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The Mill Valley, Karekare Bay
Håndmalet oliereproduktion fra $181 40 × 25 cm
Samme størrelse som originalen $453 126 × 80 cm Bestil i original størrelse →
The Mill Valley, Karekare Bay (1899) er det mest berømte maleri af Frank Wright, som er i Auckland Art Gallery Toi o Tāmakis samling i Auckland. The Close of day (1909) og Morning after rain (1912) er de næste to værker, som verden kender bedst. Udvalgt fra de 5 værker af Frank Wright i vores katalog er her de 5, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Frank Wright | Malerier fra denne liste |
|---|---|---|---|
 Auckland Art Gallery Toi o Tāmaki |
Auckland | 4 | The Mill Valley, Karekare Bay, The Close of day, Morning after rain |
 Te Whare O Rehua Sarjeant Gallery |
1 | Waitakeres |
The Mill Valley, Karekare Bay (1899), Auckland Art Gallery Toi o Tāmaki, Auckland. Derefter følger The Close of day (1909) og Morning after rain (1912).
39 år gammel: The Mill Valley, Karekare Bay er fra 1899, og Frank Wright blev født i 1860.
Vores katalog indeholder 5 værker af Frank Wright, dateret fra 1899 til 1912.
De fleste af dem findes i Auckland Art Gallery Toi o Tāmaki (Auckland) og Te Whare O Rehua Sarjeant Gallery. Tabellen ovenfor lister museerne enkeltvis.
I 1910s: 2 af de 5 værker på denne side stammer fra denne periode, herunder Morning after rain.
Det tidligste på denne side er The Mill Valley, Karekare Bay (1899), det seneste Morning after rain (1912).
The Mill Valley, Karekare Bay, The Close of day og Morning after rain er blandt de 4 værker på denne side, som er i Auckland Art Gallery Toi o Tāmaki, Auckland's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Frank Wright remains a figure of significant interest for collectors tracking the turn-of-the-century landscape of New Zealand. While his reputation was long confined to the Auckland region, his technical proficiency distinguishes him from his contemporaries. He was a professional painter who operated with a level of discipline that set him apart from more popular, less structured artists of his era. His work provides a direct visual record of the New Zealand landscape and its inhabitants during a transformative period.
The market has recently begun to recognize the true value of his output. For years, his works lagged behind others in price, but recent auction results have corrected this oversight. His ability to capture specific locales, from the waters of Whangarei Harbour to the estuaries of Tamaki, demonstrates a focused commitment to the geography of his surroundings.
Wright’s practice was defined by a clear, observational approach to his subjects. He worked across various media, showing a particular aptitude for both oil on canvas and watercolour. His compositions often centered on the intersection of land and water, capturing the specific light and atmosphere of the New Zealand coast.
His repertoire includes several notable subjects and formats:
The significance of Wright’s work is cemented by his inclusion in major regional exhibitions. A joint exhibition arranged by the Auckland City Art Gallery in 1953 confirmed his place in the local canon. He was part of a final generation of painters who defined the aesthetic of the turn of the century in New Zealand. His paintings are no longer merely regional curiosities; they are essential components for understanding the development of New Zealand's early art market.