Charles Bonnet, Swizz Naturalist and Philosopher (1785) er det mest berømte maleri af Henrik Plötz, som er i Nationalmuseums samling i Stockholm. Portrait of Prince Willem George Frederik (1795) og Portrait of a woman (1800) er de næste to værker, som verden kender bedst. Udvalgt fra de 4 værker af Henrik Plötz i vores katalog er her de 4, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Henrik Plötz | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway |
 Rijksmuseum |
Amsterdam | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Stockholm. Derefter følger Portrait of Prince Willem George Frederik (1795) og Portrait of a woman (1800).
38 år gammel: Charles Bonnet, Swizz Naturalist and Philosopher er fra 1785, og Henrik Plötz blev født i 1747.
Vores katalog indeholder 4 værker af Henrik Plötz, dateret fra 1785 til 1800.
De fleste af dem findes i Nationalmuseum (Stockholm) og Rijksmuseum (Amsterdam). Tabellen ovenfor lister museerne enkeltvis.
Det tidligste på denne side er Charles Bonnet, Swizz Naturalist and Philosopher (1785), det seneste Portrait of a woman (1800).
Charles Bonnet, Swizz Naturalist and Philosopher og King Khristian VII of Denmark and Norway er blandt de 2 værker på denne side, som er i Nationalmuseum, Stockholm's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.