The Filling Factory (1916) er det mest berømte maleri af Charles Ginner, som er i National Gallery of Canadas samling i Ottawa. Flask Walk, Hampstead at Night (1933) og The River Lune, Lancaster (1950) er de næste to værker, som verden kender bedst. Udvalgt fra de 3 værker af Charles Ginner i vores katalog er her de 3, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
De 3 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Charles Ginner | Malerier fra denne liste |
|---|---|---|---|
| Ottawa | 1 | The Filling Factory | |
| London | 1 | Flask Walk, Hampstead at Night | |
| Sydney | 1 | The River Lune, Lancaster |
The Filling Factory (1916), National Gallery of Canada, Ottawa. Derefter følger Flask Walk, Hampstead at Night (1933) og The River Lune, Lancaster (1950).
38 år gammel: The Filling Factory er fra 1916, og Charles Ginner blev født i 1878.
Vores katalog indeholder 3 værker af Charles Ginner, dateret fra 1916 til 1950.
De fleste af dem findes i National Gallery of Canada (Ottawa), Fenton House (London) og Art Gallery of New South Wales (Sydney). Tabellen ovenfor lister museerne enkeltvis.
Det tidligste på denne side er The Filling Factory (1916), det seneste The River Lune, Lancaster (1950).
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Born in Cannes, France, to British parents, Charles Isaac Ginner began his path toward becoming a painter despite initial parental disapproval. After a period of convalescence following an illness, he moved to Paris in 1899 to study architecture. He eventually transitioned to art, studying at the Academie Vitti and the Ecole des Beaux Arts. During his time in Paris, he worked under teachers such as Paul Gervais and Hermenegildo Anglada Camarasa. In 1909, Ginner traveled to Buenos Aires, Argentina, where he held his first one-person show, an event that helped introduce post-Impressionism to South America.
In 1910, Ginner settled in London, becoming a key member of the Camden Town Group. His work often focused on urban subjects and landscapes, characterized by a meticulous detailing of buildings and trees in his watercolours. During both World Wars, he served in official capacities, including work for the Canadian War Records and as an Official War Artist during the second conflict, where he specialized in painting harbour scenes and bombed buildings in London.
Ginner's painting style was marked by several distinct characteristics and affiliations:
Throughout his career, Ginner was associated with several prominent groups, including the London Group and the Cumberland Market Group. His work is held in various collections, including the Tate Gallery and the National Portrait Gallery, the latter of which contains a precise self-portrait of the artist.