Maleriet, der gjorde John Amory Codman berømt, er Horses and Hunters by the Sea; det hænger på Museum of Fine Arts i Boston. View of a Bay og Harbor Overlooked by a Mansion følger efter i samlernes og museumsgæsternes hjerter. Af de 6 værker af John Amory Codman i vores katalog er disse 6 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af John Amory Codman | Malerier fra denne liste |
|---|---|---|---|
 Museum of Fine Arts |
Boston | 6 | Horses and Hunters by the Sea, View of a Bay, Harbor Overlooked by a Mansion |
Horses and Hunters by the Sea, Museum of Fine Arts, Boston. Derefter følger View of a Bay og Harbor Overlooked by a Mansion.
Vores katalog indeholder 6 værker af John Amory Codman.
De fleste af dem findes i Museum of Fine Arts (Boston). Tabellen ovenfor lister museerne enkeltvis.
Horses and Hunters by the Sea, View of a Bay og Harbor Overlooked by a Mansion er blandt de 6 værker på denne side, som er i Museum of Fine Arts, Boston's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Born in 1824, John Amory Codman lived a life shaped by the shifting tides of 19th-century commerce and the quiet rhythms of coastal Massachusetts. While he is remembered for his brushwork, his personal stability was tied to the lucrative Russian and China clipper trade, which provided the wealth necessary to support his lifestyle and his creative pursuits. He spent much of his time in Boston, establishing himself within the city's social and artistic circles during a period of significant growth.
His domestic life was centered around his marriage to Martha Pickman Rogers, who lived until 1905. Together, they had one surviving child, Martha Codman Karolik. The family's connection to the arts would continue through her, as she became a major benefactor to the arts, ensuring that the cultural landscape of her time remained supported. The legacy of the family was marked by both significant social standing and the complexities of private life, including legal disputes regarding his will and the distribution of his estate after his death in 1886.
Codman’s professional life was deeply rooted in the creative circles of Boston. He resided and worked in the city from 1849 through the 1860s, establishing himself within the local art community. During the 1850s, he maintained a studio in Amory Hall, a space that likely served as a central hub for his daily practice. His presence in the city was officially recognized in the Boston City Directory, which listed him as an artist from 1849 to 1855. He was also affiliated with the New England Art Union, connecting him to the broader artistic movements of the time.
His exhibitions began early in his career. In 1839, he showed his work with the Apollo Association, and by 1849, he was exhibiting with the American Art-Union. As his reputation grew, he became a regular participant in significant local venues. He exhibited with the Boston Athenaeum in 1856, contributing to the cultural life of the city during a period of significant growth. Later in his life, in 1873, he displayed two oil paintings at the Boston Art Club, continuing to share his vision with the public.