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          Adèle Romany, 1769 – 1846

          De 37 mest berømte malerier af Adèle Romany

          Maleriet, der gjorde Adèle Romany berømt, er Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795); det hænger på National Museum of Women in the Arts i Washington, D.C.. Madame Coury, Duhamel Widow (1811) og Portrait of a Young Woman (1804) følger efter i samlernes og museumsgæsternes hjerter. Af de 39 værker af Adèle Romany i vores katalog er disse 37 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.

          Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.

          Portræt af Adèle Romany
          Adèle Romany · 1769 – 1846
          Født · død
          1769 – 1846, Paris
          Bevægelse
          Neoclassicism
          Værker i vores katalog
          39
          Mest kendte
          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
          Flest værker hos
          Library-museum of the Comédie-Française

          Adèle Romany: de ti mesterværker

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) af Adèle Romany
          1

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

          1795 · Oil · National Museum of Women in the Arts, Washington, D.C.

          The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

          Håndmalet oliereproduktion fra $181 27 × 36 cm Samme størrelse som originalen $525 97 × 128 cm Bestil i original størrelse →
          Tag den med hjem Opdag dette mesterværk
          Madame Coury, Duhamel Widow (1811) af Adèle Romany
          2

          Madame Coury, Duhamel Widow

          1811 · Oil On Canvas · Nationalmuseum, Stockholm

          In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

          Håndmalet oliereproduktion fra $181 28 × 36 cm Samme størrelse som originalen $470 90 × 117 cm Bestil i original størrelse →
          Bestil en reproduktion Om dette maleri
          Portrait of a Young Woman (1804) af Adèle Romany
          3

          Portrait of a Young Woman

          1804 · Oil On Canvas · Musée Marmottan Monet, Paris

          The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

          Håndmalet oliereproduktion fra $181 29 × 35 cm Samme størrelse som originalen $245 51 × 61 cm Bestil i original størrelse →
          Bestil en reproduktion Om dette maleri

          Flere mesterværker af Adèle Romany, fra 11 til 37

          De motiver Adèle Romany malede mest

          De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.

          Woman 3 værker

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), Adèle Romany #1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou 1795 · National Museum of Women in the Arts Madame Coury, Duhamel Widow (1811), Adèle Romany #2 Madame Coury, Duhamel Widow 1811 · Nationalmuseum Portrait of a Young Woman (1804), Adèle Romany #3 Portrait of a Young Woman 1804 · Musée Marmottan Monet

          Hvor kan man se Adèle Romany's malerier

          De 8 museer, der rummer flest af malerierne på denne side.

          Museum By Værker af Adèle Romany Malerier fra denne liste
          Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
          Château de Versailles, VersaillesChâteau de Versailles Versailles 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
          Museum of Fine Arts, BostonMuseum of Fine Arts Boston 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
          National Museum of Women in the Arts, Washington, D.C.National Museum of Women in the Arts Washington, D.C. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
          Nationalmuseum, StockholmNationalmuseum Stockholm 1 Madame Coury, Duhamel Widow
          Musée Marmottan Monet, ParisMusée Marmottan Monet Paris 1 Portrait of a Young Woman
          Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 1 Portrait of a Young Harpist
          Musée Jacquemart-André, ParisMusée Jacquemart-André Paris 1 Portrait of a woman

          Adèle Romany, årti for årti: det definerende maleri for hvert enkelt

          1. 1790s
          2. 1800s
            Portrait of a Young Woman (1804) af Adèle Romany
            #3 ud af 37

            Portrait of a Young Woman

            Alder 31 – 40 · Musée Marmottan Monet

            The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

          3. 1810s
            Madame Coury, Duhamel Widow (1811) af Adèle Romany
            #2 ud af 37

            Madame Coury, Duhamel Widow

            Alder 41 – 50 · Nationalmuseum

            In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

          4. 1830s

          Adèle Romanys mesterværker: spørgsmål og svar

          Hvilket maleri er Adèle Romany bedst kendt for?Vis svaret

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Washington, D.C.. Derefter følger Madame Coury, Duhamel Widow (1811) og Portrait of a Young Woman (1804).

          Hvor gammel var Adèle Romany, da Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou blev malet?Vis svaret

          26 år gammel: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou er fra 1795, og Adèle Romany blev født i 1769.

          Hvad er Adèle Romanys ti største malerier?Vis svaret

          Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois og A young person hesitating to play the piano in front of her family. Ranglisten ovenfor angiver årstallet og museet for hver af dem.

          Hvor mange værker malede Adèle Romany?Vis svaret

          Vores katalog indeholder 39 værker af Adèle Romany, dateret fra 1791 til 1836.

          I hvilke museer kan jeg se Adèle Romanys mesterværker?Vis svaret

          De fleste af dem findes i Library-museum of the Comédie-Française (Paris), Château de Versailles (Versailles) og Museum of Fine Arts (Boston). Tabellen ovenfor lister museerne enkeltvis.

          Hvornår malede Adèle Romany mesterværkerne?Vis svaret

          I 1800s: 13 af de 37 værker på denne side stammer fra denne periode, herunder Portrait of a Young Woman.

          Hvad er de første og sidste berømte malerier af Adèle Romany?Vis svaret

          Det tidligste på denne side er Portrait of Julie Candeille (1791), det seneste Portrait of Voltaire (1836).

          Hvilken teknik foretrak Adèle Romany?Vis svaret

          Oil On Canvas: 2 ud af de 37 værker på denne side.

          Hvilken kunstretning tilhører Adèle Romany?Vis svaret

          Neoclassicism, som malerierne på denne side viser.

          Hvilke mesterværker af Adèle Romany hænger på Library-museum of the Comédie-Française?Vis svaret

          Portrait of Emilie Leverd, Mlle Raucourt as Agrippine og Portrait of Fleury er blandt de 5 værker på denne side, som er i Library-museum of the Comédie-Française, Paris's samling.

          Kan jeg eje en reproduktion af et mesterværk af Adèle Romany?Vis svaret

          Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.

          Livet for Adèle Romany

          Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

          Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

          Early Life and Artistic Training

          • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
          • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
          • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

          Artistic Style and Notable Works

          • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
          • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
          • Notable Works:
            • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
            • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
            • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
          • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

          Recognition and Historical Significance

          • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
          • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
          • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
          • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

          Legacy and Rediscovery

          Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.

          Alle 39 værker af Adèle Romany → Adèle Romany malerireproduktioner med priser →