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Neupfarrplatz in Regensburg
Håndmalet oliereproduktion fra $181 28 × 36 cm
Samme størrelse som originalen $204 37 × 48 cm Bestil i original størrelse →
Maleriet, der gjorde Friedrich Eibner berømt, er Neupfarrplatz in Regensburg (1849); det hænger på Bavarian State Painting Collections i München. gothic cathedral in Freiburg (1850) og Nuremberg seen from Tullnau (1848) følger efter i samlernes og museumsgæsternes hjerter. Af de 3 værker af Friedrich Eibner i vores katalog er disse 3 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Friedrich Eibner wasinterested primarily in architectural renditions. Beyond his Bavarian homeland,he also worked along the Rhine, in France, and in Northern Italy. On a trip toSpain in the entourage of Russian Prince Meshchersky, he produced numerousdrawings and watercolors, 65 of which the prince acquired and arranged toreproduce as a facsimile album. Later, from 1868 onward, Eibner also beganreceiving commissions from Bavarian King Ludwig II.Here Eibner shows anatmospheric, romantic scene. He…
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Friedrich Eibner | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 1 | Neupfarrplatz in Regensburg |
 Nuremberg Municipal Museums |
Nürnberg | 1 | Nuremberg seen from Tullnau |
Friedrich Eibners daterede mesterværker strækker sig over blot 3 år, fra 1848 til 1850: her er hvert år i sin fineste form.
Friedrich Eibner wasinterested primarily in architectural renditions. Beyond his Bavarian homeland,he also worked along the Rhine, in France, and in Northern Italy. On a trip toSpain in the…
Neupfarrplatz in Regensburg (1849), Bavarian State Painting Collections, München. Derefter følger gothic cathedral in Freiburg (1850) og Nuremberg seen from Tullnau (1848).
24 år gammel: Neupfarrplatz in Regensburg er fra 1849, og Friedrich Eibner blev født i 1825.
Vores katalog indeholder 3 værker af Friedrich Eibner, dateret fra 1848 til 1850.
De fleste af dem findes i Bavarian State Painting Collections (München) og Nuremberg Municipal Museums (Nürnberg). Tabellen ovenfor lister museerne enkeltvis.
Det tidligste på denne side er Nuremberg seen from Tullnau (1848), det seneste gothic cathedral in Freiburg (1850).
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Friedrich Eibner was a German painter whose artistic soul was deeply entwined with the grandeur of the built environment. Primarily focused on architectural renditions, his work captured the structural elegance and historical weight of the landscapes he traversed. Born in Hilpoltstein, Bavaria, Eibner developed a keen eye for the interplay between light and stone, a skill nurtured through his early studies after the works of Heinrich Schönfeld. His artistic journey was one of constant movement, as he wandered far beyond his Bavarian homeland to document the world through delicate watercolours and precise drawings.
His travels were not merely geographical but served as an expansive exploration of European architectural heritage. Eib．ner’s path took him along the Rhine, through the landscapes of France, and into Northern Italy. One of the most significant chapters of his life occurred during a journey to Spain in 1860–61, traveling in the entourage of Russian Prince Meshchersky. This expedition proved immensely fruitful for his legacy; Eibner produced a vast collection of drawings and watercolours, sixty-five of which were acquired by the Prince to be arranged into a magnificent facsimile album. This body of work remains a testament to his ability to translate foreign vistas into intimate, detailed records.
Beyond the mere documentation of structures, Eibner possessed a profound ability to infuse his architectural subjects with emotion and atmosphere. He utilized lighting as a transformative medium, employing it to set moods that could blur the edges of a city or sharpen the silhouette of a cathedral. This romantic approach allowed him to move beyond technical accuracy into the realm of the evocative, creating scenes where light and shadow dance across facades to suggest a sense of time and memory.
The depth of his talent eventually brought him to the attention of the highest echelons of German society. From 1868 onward, Eibner began receiving prestigious commissions from Bavarian King Ludwig II. Working under such patronage allowed him to further refine his ability to depict atmospheric, romantic scenes that resonated with the aesthetic sensibilities of the era. His work stands as a bridge between the rigorous study of architecture and the emotive power of Romanticism, leaving behind a legacy of beauty captured through the lens of a wandering observer.