Maleriet, der gjorde Ernest Lindner berømt, er Uprooted (1969); det hænger på National Gallery of Canada i Ottawa. Af de 1 værker af Ernest Lindner i vores katalog er disse 1 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Ernest Lindner | Malerier fra denne liste |
|---|---|---|---|
 National Gallery of Canada |
Ottawa | 1 | Uprooted |
Hvert dateret mesterværk af Ernest Lindner på denne side tilhører 1969: her er de.
Uprooted (1969)
72 år gammel: Uprooted er fra 1969, og Ernest Lindner blev født i 1897.
Vores katalog indeholder 1 værker af Ernest Lindner.
De fleste af dem findes i National Gallery of Canada (Ottawa). Tabellen ovenfor lister museerne enkeltvis.
Born in Vienna, Austria, Ernest Lindner was a painter who eventually settled in Saskatoon, Saskatchewan, after arriving in Canada in 1926. Originally a self-taught commercial artist and illustrator, he became a prominent figure in the Saskatchewan arts community. He served as the head of the Art Department at the Saskatoon Technical Collegiate from 1936 until 1962. His dedication to the arts was further evidenced by his leadership roles, including serving as president of the Saskatoon Art Association and being a member of the Federation of Canadian Artists. In recognition of his contributions, he was made an Officer of the Order of Canada and was elected a member of the Royal Canadian Academy of Arts.
Lindner is widely recognized for his meticulous watercolors inspired by the wooded landscapes surrounding Emma Lake. His work often focuses on the forest floor, capturing highly textured patterns of moss, lichen, tree stumps, and fallen branches. These depictions frequently explore the natural cycle of decay and regeneration. His technical skill is evident in his sharply focused, highly keyed watercolors of tangled forest interiors. In his later years, his compositions often featured the overlapping and blending of human and plant forms. Beyond watercolor, his repertoire included etchings, lithographs, linocuts, and wood block prints.