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Gundogs against landscape
Håndmalet oliereproduktion fra $181 36 × 28 cm
Samme størrelse som originalen $333 88 × 68 cm Bestil i original størrelse →
Cornelis Beeldemaker's mest berømte maleri er Gundogs against landscape (1732) i Nationalmuseet i Warszawa, Warszawa. Vores katalog indeholder 1 værker af Cornelis Beeldemaker; de 1 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Cornelis Beeldemaker | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseet i Warszawa |
Warszawa | 1 | Gundogs against landscape |
Alle Cornelis Beeldemaker's daterede værker på denne side er fra 1732: her er de mest berømte af dem.
Gundogs against landscape (1732)
61 år gammel: Gundogs against landscape er fra 1732, og Cornelis Beeldemaker blev født i 1671.
Vores katalog indeholder 1 værker af Cornelis Beeldemaker.
De fleste af dem findes i Nationalmuseet i Warszawa (Warszawa). Tabellen ovenfor lister museerne enkeltvis.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Leiden, 1671. Cornelis Beeldemaker enters a world defined by the brushstrokes of his father, Adriaen Cornelisz. Beeldemaker is born into a lineage of painters, the son of a man already established in the craft. He grows up alongside his younger brother, Frans Beeldemaker. The household functions as a workshop where the boundaries between family life and professional training are nonexistent.
The apprenticeship begins at home. Cornelis Beeldemaker studies under his father, absorbing the technical foundations of the trade through direct observation and practice. This familial instruction provides the groundwork for his formal education. In 1689, the trajectory shifts from the private studio to the public academy. He is sent to The Hague to attend the drawing academy, seeking to refine the skills inherited from his father.
The final chapter of Beeldemaker's life centers on his movement toward Middelburg. By 1736, his professional trajectory led him to this city, where he sought formal recognition within the local artistic community. He enrolled in the guild that same year, a significant step for a painter establishing his standing in a new locale.
His presence in Middelburg appears to be the final stage of his career. Records indicate he likely died in the city around c. 1737, though some estimates place his passing between 1736 and 1738. This period marks the end of a life spent working in oil, following the traditions of his father and brother.