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Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention
Håndmalet oliereproduktion fra $181 30 × 34 cm
Maleriet, der gjorde Actouche berømt, er Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention (1789); det hænger på Carnavalet Museum i Paris. Af de 1 værker af Actouche i vores katalog er disse 1 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Actouche | Malerier fra denne liste |
|---|---|---|---|
 Carnavalet Museum |
Paris | 1 | Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention |
Hvert dateret mesterværk af Actouche på denne side tilhører 1789: her er de.
Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention (1789)
39 år gammel: Portrait of Marguerite-Élie Guadet (1758-1793), Member of the Convention er fra 1789, og Actouche blev født i 1750.
Vores katalog indeholder 1 værker af Actouche.
De fleste af dem findes i Carnavalet Museum (Paris). Tabellen ovenfor lister museerne enkeltvis.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
The life of Actouche remains a quiet presence in the annals of French painting. Born in France in 1750, he lived through a period of profound transformation, navigating a world that would soon be reshaped by revolution. While the grand movements of his era often claim the spotlight, his contribution is found in the intimate precision of the portrait, capturing the likenesses of those caught in the currents of history.
His work reflects the sensibilities of late eighteenth-century France, a time when the brush was used to document not just faces, but the very essence of social standing and political identity. He moved through a landscape of shifting allegiances, leaving behind a record of the individuals who defined his era.
Actouche’s artistic output is characterized by a focus on the individual. His technique sought to render the human form with a clarity that spoke to the dignity of his subjects. One of his most significant surviving works provides a window into the political tensions of the late 1780s.
His catalog includes notable subjects such as:
This specific work, dated 1789, offers a glimpse into the intersection of art and the political upheaval of the time. By painting a member of the Convention, Actouche placed his brush at the center of a changing world, documenting a figure of significant historical weight.
By the time of his death in 1800, the world Actouche had known was unrecognizable from the one into which he was born. He did not seek the loud acclaim of the academies, yet his presence is felt in the collections of Paris. His work resides in the Carnavalet Museum, preserved as a fragment of a vanished age. He remains a painter of the moment, a witness to the faces of a revolution, captured in oil and pigment.