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Portrait of Mathea Strøm, the Artist's Mother
Håndmalet oliereproduktion fra $181 27 × 36 cm
Samme størrelse som originalen $333 68 × 88 cm Bestil i original størrelse →
Portrait of Mathea Strøm, the Artist's Mother (1885) er det mest berømte maleri af Halfdan Strøm, som er i Nationalmuseet for kunst, arkitektur og designs samling i Oslo. Dolce far niente. Interior with the Artist's Parents (1883) og Girl Friends (1888) er de næste to værker, som verden kender bedst. Udvalgt fra de 21 værker af Halfdan Strøm i vores katalog er her de 21, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Halfdan Strøm | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseet for kunst, arkitektur og design |
Oslo | 16 | Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends |
 Oslo Museum |
Oslo | 5 | Portrait, Portrait, Self-portrait |
Portrait of Mathea Strøm, the Artist's Mother (1885), Nationalmuseet for kunst, arkitektur og design, Oslo. Derefter følger Dolce far niente. Interior with the Artist's Parents (1883) og Girl Friends (1888).
22 år gammel: Portrait of Mathea Strøm, the Artist's Mother er fra 1885, og Halfdan Strøm blev født i 1863.
Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents, Girl Friends, From the Restaurant in the Labour Society in Torvgaten, The Violin Player, Farm Interior, Portrait of a Woman, Portrait of Emilie Gulowsen, b. Gabrielsen, Portrait of Museum Director Emil Hannover og Scene from the Vegetable Market. Ranglisten ovenfor angiver årstallet og museet for hver af dem.
Vores katalog indeholder 21 værker af Halfdan Strøm, dateret fra 1883 til 1920.
De fleste af dem findes i Nationalmuseet for kunst, arkitektur og design (Oslo) og Oslo Museum (Oslo). Tabellen ovenfor lister museerne enkeltvis.
I 1880s: 6 af de 21 værker på denne side stammer fra denne periode, herunder Portrait of Mathea Strøm, the Artist's Mother.
Det tidligste på denne side er Dolce far niente. Interior with the Artist's Parents (1883), det seneste Self-portrait (1920).
Portrait of Mathea Strøm, the Artist's Mother, Dolce far niente. Interior with the Artist's Parents og Girl Friends er blandt de 16 værker på denne side, som er i Nationalmuseet for kunst, arkitektur og design, Oslo's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Norway, 1883. The Industrial and Art Exhibition at Tullinløkka provides the stage for a debut. Halfdan Strøm, fresh from his studies at the Royal Drawing School in Kristiania, presents his vision to an audience in Oslo. He moves quickly from the local scene toward the broader European landscape. Munich becomes his classroom during 1883 and 1884, a period of intense technical absorption. The light changes as he joins Frits Thaulow in the outdoor academy at Modum. Here, the focus shifts to the immediate, tangible world.
The year 1889 marks a significant shift in international recognition. In Paris, at the World Exhibition, his work Skomakerverksted earns an honorable mention. This moment anchors his place within the early movement of realism in Norwegian painting. He does not merely observe; he captures the weight of everyday life through oil on canvas and board.
The trajectory moves from student to leader. Strøm occupies a central position in the Norwegian art establishment, serving as a professor at the Norwegian National Academy of Fine Arts from 1909 until 1935. By 1924, he assumes the role of Director at the same institution. His influence is codified through honors: Knight, First Class of the Royal Norwegian Order of St. Olav in 1910 and Commander of the Danish Order of the Dannebrog.
Gold medals follow his travels across the globe. The halls of the World Exhibition in Paris in 1900, the galleries of Munich in 1901, and the exhibition in San Francisco in 1915 all witness his technical precision. His work remains grounded in a specific reality, often utilizing an interplay of light and shadow to define form.
His oeuvre contains a deep connection to personal and social subjects. Some works focus on the intimate, such as the 1885 Portrait of Mathea Strøm, the Artist's Mother, while others capture the pulse of public life. The following pieces represent his varied gaze:
His legacy is held within the permanent collections of the National Gallery of Norway and the National Museum of Art, Architecture and Design. Through these works, the realism he helped establish remains visible in the textures of Norwegian life.
