Fred Roe, 1864 – 1947

De 24 mest berømte malerier af Fred Roe

Maleriet, der gjorde Fred Roe berømt, er Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915). The Passing of John Sargent (1947) og May the Eighth følger efter i samlernes og museumsgæsternes hjerter. Af de 24 værker af Fred Roe i vores katalog er disse 24 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

Portræt af Fred Roe
Fred Roe · 1864 – 1947
Født · død
1864 – 1947, Cambridge
Værker i vores katalog
24
Mest kendte værker
Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915)
Flest værker i
Guildhall Art Gallery

Fred Roe: de ti mesterværker

Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915) af Fred Roe
1

Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front

1915 · Oil

The darkness of the Western Front presses in from all sides, heavy and absolute, yet a small circle of light holds the night at bay. Around a central campfire, soldiers gather, their forms etched against the gloom by the flickering orange glow of the flames. Some men sit on the earth, their bodies slumped in exhaustion, while others stand, perhaps watching the embers or lost in thought. The fire acts…

Håndmalet oliereproduktion fra $181 27 × 37 cm Samme størrelse som originalen $714 108 × 173 cm Bestil i original størrelse →
The Passing of John Sargent (1947) af Fred Roe
2

The Passing of John Sargent

1947 · Oil On Canvas · Guildhall Art Gallery, London

The solemnity of 1947 settles upon the canvas in The Passing of John Sargent. This oil painting on canvas captures a moment of profound gravity, frozen in the quietude of a grand cathedral. Fred Roe, the artist behind this large-scale work, directs our gaze toward a gathering of clergymen and dignitaries. They stand assembled around an altar, their presence filling the space with a sense of formal ritual and heavy…

Håndmalet oliereproduktion fra $456 40 × 25 cm Samme størrelse som originalen $938 163 × 104 cm Bestil i original størrelse →
May the Eighth af Fred Roe
3

May the Eighth

Oil

In this oil painting, titled May the Eighth, Fred Roe captures a moment of profound historical weight. Created about 1915, the work belongs to the artist's significant period of engagement with the realities of the Great War. It is a piece that reflects the gravity of the era through its specific focus on military movement and the human cost of conflict.

Håndmalet oliereproduktion fra $181 37 × 27 cm Samme størrelse som originalen $450 116 × 85 cm Bestil i original størrelse →
Nelson Leaving Portsmouth for the 'Victory', 1805 (1890) af Fred Roe
4

Nelson Leaving Portsmouth for the 'Victory', 1805

1890 · Oil · Victoria Art Gallery, Bath

Nelson Leaving Portsmouth for the 'Victory', 1805, by Fred Roe, captures a significant moment in British naval history. Created in 1890, the work focuses on a historical genre subject involving naval incidents in the life of Lord Nelson. The scene centers on a man in military uniform, identified by his blue coat and hat, as he prepares to depart for war.

Håndmalet oliereproduktion fra $181 39 × 26 cm Samme størrelse som originalen $212 54 × 37 cm Bestil i original størrelse →
The Tap Room of the 'Baptist's Head Inn', Clerkenwell, London (1891) af Fred Roe
5

The Tap Room of the 'Baptist's Head Inn', Clerkenwell, London

1891 · Oil

In this work, titled The Tap Room of the 'Baptist's Head Inn', Clerkenwell, London, the artist Fred Roe invites us into a quiet, localized corner of nineteenth-century London. Created about 1891, the painting captures the interior of a specific establishment, the Baptist's Head Inn, situated in the Clerkenwell district. It is a scene of stillness and everyday life, moving away from the grand historical narratives for which Roe is often…

Håndmalet oliereproduktion fra $181 34 × 29 cm Samme størrelse som originalen $222 52 × 45 cm Bestil i original størrelse →
Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire (1890) af Fred Roe
6

Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire

1890 · Oil · Shakespeare Birthplace Trust, Avon

This work, titled Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire, was executed by the artist Fred Roe. It offers a quiet glimpse into a domestic interior from a bygone era, specifically capturing a room within the historic cottage. The painting is associated with the Shakespeare Birthplace Trust, a connection that underscores its relationship to the historical sites of the region.

