John Simpson, 1782 – 1847

John Simpsons malerier: De 20 mest berømte værker, rangeret

John Simpson's mest berømte maleri er The Duke of Wellington (1769–1852) i Royal Hospital Chelsea, London. Sammen med Clarkson Frederick Stanfield (1829) og D. Maria II, Queen of Portugal (1819-1853) (1837) udgør de de tre værker, som alle kender. Vores katalog indeholder 22 værker af John Simpson; de 20 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

Portræt af John Simpson
John Simpson · 1782 – 1847
Født · død
1782 – 1847, London
Værker i vores katalog
22
Mest kendte
The Duke of Wellington (1769–1852)
Flest værker hos
National Portrait Gallery

De 10 mest berømte John Simpson malerier

The Duke of Wellington (1769–1852) af John Simpson
1

The Duke of Wellington (1769–1852)

Oil On Canvas · Royal Hospital Chelsea, London

To gaze upon this depiction of the Duke of Wellington is to encounter not merely a likeness, but an embodiment of British martial spirit and enduring historical gravity. John Simpson has captured a moment steeped in ceremony and authority. The subject stands with an undeniable bearing, clad in formal attire that speaks volumes of his station—a man whose life was inextricably linked to the grand sweep of military history. His…

Håndmalet oliereproduktion fra $181 26 × 38 cm
Clarkson Frederick Stanfield (1829) af John Simpson
2

Clarkson Frederick Stanfield

1829 · Oil · National Portrait Gallery, London

A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his gaze drifts toward the same unseen horizon. The lighting is dramatic, a heavy chiaroscuro that spills from the upper left to catch the ridge of his brow and the bridge of his nose. This directional light carves his features out of a…

Håndmalet oliereproduktion fra $181 29 × 35 cm Samme størrelse som originalen $299 64 × 77 cm Bestil i original størrelse →
D. Maria II, Queen of Portugal (1819-1853) (1837) af John Simpson
3

D. Maria II, Queen of Portugal (1819-1853)

1837 · Oil On Canvas · Imperial Museum of Brazil, Petrópolis

The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within an ornate, gilded throne that seems to grow from the very shadows of the room. The light catches the shimmering white of her satin gown, turning the fabric into a luminous landscape of folds and soft highlights. A vibrant sash, striped with…

Håndmalet oliereproduktion fra $181 28 × 36 cm
Retrato de D. Pedro, Duque de Bragança (1834) af John Simpson
4

Retrato de D. Pedro, Duque de Bragança

1834 · Oil On Canvas

This formal and dignified 19th-century portrait depicts D. Pedro, Duque de Bragança in a three-quarter length composition. The subject is positioned slightly off-center, creating a sense of dynamic presence within the frame. He is dressed in an ornate military uniform, which is heavily adorned with medals, stars, and gold embroidery. A vibrant red and green ceremonial sash cuts across the dark tones of the attire, complemented by the bright white…

Håndmalet oliereproduktion fra $181 28 × 36 cm Samme størrelse som originalen $551 102 × 130 cm Bestil i original størrelse →
Portrait of the Duke of Terceira (1832) af John Simpson
5

Portrait of the Duke of Terceira

1832 · Oil · Soares dos Reis National Museum, Porto

John Simpson executed the Portrait of the Duke of Terceira about 1832. The sitter is António José Severim de Noronha, 1st Duke of Terceira, a prominent Portuguese military officer and statesman. His life was defined by significant political and military engagement during the nineteenth century.

Håndmalet oliereproduktion fra $181 29 × 35 cm Samme størrelse som originalen $301 64 × 77 cm Bestil i original størrelse →
Prince Auguste de Beauharnais, Duke of Leuchtenberg (1834) af John Simpson
6

Prince Auguste de Beauharnais, Duke of Leuchtenberg

1834 · Oil On Canvas

The portrait titled Prince Auguste de Beauharnais, Duke of Leuchtenberg is a work by the artist John Simpson. The canvas captures Auguste Charles Eugène Napoléon de Beauharnais in a moment of formal stillness. He was a man of significant lineage, serving as the first prince consort of Maria II of Portugal. His presence in this work carries the weight of his many titles, including the 2nd Duke of Leuchtenberg and…

Håndmalet oliereproduktion fra $181 28 × 36 cm
Captain Peter Heywood (1773–1831) (1822) af John Simpson
7

Captain Peter Heywood (1773–1831)

1822 · Oil On Canvas · National Maritime Museum, London

The man stares directly through the darkness, his gaze steady and unyielding. He sits enveloped in the heavy, dark atmosphere of the early 19th century, his presence defined by the sharp contrast of his military attire against an indistinct, shadowy background. A dark blue coat clings to his shoulders, weighted by the glint of gold epaulettes that signal his rank and the gravity of his station. His white shirt rises…

