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Night Scene of Indian Tipi
Håndmalet oliereproduktion fra $181 35 × 29 cm
Samme størrelse som originalen $269 69 × 56 cm Bestil i original størrelse →
Night Scene of Indian Tipi (1895) er det mest berømte maleri af Benjamin Raborg, som er i Smithsonian American Art Museums samling i Washington, D.C.. Udvalgt fra de 1 værker af Benjamin Raborg i vores katalog er her de 1, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Benjamin Raborg | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 1 | Night Scene of Indian Tipi |
1895 er året for hvert dateret Benjamin Raborg mesterværk på denne side: her er de, i rækkefølge efter berømmelse.
Night Scene of Indian Tipi (1895)
24 år gammel: Night Scene of Indian Tipi er fra 1895, og Benjamin Raborg blev født i 1871.
Vores katalog indeholder 1 værker af Benjamin Raborg.
De fleste af dem findes i Smithsonian American Art Museum (Washington, D.C.). Tabellen ovenfor lister museerne enkeltvis.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Benjamin O'Fallan Raborg lived a life shaped by the landscapes of the American West. Born in Sulphur Springs, Missouri, he carried the influence of his family into his work, including his uncle, the artist Astley David Middleton Cooper. His brush found its way to the textures of the frontier, focusing on the quiet dignity of landscapes and the presence of portraits. He often turned his attention to American Indians, capturing them within the scenes he composed on canvas.
His work was not about grand gestures, but about the specific details of a place. In pieces like Night Scene of Indian Tipi, there is a focus on how light and shadow settle over a camp. This particular work resides in the Smithsonian American Art Museum, a quiet piece of his legacy that remains after his passing.
The path of his life took him from the plains of Missouri to the coast of California. He spent his final years in San Francisco, where his life came to an abrupt end in 1918. A cable car accident took his life, leaving behind a body of work that reflects the era of his existence. He is buried in Oak Hill Memorial Park in San Jose, California.
His paintings remain as physical traces of his time. They are objects that hold the light of a different century, specifically through his use of oil on canvas. His subjects—the landscapes and the people of the West—remain fixed in the way he chose to see them.