Edwin White, 1817 – 1877

Edwin Whites malerier: De 6 mest berømte værker, rangeret

Edwin White's mest berømte maleri er The Antiquary (1855) i Metropolitan Museum of Art, New York. Sammen med Olden Times (also known as Spinning Flax, Olden Times) (1861) og Thoughts of the Future (Thoughts of Liberia, Emancipation) (1861) udgør de de tre værker, som alle kender. Vores katalog indeholder 6 værker af Edwin White; de 6 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.

Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

Portræt af Edwin White
Edwin White · 1817 – 1877
Født · død
1817 – 1877, South Hadley
Værker i vores katalog
6
Mest kendte
The Antiquary (1855)
Flest værker hos
New York Historical Society

De 10 mest berømte Edwin White malerier

Hvor kan man se Edwin White's malerier

De 3 museer, der rummer flest af malerierne på denne side.

Museum By Værker af Edwin White Malerier fra denne liste
New York Historical Society, New York CityNew York Historical Society New York City 3 Olden Times (also known as Spinning Flax, Olden Times), Thoughts of the Future (Thoughts of Liberia, Emancipation), Murillo Sketching the Beggar Boy
Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Studio Interior, A Room in the Bargello, Florence
Metropolitan Museum of Art, New YorkMetropolitan Museum of Art New York 1 The Antiquary

Edwin Whites mest berømte maleri fra hvert årti

  1. 1850s
    The Antiquary (1855) af Edwin White
    #1 ud af 6

    The Antiquary

    Alder 33 – 42 · Metropolitan Museum of Art
  2. 1860s
  3. 1870s

Spørgsmål om Edwin Whites malerier

Hvad er Edwin Whites mest berømte maleri?Vis svaret

The Antiquary (1855), Metropolitan Museum of Art, New York. Derefter følger Olden Times (also known as Spinning Flax, Olden Times) (1861) og Thoughts of the Future (Thoughts of Liberia, Emancipation) (1861).

Hvor gammel var Edwin White, da The Antiquary blev malet?Vis svaret

38 år gammel: The Antiquary er fra 1855, og Edwin White blev født i 1817.

Hvor mange malerier har Edwin White lavet?Vis svaret

Vores katalog indeholder 6 værker af Edwin White, dateret fra 1855 til 1872.

Hvor findes Edwin Whites mest berømte malerier?Vis svaret

De fleste af dem findes i New York Historical Society (New York City), Museum of Fine Arts (Boston) og Metropolitan Museum of Art (New York). Tabellen ovenfor lister museerne enkeltvis.

Hvornår malede Edwin White sine mest berømte værker?Vis svaret

I 1860s: 3 af de 6 værker på denne side stammer fra denne periode, herunder Olden Times (also known as Spinning Flax, Olden Times).

Hvad er Edwin White's tidligste og seneste berømte malerier?Vis svaret

Det tidligste på denne side er The Antiquary (1855), det seneste Studio Interior (1872).

Hvilke Edwin White-malerier kan jeg se på New York Historical Society?Vis svaret

Olden Times (also known as Spinning Flax, Olden Times), Thoughts of the Future (Thoughts of Liberia, Emancipation) og Murillo Sketching the Beggar Boy er blandt de 3 værker på denne side, som er i New York Historical Society, New York City's samling.

Kan jeg købe en reproduktion af et maleri af Edwin White?Vis svaret

Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

Om Edwin White

Edwin White (1817–1877): A Pioneer of American Historical Painting

Edwin White stands as a pivotal figure in the landscape of 19th-century American art, recognized primarily for his masterful depictions of historical narratives and monumental scenes—particularly ‘The Antiquary’ and Washington Resigning His Commission. Born in South Hadley, Massachusetts, in 1817, White embarked on an artistic journey marked by rigorous study abroad and a dedication to anatomical precision that distinguished him from many of his contemporaries. This unwavering commitment to observation and technique cemented his legacy as one of the foremost painters of his era.
  • Early Life & Education: White’s formative years were spent honing his artistic skills under the tutelage of Philip Hewins in Harford, Connecticut. Recognizing the importance of foundational knowledge, he pursued a Bachelor of Arts degree at Amherst College by 1856, demonstrating an intellectual curiosity that extended beyond mere visual representation.
  • European Training: White’s artistic maturation unfolded during extensive travels across Europe—Paris, Düsseldorf, Rome, and Florence—where he absorbed the influences of celebrated masters like François Edouard Picot and Carl Wilhelm Hubner. These formative experiences instilled in him a profound understanding of classical composition and anatomical accuracy, elements that would permeate his subsequent works.
  • National Academy of Design & Anatomical Studies: White’s affiliation with the National Academy of Design in New York City provided invaluable opportunities for artistic refinement and intellectual exploration. He diligently pursued lectures on anatomy, recognizing its crucial role in conveying human form with realism and conviction—a practice that would become a hallmark of his oeuvre.

Notable Achievements & Artistic Style

White’s artistic style was characterized by meticulous detail and an unwavering commitment to capturing the essence of historical events. His paintings possessed a solemn grandeur, reflecting the intellectual currents of his time—a fascination with classical ideals and a desire to elevate art as a vehicle for conveying moral truths. The success of ‘The Antiquary,’ which explored themes of erudition and contemplation, established White’s reputation as an artist capable of engaging viewers on both aesthetic and intellectual levels. Equally significant was the monumental ‘Washington Resigning His Commission,’ commissioned by Maryland State Senate—a work that captured a pivotal moment in American history with remarkable precision and emotional resonance. The painting's sale for $6,000 underscored White’s artistic prowess and solidified his position as one of the leading painters of his generation.
  • ‘The Antiquary’: This masterpiece exemplifies White’s stylistic approach—a careful balance between classical composition and nuanced observation of human psychology.
  • ‘Washington Resigning His Commission’: The painting's grandeur and dramatic lighting powerfully conveyed the solemnity of the occasion, securing its place as a cornerstone of American art history.

Legacy & Influence

Edwin White’s influence extended beyond his own artistic output; he served as a teacher at the National Academy of Design, nurturing the talents of future generations of artists and shaping the trajectory of American painting. His dedication to anatomical study—a practice uncommon for his time—established him as an innovator who championed scientific rigor alongside artistic expression. Furthermore, White’s depiction of Washington Resigning His Commission served as inspiration for a 5-cent stamp issued in 1920 commemorating the Pilgrim Tercentenary—a testament to the enduring power of his artwork and its resonance within American cultural memory. The unfinished painting of Washington Resigning, bequeathed to Yale University Art Museum, continues to fascinate scholars and artists alike, representing a poignant reminder of White’s artistic ambition and creative vision.

Further Exploration

To delve deeper into Edwin White's life and work, consider visiting these resources: