Frederic Yates, 1854 – 1919

Frederic Yates: De 16 mest berømte malerier

Charlotte Mason (1842–1923) (1902) er det mest berømte maleri af Frederic Yates. Path on Nab Scar (1900) og At Dent, August 1904 (1904) er de næste to værker, som verden kender bedst. Udvalgt fra de 16 værker af Frederic Yates i vores katalog er her de 16, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

Portræt af Frederic Yates
Frederic Yates · 1854 – 1919
Født · død
1854 – 1919, Southampton
Værker i vores katalog
16
Mest kendte
Charlotte Mason (1842–1923) (1902)
Flest værker hos
Abbot Hall Art Gallery

Top 10: Frederic Yatess mest kendte malerier

Charlotte Mason (1842–1923) (1902) af Frederic Yates
1

Charlotte Mason (1842–1923)

1902 · Oil On Canvas

The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

Håndmalet oliereproduktion fra $181 27 × 37 cm Samme størrelse som originalen $214 40 × 52 cm Bestil i original størrelse →

Resten af Frederic Yates-ranglisten, fra 11 til 16

Hvor kan man se Frederic Yates's malerier

De 5 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Frederic Yates Malerier fra denne liste
Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Japanese Shrine

Frederic Yates gennem årene: mesterværkerne fra hvert år

15 års Frederic Yatess malerier, fra 1900 til 1914, fortalt år for år gennem de mest kendte værker.

  1. 1900
  2. 1901
    Girl with a Pigeon (1901) af Frederic Yates
    #16 ud af 16

    Girl with a Pigeon

    Alder 47 · Abbot Hall Art Gallery

    The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

  3. 1902
    Charlotte Mason (1842–1923) (1902) af Frederic Yates
    Rang 1 ud af 16

    Charlotte Mason (1842–1923)

    Alder 48

    The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

  4. 1904
  5. 1904
  6. 1907
  7. 1914

Frederic Yatess malerier: ofte stillede spørgsmål

Hvad er det mest berømte maleri af Frederic Yates?Vis svaret

Charlotte Mason (1842–1923) (1902). Derefter følger Path on Nab Scar (1900) og At Dent, August 1904 (1904).

Hvilken alder havde Frederic Yates, da Charlotte Mason (1842–1923) blev malet?Vis svaret

48 år gammel: Charlotte Mason (1842–1923) er fra 1902, og Frederic Yates blev født i 1854.

Hvilke er de 10 mest berømte Frederic Yates malerier?Vis svaret

Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard og John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Ranglisten ovenfor angiver årstallet og museet for hver af dem.

Hvor mange malerier af Frederic Yates er der?Vis svaret

Vores katalog indeholder 16 værker af Frederic Yates, dateret fra 1900 til 1914.

Hvor kan jeg se de mest berømte Frederic Yates malerier?Vis svaret

De fleste af dem findes i Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) og Cumbria Archive And Local Studies Centre (Barrow-in-Furness). Tabellen ovenfor lister museerne enkeltvis.

I hvilken periode malede Frederic Yates sine mest kendte værker?Vis svaret

I 1904: 2 af de 16 værker på denne side stammer fra denne periode, herunder At Dent, August 1904.

Hvad er det tidligste berømte maleri af Frederic Yates, og hvad er det nyeste?Vis svaret

Det tidligste på denne side er Path on Nab Scar (1900), det seneste Rydal Water (1914).

Hvilke malerier af Frederic Yates har Abbot Hall Art Gallery i sin samling?Vis svaret

Path on Nab Scar, Rydal Valley og View near Rydal er blandt de 5 værker på denne side, som er i Abbot Hall Art Gallery, Kendal's samling.

Hvor kan jeg købe en Frederic Yates reproduktion?Vis svaret

Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

Frederic Yates: biografi

A Life Painted in Light: The Story of Frederic Yates

Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

Early Years and Artistic Training

The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

The Alluring Landscapes: A Romantic Vision

Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

Portraiture: Capturing Character and Dignity

Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
  • His use of light is particularly effective in portraiture,
  • softening features and creating a sense of intimacy.
  • He often employed a muted color palette,
  • allowing the sitter’s character to take center stage.

Legacy and Historical Significance

While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.