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On the Coast of France
Håndmalet oliereproduktion fra $181 39 × 26 cm
Samme størrelse som originalen $271 77 × 51 cm Bestil i original størrelse →
John Appleton Brown's mest berømte maleri er On the Coast of France (1875) i Museum of Fine Arts, Boston. Sammen med New England Landscape (1887) og A Showery May Morning udgør de de tre værker, som alle kender. Vores katalog indeholder 6 værker af John Appleton Brown; de 6 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Appleton Brown | Malerier fra denne liste |
|---|---|---|---|
 Museum of Fine Arts |
Boston | 5 | On the Coast of France, New England Landscape, A Showery May Morning |
 Harvard Art Museums |
Cambridge | 1 | Pond in the Woods |
Fra 1875 til 1887 strækker John Appleton Browns karriere sig over 13 år, knap mere end et årti: her er det år for år, med de mest berømte malerier fra hvert år.
On the Coast of France (1875), Museum of Fine Arts, Boston. Derefter følger New England Landscape (1887) og A Showery May Morning.
31 år gammel: On the Coast of France er fra 1875, og John Appleton Brown blev født i 1844.
Vores katalog indeholder 6 værker af John Appleton Brown, dateret fra 1875 til 1887.
De fleste af dem findes i Museum of Fine Arts (Boston) og Harvard Art Museums (Cambridge). Tabellen ovenfor lister museerne enkeltvis.
Det tidligste på denne side er On the Coast of France (1875), det seneste New England Landscape (1887).
On the Coast of France, New England Landscape og A Showery May Morning er blandt de 5 værker på denne side, som er i Museum of Fine Arts, Boston's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Born in West Newbury, Massachusetts, John Appleton Brown was an American landscape painter who worked primarily in oils and pastels. His artistic journey began with studies under Alfred Thompson Bricher before he traveled to France in 1866. During his time in France, he studied under Emile Lambinet, a protégé of Jean-Baptiste-Camille Corot. By the 1870s, Brown had become a successful painter in Boston, exhibiting his work at the Boston Art Club and various prominent galleries. In 1874, he and his wife, the artist Agnes Augusta Bartlett, traveled to France to study and paint, eventually displaying his work at the Paris Salon of 1875.
Brown's career saw him move from the artistic circles of Boston to an artists' colony in England in 1886, where he worked alongside figures such as John Singer Sargent. He also spent summers on Appledore Island among the Isles of Shoals, painting seascapes like Storm at the Isles of Shoals. In the 1890s, his success led him to move to New York City. His technical skill was recognized on a grand scale when he received a medal at the World's Columbian Exposition in 1893. He died in New York City in 1902.
Brown was noted for his lyrical landscapes, particularly those of the rural New England countryside. In the 1880s, he adopted a brighter palette and frequently painted images of fruit trees in full flower, earning him the sobriquet "Appleblossom Brown." His works were often described as tender and delicate, capturing the essence of nature. His repertoire included a variety of natural scenes, such as:
His ability to capture light and shadow was celebrated by critics, with some noting his evocative treatment of clouds and water. His art even served as inspiration for poetry and book illustrations, such as his collaboration with Lucy Larcom for the book Landscape in American Poetry.