Håndmalet oliereproduktion fra $181 38 × 26 cm Samme størrelse som originalen $203 50 × 34 cm Bestil i original størrelse →

Flere mesterværker af Fred Roe, fra 11 til 24

Country Quality (1935) af Fred Roe
#16

Country Quality

1935

The painting "Country Quality" by Fred Roe is a captivating piece that showcases the artist's ability to capture the essence of rural life. Created in 1935, this oil…

Tag den med hjem fra $181 →
S. O. S (1929) af Fred Roe
#17

S. O. S

1929 · Grundy Art Gallery

The painting "S. O. S" by Fred Roe is a remarkable piece of art that showcases the artist's skill and attention to detail. Created in 1929, this oil…

Bestil en håndmalet kopi fra $181 →

Fred Roes malerier efter periode

De motiver Fred Roe malede mest

De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.

Hvor kan man se Fred Roe's malerier

De 7 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Fred Roe Malerier fra denne liste
Guildhall Art Gallery, LondonGuildhall Art Gallery London 2 The Passing of John Sargent, Recruiting in the Guildhall, London, by Sir Charles Wakefield
Victoria Art Gallery, BathVictoria Art Gallery Bath 1 Nelson Leaving Portsmouth for the 'Victory', 1805
Shakespeare Birthplace Trust, AvonShakespeare Birthplace Trust Avon 1 Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire
Wycombe District Council Offices, High WycombeWycombe District Council Offices High Wycombe 1 West Wycombe, Buckinghamshire
Te Whare O Rehua Sarjeant GalleryTe Whare O Rehua Sarjeant Gallery 1 The Toast is England
Grundy Art Gallery, BlackpoolGrundy Art Gallery Blackpool 1 S. O. S
Doncaster Museum And Art Gallery, DoncasterDoncaster Museum And Art Gallery Doncaster 1 The News, Chelsea Pensioners

Fred Roe, årti for årti: det definerende maleri for hvert enkelt

  1. 1890s
    Nelson Leaving Portsmouth for the 'Victory', 1805 (1890) af Fred Roe
    Rang 4 ud af 24

    Nelson Leaving Portsmouth for the 'Victory', 1805

    Alder 26 – 35 · Victoria Art Gallery

    Nelson Leaving Portsmouth for the 'Victory', 1805, by Fred Roe, captures a significant moment in British naval history. Created in 1890, the work focuses on a historical genre…

  2. 1900s
  3. 1910s
  4. 1920s
  5. 1930s
  6. 1940s
    The Passing of John Sargent (1947) af Fred Roe
    Nr. 2 ud af 24

    The Passing of John Sargent

    Alder 76 – 83 · Guildhall Art Gallery

    The solemnity of 1947 settles upon the canvas in The Passing of John Sargent. This oil painting on canvas captures a moment of profound gravity, frozen in the…

Fred Roes mesterværker: spørgsmål og svar

Hvilket maleri er Fred Roe bedst kendt for?Vis svaret

Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front (1915). Derefter følger The Passing of John Sargent (1947) og May the Eighth.

Hvor gammel var Fred Roe, da Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front blev malet?Vis svaret

51 år gammel: Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front er fra 1915, og Fred Roe blev født i 1864.

Hvad er Fred Roes ti største malerier?Vis svaret

Somewhere at the Front, Soldiers Around a Camp Fire at Night, Western Front, The Passing of John Sargent, May the Eighth, Nelson Leaving Portsmouth for the 'Victory', 1805, The Tap Room of the 'Baptist's Head Inn', Clerkenwell, London, Bedchamber in Anne Hathaway's Cottage, Shottery, Stratford upon Avon, Warwickshire, West Wycombe, Buckinghamshire, The Toast is England, The Return of the Hero (Lord Nelson) og Nathaniel Louis Cohen. Ranglisten ovenfor angiver årstallet og museet for hver af dem.

Hvor mange værker malede Fred Roe?Vis svaret

Vores katalog indeholder 24 værker af Fred Roe, dateret fra 1890 til 1947.

I hvilke museer kan jeg se Fred Roes mesterværker?Vis svaret

De fleste af dem findes i Guildhall Art Gallery (London), Victoria Art Gallery (Bath) og Shakespeare Birthplace Trust (Avon). Tabellen ovenfor lister museerne enkeltvis.

Hvornår malede Fred Roe mesterværkerne?Vis svaret

I 1920s: 5 af de 24 værker på denne side stammer fra denne periode, herunder Recruiting in the Guildhall, London, by Sir Charles Wakefield.

Hvad er de første og sidste berømte malerier af Fred Roe?Vis svaret

Det tidligste på denne side er Nelson Leaving Portsmouth for the 'Victory', 1805 (1890), det seneste The Passing of John Sargent (1947).

Hvad var Fred Roes foretrukne motiver?Vis svaret

Soldiers (2), Books (2) og Chair (2), blandt de 24 værker på denne side.

