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Gustaf Adolf Reuterholm (1756-1813), baron, president of the Chamber Audit, supreme chamberlain
Håndmalet oliereproduktion fra $181 29 × 34 cm
Samme størrelse som originalen $303 64 × 78 cm Bestil i original størrelse →
Gustaf Adolf Reuterholm (1756-1813), baron, president of the Chamber Audit, supreme chamberlain (1756) er det mest berømte maleri af Anders Eklund, som er i National Portrait Gallery of Swedens samling i Strängnäs. Petter Rungren, hovskräddare hos Gustav III (1762) og Jakob Jung, 1729-1810 (1769) er de næste to værker, som verden kender bedst. Udvalgt fra de 7 værker af Anders Eklund i vores katalog er her de 7, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
De 2 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Anders Eklund | Malerier fra denne liste |
|---|---|---|---|
 Nationalmuseum |
Stockholm | 4 | Elisabeth Palm (1756-1786), gift Schön, Carl Christoffer Gjörwell (1731-1811), royal librarian, writer, married to Brigitta Eleonora Müller, Johan Gustav von Carlsson (1743-1801), president of Vasa court of appeal, scientist |
 National Portrait Gallery of Sweden |
Strängnäs | 3 | Gustaf Adolf Reuterholm (1756-1813), baron, president of the Chamber Audit, supreme chamberlain, Petter Rungren, hovskräddare hos Gustav III, Jakob Jung, 1729-1810 |
Gustaf Adolf Reuterholm (1756-1813), baron, president of the Chamber Audit, supreme chamberlain (1756), National Portrait Gallery of Sweden, Strängnäs. Derefter følger Petter Rungren, hovskräddare hos Gustav III (1762) og Jakob Jung, 1729-1810 (1769).
19 år gammel: Gustaf Adolf Reuterholm (1756-1813), baron, president of the Chamber Audit, supreme chamberlain er fra 1756, og Anders Eklund blev født i 1737.
Vores katalog indeholder 7 værker af Anders Eklund, dateret fra 1756 til 1794.
De fleste af dem findes i Nationalmuseum (Stockholm) og National Portrait Gallery of Sweden (Strängnäs). Tabellen ovenfor lister museerne enkeltvis.
I 1760s: 3 af de 7 værker på denne side stammer fra denne periode, herunder Petter Rungren, hovskräddare hos Gustav III.
Det tidligste på denne side er Gustaf Adolf Reuterholm (1756-1813), baron, president of the Chamber Audit, supreme chamberlain (1756), det seneste Carl Christoffer Gjörwell (1731-1811), royal librarian, writer, married to Brigitta Eleonora Müller (1794).
Elisabeth Palm (1756-1786), gift Schön, Carl Christoffer Gjörwell (1731-1811), royal librarian, writer, married to Brigitta Eleonora Müller og Johan Gustav von Carlsson (1743-1801), president of Vasa court of appeal, scientist er blandt de 4 værker på denne side, som er i Nationalmuseum, Stockholm's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
In the quiet corridors of Swedish art history, few names evoke the refined grace of the late eighteenth century quite like Anders Eklund. Born in 1737, a period marked by the shifting tides of European Enlightenment, Eklund emerged as a master of the portrait, capturing not just the likenesses of his subjects but the very essence of their social standing and inner composure. His life, spanning from the mid-century to his passing in May 1802, was dedicated to the meticulous pursuit of anatomical accuracy and the subtle play of light upon fabric, establishing him as a significant figure in the Swedish portraiture tradition.
Eklund’s artistry was deeply rooted in the classical traditions of his era, yet he possessed a unique ability to infuse his work with a sense of lived reality. As a painter, he navigated the complexities of texture—the heavy sheen of silk, the delicate lace of a collar, and the soft warmth of human skin—with an almost tactile precision. His technique allowed him to bridge the gap between formal representation and emotional resonance, making his portraits more than mere records of appearance; they became windows into the dignity of the Swedish people during a transformative epoch.
The development of Eklund's style reflects a profound engagement with the aesthetic values of his time. While much of his work focused on the formal requirements of portraiture, there is an undeniable fluidity in his brushwork that suggests a deep understanding of movement and atmosphere. His ability to manipulate light—often casting it in a way that highlights the structural integrity of a face while allowing the background to recede into a soft, atmospheric mystery—demonstrates a sophisticated command over the chiaroscuro techniques prevalent in European academies.
Throughout his career, Eklund’s contributions can be seen through several key artistic pillars:
Today, the works attributed to Anders Eklund serve as vital historical artifacts. Held in esteemed collections such as the Nationalmuseum, his paintings continue to offer scholars and art enthusiasts alike a glimpse into the soul of a bygone era. His significance lies not only in his technical skill but in his role as a visual chronicler, ensuring that the elegance and gravity of his age remain vibrantly alive for future generations to contemplate.