Art Institute, and the Pennsylvania Academy. She remained active in the art community of St. Louis until her death in November 1931.