Untitled (1981) er det mest berømte maleri af Kars Persoon, som er i Centraal Museums samling i Utrecht. Untitled (1983) og Untitled (1981) er de næste to værker, som verden kender bedst. Udvalgt fra de 3 værker af Kars Persoon i vores katalog er her de 3, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Kars Persoon | Malerier fra denne liste |
|---|---|---|---|
 Centraal Museum |
Utrecht | 2 | Untitled, Untitled |
 Noordbrabants Museum |
's-Hertogenbosch | 1 | Untitled |
Mellem 1981 og 1983, i alt 3 år, malede Kars Persoon hvert dateret værk på denne side: her er de, år for år.
Untitled (1981), Centraal Museum, Utrecht. Derefter følger Untitled (1983) og Untitled (1981).
27 år gammel: Untitled er fra 1981, og Kars Persoon blev født i 1954.
Vores katalog indeholder 3 værker af Kars Persoon, dateret fra 1981 til 1983.
De fleste af dem findes i Centraal Museum (Utrecht) og Noordbrabants Museum ('s-Hertogenbosch). Tabellen ovenfor lister museerne enkeltvis.
I 1981: 2 af de 3 værker på denne side stammer fra denne periode, herunder Untitled.
Det tidligste på denne side er Untitled (1981), det seneste Untitled (1983).
Untitled og Untitled er blandt de 2 værker på denne side, som er i Centraal Museum, Utrecht's samling.
Kars Persoon, born Jan Peter Persoon on September 18, 1954, in Eindhoven, established a foundation for his practice through rigorous formal training. His development as a visual artist took shape during his studies at the Kon. Ac. voor Kunst en Vormgeving in 's-Hertogenbosch. This period, spanning from 1972 to 1977, provided the technical grounding necessary for the complex explorations of human figures and social relationships that define his later output. His work is not a product of mere instinct but a result of this structured academic background.
His trajectory moved through significant Dutch urban centers, including time spent in Utrecht and Amsterdam. These environments provided the necessary context for an artist whose themes are heavily informed by literature and philosophy. While his origins are rooted in Eindhoven, his professional life has been shaped by the creative density of these cities. He currently maintains his practice in Amsterdam, continuing a career that has transitioned from student to established professional.
Persoon’s practice centers on the human figure, using the body as a primary vehicle to investigate how an individual relates to others. This preoccupation with human connection is not merely a formal choice; his visual execution is driven by the weight of literature and philosophy. He translates these abstract intellectual concepts into tangible forms, stripping away decorative impulse to focus on the tension between the self and the collective. The resulting works demand a reading that goes beyond simple observation.
His technical approach is defined by a heavy reliance on mixed media and a varied material palette. In his drawings, he utilizes a wide range of tools including watercolor, ink, pencil, ballpoint, oilstick, pigment, and collage. This versatility allows for a directness in his mark-making. His collages further expand this tactile exploration through the use of piezography on linen. The choice of linen as a substrate provides a consistent foundation for his evolving experimentation with texture and layering.
The evolution of his painting technique marks a clear shift in his material history. Until 1997, Persoon worked primarily with acrylic on linen. From 1998 to the present, he has transitioned to oil on linen, a change that alters the depth and handling of his compositions. This shift in medium reflects a disciplined refinement of his ability to render the human form and its philosophical implications through different viscosities and drying times.
Persoon’s professional identity solidified in 1981 when he began exhibiting under the name Kars Persoon. This shift marked a transition from his formative years into a sustained presence in the contemporary art scene. His career is defined by a long-term commitment to academic instruction. Since 1983, he has served as a teacher within the painting department at AKI in Enschede, a position he maintains to this day. This dual role as both a practitioner and an educator has anchored his professional life in the institutional structures of Dutch art education.
The early 1990s represented a period of concentrated professional activity and institutional recognition. During the 1992/1993 period, he participated in the Werkbeurs. This coincided with a significant residency at the EKWC in 's-Hertogenbosch, where he completed a Werkperiode that concluded with a formal final presentation. These engagements provided a platform for his development outside the classroom, allowing for a rigorous examination of his practice within established artistic frameworks.
Persoon’s presence in institutional collections and exhibition spaces confirms a career defined by consistent engagement with established venues. His works are held in the Centraal Museum in Utrecht and the Noordbrabants Museum in 's-Hertogenbosch. These holdings include an untitled work from about 1983. His exhibition history shows a recurring relationship with the Centraal Museum Utrecht, with appearances in 1995 and 1998. In 1994, his reach extended to Turnhout, Belgium, for the 'Sphagnum et Lumen' exhibition, and he was invited to contribute to a graphic folder for AMC Amsterdam that same year.
The artist’s recent exhibition record demonstrates a sustained output. Between 2017 and 2022, he held a series of exhibitions titled 'Where are you?' at CBK Zeeland alongside Janpeter Muilwijk. This period of activity also included a 2022 exhibition at Galerie Dom’Arte / Gerry Broos. Earlier, in 2011, he presented 'Escapes from the limitations' at the Rosa Spier Huis, followed by his participation in 'The partaker partakes of that which changes him' at PUNT WG Amsterdam in 2012. His collaborative work also includes 'Ik zie je morgen' with Henk Visch at ArtTraverse Gemeentehuis De Bilt.