Hvilken teknik foretrak Fred Roe?Vis svaret

Oil: 5 ud af de 24 værker på denne side.

Hvilke mesterværker af Fred Roe hænger på Guildhall Art Gallery?Vis svaret

The Passing of John Sargent og Recruiting in the Guildhall, London, by Sir Charles Wakefield er blandt de 2 værker på denne side, som er i Guildhall Art Gallery, London's samling.

Kan jeg eje en reproduktion af et mesterværk af Fred Roe?Vis svaret

Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

Livet for Fred Roe

The Visionary Brush of Fred Roe

To step into the world of Fred Roe is to wander through a tapestry of historical grandeur and rugged frontier beauty. A master of both the intimate portrait and the sweeping landscape, Roe possessed a rare ability to breathe life into the past and the wild. While his name may evoke the dusty trails of the American West for some, his roots and much of his technical mastery were deeply entwared with the classical traditions of Europe. Born in 1864, Roe’s artistic identity was shaped by a dual heritage of meticulous academic training and an unquenchable thirst for exploration. Whether he was capturing the solemnity of a religious ceremony or the atmospheric mist rising over a Wyoming valley, his work remains a testament to a life spent observing the profound beauty in both the historical and the natural worlds.

The foundations of Roe’s technique were laid in the prestigious art schools of England. As the son of the painter and engraver Robert Henry Roe, the language of art was his first tongue. He refined his skills at the Heatherley School of Fine Art under the guidance of Seymour Lucas, a period that instilled in him a rigorous command over light, shadow, and anatomical precision. This academic discipline allowed him to achieve early success, exhibiting at the prestigious Royal Academy as early as 1877. His early career was marked by an impressive ascent through the ranks of the British art establishment, earning elections to the Royal Society of British Artists and the Royal Institute of British Painters. During these years, his focus often drifted toward historical genre subjects, where he utilized large-scale compositions and period costumes to recreate scenes of English history, including poignant depictions of Joan of Arc and naval incidents involving Lord Nelson.

From London Studios to the American Frontier

A pivotal shift occurred when Roe’s artistic gaze turned toward the vast, untamed landscapes of the Americas. His journey to Wyoming in 1893 served as a transformative expedition that expanded his repertoire from historical narrative to environmental storytelling. This period of exploration allowed him to document the topography and culture of the American West with the eye of both an artist and a chronicler. The rugged majesty of Yellowstone National Park became a central character in his work, providing him with a canvas of dramatic sunsets, stormy afternoons, and the quiet, misty mornings of the frontier. In these landscapes, Roe moved beyond mere documentation; he utilized expressive brushwork and a sophisticated understanding of tonal harmony to convey the palpable sense of place that defines the American spirit.

This versatility—the ability to pivot from the structured elegance of London’s high society to the raw, unscripted life of Wyoming ranchers and cowboys—is what makes his oeuvre so uniquely captivating. His talent for illustration further bridged these two worlds, as he secured prestigious commissions for Harper's Weekly and The Century Magazine. Through these publications, Roe brought the essence of Western life to a global audience, using visual storytelling to render scenes from historical narratives and contemporary frontier life with equal emotional weight. His work during this era was not merely about what could be seen, but about the feeling of the wind across the plains and the heavy silence of a historical moment frozen in time.

A Legacy of Detail and Discovery

Beyond the canvas, Fred Roe was a man of profound intellectual curiosity. His passion for history extended into the realm of material culture, where he became a leading expert and collector of antique furniture. His scholarly contributions, such as Ancient Coffers and Cupboards and A History of Oak Furniture, reveal an artist who sought to understand the structural soul of the eras he painted. This deep appreciation for craftsmanship and historical authenticity is mirrored in his paintings, where every detail—from the texture of a period garment to the light hitting a piece of weathered wood—is rendered with meticulous care.

As we reflect on the life of Fred Roe, we see an artist who refused to be confined by geography or genre. His legacy is found in the intersection of several profound artistic achievements:

  • Mastery of Genre: The seamless transition between historical narrative painting and contemporary landscape art.
  • Atmospheric Realism: An unparalleled ability to capture transient weather conditions and the emotional weight of light.
  • Cultural Documentation: His role as a visual historian for both the English past and the American frontier.
  • Scholarly Depth: The integration of historical research and antique expertise into his visual aesthetic.

Today, Roe’s works continue to resonate with collectors who seek more than just a beautiful image; they seek a window into a vanished world. His paintings remain vibrant, breathing with the energy of the landscapes he traversed and the histories he so lovingly reconstructed.