Maleriet, der gjorde A. Patrick berømt, er Mrs. Benajah Johnson (1830); det hænger på Smithsonian American Art Museum i Washington, D.C.. Af de 2 værker af A. Patrick i vores katalog er disse 2 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af A. Patrick | Malerier fra denne liste |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Mrs. Benajah Johnson, Benajah Johnson |
Hvert dateret mesterværk af A. Patrick på denne side tilhører 1830: her er de.
Mrs. Benajah Johnson (1830)
Vores katalog indeholder 2 værker af A. Patrick.
De fleste af dem findes i Smithsonian American Art Museum (Washington, D.C.). Tabellen ovenfor lister museerne enkeltvis.
I 1830: 2 af de 2 værker på denne side stammer fra denne periode, herunder Mrs. Benajah Johnson.
Mrs. Benajah Johnson og Benajah Johnson er blandt de 2 værker på denne side, som er i Smithsonian American Art Museum, Washington, D.C.'s samling.
The brush meets the canvas in a quiet studio, capturing the likeness of the Benajah Johnson family. In 1830, A. Patrick works with oil on canvas, a medium that demands patience and a steady hand. The light settles on the subjects, freezing a specific moment of nineteenth-century life within the frame. These are not mere sketches; they are deliberate records of identity, preserved through the careful application of pigment.
The work exists now within the halls of the Smithsonian American Art Museum in Washington, D.C. Here, the portraits of Benajah Johnson and Mrs. Benajah Johnson remain as physical remnants of a bygone era. The textures of the oil paint hold the weight of their history, surviving long after the sitters themselves have passed into memory.
The artist's output is defined by these specific, documented encounters with his subjects. His technique focuses on the formal requirements of portraiture during this period, ensuring the likenesses remain accurate for posterity. The collection of his work highlights a specific focus on the individuals of the time:
A. Patrick remains a figure defined by these specific contributions to the American portraiture tradition. While the broader details of his personal life remain obscured by time, his technical presence is confirmed by the preservation of his work in major institutions. The gift of Mrs. Frank Cummings Cook in 1966 ensured that these specific oils would continue to exist, allowing the faces of 1830 to remain visible to the modern eye.