Maleriet, der gjorde Adam Pendleton berømt, er History (Lab 1964 Grey) (2005); det hænger på Carnegie Museum of Art i Pittsburgh. Af de 1 værker af Adam Pendleton i vores katalog er disse 1 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Adam Pendleton | Malerier fra denne liste |
|---|---|---|---|
 Carnegie Museum of Art |
Pittsburgh | 1 | History (Lab 1964 Grey) |
Hvert dateret mesterværk af Adam Pendleton på denne side tilhører 2005: her er de.
History (Lab 1964 Grey) (2005)
21 år gammel: History (Lab 1964 Grey) er fra 2005, og Adam Pendleton blev født i 1984.
Vores katalog indeholder 1 værker af Adam Pendleton.
De fleste af dem findes i Carnegie Museum of Art (Pittsburgh). Tabellen ovenfor lister museerne enkeltvis.
Adam Pendleton is an American conceptual artist whose diverse practice encompasses painting, silkscreen, collage, video, performance, and word art. Born in Richmond, United States, he began writing poetry at an early age and later transitioned into painting. His academic journey included studying at the Artspace Independent Study Program in Peitrasanta, Italy, before moving to New York in 2002. Currently, he divides his time between New York City and Germantown, New York.
His work often involves the investigation of language and the recontextualization of history through appropriated imagery. Pendleton's artistic output has been featured in various international exhibitions, including shows at the Museum of Modern Art, the Whitney, the New Museum, and La Triennale at the Palais de Tokyo in Paris. In 2024, he was honored with the Rosenthal Family Foundation Award for Painting from the American Academy of Arts and Letters.
A central concept in Pendleton's work is "Black Dada," a term he uses to discuss the present moment by addressing both the future and the past. This concept is exemplified in his Black Dada series of paintings, which feature partial views of Sol LeWitt's cube sculptures alongside letters derived from the phrase "Black Dada." This phrase itself originates from the 1964 poem "Black Dada Nihilismus" by Amiri Baraka.
His various series and installations explore different visual and linguistic systems: