E. Ribeiro's mest berømte maleri er Tenente-coronel Sena Madureira (1897) i Museu Histórico Nacional, Rio de Janeiro. Vores katalog indeholder 1 værker af E. Ribeiro; de 1 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af E. Ribeiro | Malerier fra denne liste |
|---|---|---|---|
 Museu Histórico Nacional |
Rio de Janeiro | 1 | Tenente-coronel Sena Madureira |
Alle E. Ribeiro's daterede værker på denne side er fra 1897: her er de mest berømte af dem.
Tenente-coronel Sena Madureira (1897)
Vores katalog indeholder 1 værker af E. Ribeiro.
De fleste af dem findes i Museu Histórico Nacional (Rio de Janeiro). Tabellen ovenfor lister museerne enkeltvis.
The year 1897 finds a brush meeting canvas in a moment of quiet, formal intensity. E. Ribeiro captures the likeness of Tenente-coronel Sena Madureira, a figure of military standing. The work exists within the collection of the Museu Histórico Nacional in Rio de Janeiro. It is a study of presence, focusing on the weight of the subject's position and the specific details of his station.
The painting functions as a historical record. Through the application of pigment, Ribeiro fixes the image of the Tenente-coronel for posterity. The portrait moves beyond a mere likeness to become a piece of the Brazilian iconographic record, preserved within the halls of the Museu Histórico Nacional.
Ribeiro’s contribution to the portraiture of the late nineteenth century is defined by this specific engagement with military subjects. The work reflects the formal requirements of the era, where the depiction of rank and character was paramount. The artist operates within the genre of portraiture, utilizing the medium to document the individuals who shaped the social and military fabric of the time.
The historical significance of the work is tied to its preservation in Rio de Janeiro. The following elements define the artist's known output:
The legacy of E. Ribeiro remains anchored to this singular, documented achievement. The portrait of Tenente-coronel Sena Madureira remains the primary evidence of the artist's hand. It survives as a window into the visual language of 1897, a period where the brush served to solidify the identity of the era's leadership.