Håndmalet oliereproduktion fra $181 29 × 35 cm Samme størrelse som originalen $299 64 × 76 cm Bestil i original størrelse →
William IV (1765–1837) (1830) af John Simpson
8

William IV (1765–1837)

1830 · Oil On Canvas

In this 1830 portrait, we find ourselves in the presence of William IV, a man whose likeness was captured during a period of significant transition in British history. The subject is positioned centrally, commanding the space with a quiet, regal authority. He is draped in formal attire that speaks to his high station, holding a scepter that serves as a direct symbol of his sovereign power. Behind him, a heavy…

Håndmalet oliereproduktion fra $181 25 × 39 cm
Head of a Man ( Ira Frederick Aldridge) (1827) af John Simpson
9

Head of a Man ( Ira Frederick Aldridge)

1827 · Oil

The gaze of the subject meets the viewer through the layers of history in Head of a Man ( Ira Frederick Aldridge). This portrait, painted by John Simpson, captures a moment of profound stillness. The man stares into the distance, his thoughts seemingly drifting far beyond the edges of the frame. He wears a red robe that catches the light, a striking contrast against his dark skin. Around him, the…

Håndmalet oliereproduktion fra $181 28 × 36 cm
Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes (1826) af John Simpson
10

Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes

1826 · Oil On Canvas

In this large-scale portrait, we encounter Sir John Fleming Leicester, 1st Lord de Tabley, captured in a moment of profound dignity. He is depicted in his peer's robes, a garment that carries the weight of his status and the recent elevation to the peerage in 1826. The subject is positioned with his back partially turned toward us, a choice that creates a sense of looking into a private, ceremonial space.…

Håndmalet oliereproduktion fra $181 24 × 42 cm

John Simpson, malerier 11 til 20

De motiver John Simpson malede mest

De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.

Hvor kan man se John Simpson's malerier

De 8 museer, der rummer flest af malerierne på denne side.

Museum By Værker af John Simpson Malerier fra denne liste
National Portrait Gallery, LondonNational Portrait Gallery London 3 Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826), Sir Herbert Taylor
National Maritime Museum, LondonNational Maritime Museum London 2 Captain Peter Heywood (1773–1831), Clarkson Stanfield (1793–1867)
Royal Hospital Chelsea, LondonRoyal Hospital Chelsea London 1 The Duke of Wellington (1769–1852)
Imperial Museum of Brazil, PetrópolisImperial Museum of Brazil Petrópolis 1 D. Maria II, Queen of Portugal (1819-1853)
Soares dos Reis National Museum, PortoSoares dos Reis National Museum Porto 1 Portrait of the Duke of Terceira
Leeds Civic Hall, LeedsLeeds Civic Hall Leeds 1 George Goodman, Mayor (1836)
Scottish National Portrait Gallery, EdinburghScottish National Portrait Gallery Edinburgh 1 Sir Charles Napier (1786–1860), Admiral
English Heritage, LondonEnglish Heritage London 1 Arthur Wellesley (1769–1852), 1st Duke of Wellington, KG

John Simpsons mest berømte maleri fra hvert årti

  1. 1820s
    Clarkson Frederick Stanfield (1829) af John Simpson
    Rang 2 ud af 20

    Clarkson Frederick Stanfield

    Alder 38 – 47 · National Portrait Gallery

    A somber dignity settles over the figure in this 1829 oil portrait. He sits in a quiet, bust-length pose, his body angled slightly toward the right while his…

  2. 1830s
    D. Maria II, Queen of Portugal (1819-1853) (1837) af John Simpson
    #3 ud af 20

    D. Maria II, Queen of Portugal (1819-1853)

    Alder 48 – 57 · Imperial Museum of Brazil

    The air in the chamber feels heavy with the scent of old velvet and the quiet weight of authority. Queen Maria II sits poised, her figure centered within…

  3. 1840s
    Sir Charles Napier (1786–1860), Admiral (1841) af John Simpson
    Nr. 15 ud af 20

    Sir Charles Napier (1786–1860), Admiral

    Alder 58 – 65 · Scottish National Portrait Gallery

    The portrait depicts Sir Charles Napier, an admiral who lived from 1786 to 1860. He is positioned in a three-quarter view, wearing a black coat accented with gold…

Spørgsmål om John Simpsons malerier

Hvad er John Simpsons mest berømte maleri?Vis svaret

The Duke of Wellington (1769–1852), Royal Hospital Chelsea, London. Derefter følger Clarkson Frederick Stanfield (1829) og D. Maria II, Queen of Portugal (1819-1853) (1837).

Hvad er de 10 bedste malerier af John Simpson?Vis svaret

The Duke of Wellington (1769–1852), Clarkson Frederick Stanfield, D. Maria II, Queen of Portugal (1819-1853), Retrato de D. Pedro, Duque de Bragança, Portrait of the Duke of Terceira, Prince Auguste de Beauharnais, Duke of Leuchtenberg, Captain Peter Heywood (1773–1831), William IV (1765–1837), Head of a Man ( Ira Frederick Aldridge) og Sir John Fleming Leicester (1762–1827), 1st Lord de Tabley, in Peer's Robes. Ranglisten ovenfor angiver årstallet og museet for hver af dem.

Hvor mange malerier har John Simpson lavet?Vis svaret

Vores katalog indeholder 22 værker af John Simpson, dateret fra 1822 til 1841.

Hvor findes John Simpsons mest berømte malerier?Vis svaret

De fleste af dem findes i National Portrait Gallery (London), National Maritime Museum (London) og Royal Hospital Chelsea (London). Tabellen ovenfor lister museerne enkeltvis.

Hvornår malede John Simpson sine mest berømte værker?Vis svaret

I 1830s: 9 af de 20 værker på denne side stammer fra denne periode, herunder D. Maria II, Queen of Portugal (1819-1853).

Hvad er John Simpson's tidligste og seneste berømte malerier?Vis svaret

Det tidligste på denne side er Captain Peter Heywood (1773–1831) (1822), det seneste Sir Charles Napier (1786–1860), Admiral (1841).

Hvad malede John Simpson oftest?Vis svaret

Man (13), Dark background (5) og Portrait (4), blandt de 20 værker på denne side.

Hvilket medie brugte John Simpson mest?Vis svaret

Oil On Canvas: 10 ud af de 20 værker på denne side.

Hvilke John Simpson-malerier kan jeg se på National Portrait Gallery?Vis svaret

Clarkson Frederick Stanfield, Frederick Marryat (engraved 1826) og Sir Herbert Taylor er blandt de 3 værker på denne side, som er i National Portrait Gallery, London's samling.

Kan jeg købe en reproduktion af et maleri af John Simpson?Vis svaret

Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

Om John Simpson

John Simpson: A Life in Portraiture

Early Life and Training

  • Born in London in 1782, John Simpson embarked on a career as a portrait painter during a vibrant period of British art.
  • He received his foundational training at the prestigious Royal Academy, honing his skills and establishing himself within the artistic community.
  • Crucially, Simpson spent several years as an assistant to Sir Thomas Lawrence, PRA – a leading portraitist of the era. This mentorship profoundly shaped his style and approach to capturing likenesses.

Artistic Development and Style

  • Simpson’s early work reflects the influence of Sir Thomas Lawrence, characterized by a refined technique and attention to detail. He quickly gained recognition for his ability to create flattering and accurate portraits.
  • He exhibited regularly at the Royal Academy from 1807 until his death, demonstrating consistent productivity and engagement with the art world.
  • While primarily a portraitist, Simpson’s work occasionally ventured beyond conventional society portraiture, hinting at a broader artistic sensibility.

Major Achievements and Commissions

  • Royal Patronage: In 1834, Simpson received a significant commission to travel to Portugal and paint portraits in Lisbon.
  • His success led to an appointment as Painter to the Queen of Portugal, solidifying his reputation on the international stage.
  • Notable Sitters: Simpson painted numerous prominent figures, including William IV and many other notable individuals of his time. His portraits provide valuable visual records of British society during the 19th century.

‘The Captive Slave’ and Rediscovery

  • A Turning Point: Simpson's painting, ‘The Captive Slave,’ created a significant shift in his artistic legacy. It remained largely unseen for nearly 180 years.
  • Acquisition and Recognition: The Art Institute of Chicago acquired the work in 2008, bringing it to public attention.
  • Abolitionist Significance: ‘The Captive Slave’ is now recognized as a powerful statement against slavery. It demonstrates Simpson's capacity for venturing beyond conventional portraiture and engaging with important social issues.

Legacy and Historical Significance

  • Despite some contemporary criticism suggesting his work lacked “instinct and penetration,” John Simpson established a successful career as a respected portrait painter.
  • Family of Artists: He had two sons who also pursued artistic careers – Charles, who died young, and Philip, who found success with small domestic subjects.
  • Enduring Impact: The rediscovery of ‘The Captive Slave’ has elevated Simpson's status, highlighting his talent and the painting’s importance as a symbol of the abolitionist movement. He is now recognized not only for his technical skill but also for his contribution to social commentary through art.