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Forest Landscape with Bathing Children
Håndmalet oliereproduktion fra $181 35 × 29 cm
Samme størrelse som originalen $202 45 × 37 cm Bestil i original størrelse →
Carl Ebert's mest berømte maleri er Forest Landscape with Bathing Children (1867) i Bavarian State Painting Collections, München. Sammen med Evening Landscape (1875) og Landscape society in a park udgør de de tre værker, som alle kender. Vores katalog indeholder 5 værker af Carl Ebert; de 5 nedenfor er dem, som verden ser mest på, hver med årstal, det museum der opbevarer det, og hvorfor det er betydningsfuldt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Carl Ebert | Malerier fra denne liste |
|---|---|---|---|
 Bavarian State Painting Collections |
München | 2 | Forest Landscape with Bathing Children, Evening Landscape |
 Lenbachhaus |
München | 1 | Isar Landscape |
Carl Ebert malede i knap 9 år, fra 1867 til 1875: følg årtiet år for år gennem de malerier, der skabte navnet.
Forest Landscape with Bathing Children (1867), Bavarian State Painting Collections, München. Derefter følger Evening Landscape (1875) og Landscape society in a park.
46 år gammel: Forest Landscape with Bathing Children er fra 1867, og Carl Ebert blev født i 1821.
Vores katalog indeholder 5 værker af Carl Ebert, dateret fra 1867 til 1875.
De fleste af dem findes i Bavarian State Painting Collections (München) og Lenbachhaus (München). Tabellen ovenfor lister museerne enkeltvis.
Det tidligste på denne side er Forest Landscape with Bathing Children (1867), det seneste Evening Landscape (1875).
Forest Landscape with Bathing Children og Evening Landscape er blandt de 2 værker på denne side, som er i Bavarian State Painting Collections, München's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Carl Ebert was born in Stuttgart on 13 March 1821. The early death of his parents shifted his trajectory, but the support of his relatives ensured his path remained within the arts. He secured a place at the State Academy of Fine Arts in Stuttgart, where his technical foundation was built under the instruction of Gottlob Friedrich Steinkopf and Johann Friedrich Dieterich. This formal training provided the necessary discipline for a career defined by the landscape genre.
In 1846, Ebert moved to Munich, a transition that signaled a shift toward more specialized study. He became a private student of Eduard Schleich, focusing his attention on the nuances of the natural world. His development was not confined to the studio; he frequently visited the Alte Pinakothek to study the works of the Old Masters. This direct engagement with established techniques informed his approach to composition and light. His training was a deliberate combination of academic rigor and the observation of historical precedents.
Ebert’s development was shaped by direct engagement with the landscape and the shifting currents of European painting. His time spent at the artists' colonies in Polling and Eberfing alongside Friedrich Salzer and Richard Zimmermann provided a foundation in communal study. This period of observation was interrupted and expanded by his attendance at the Exposition Universelle in 1855. It was during this exhibition that the Barbizon school exerted a clear influence on his approach to the natural world.
His movement through Europe was extensive and purposeful. He accompanied Schleich and Carl Morgenstern on study trips through France, Belgium, and the Netherlands, absorbing the light and terrain of these regions. His interest in the Mediterranean led him to Italy in 1857 and again in 1872. Later in his career, in 1881, he spent several months in Bosnia. These excursions provided the specific topographical data that defined his later output.