periode

bevægelse

1. Two Piece Sculpture No. 7; Pipe — Henry Moore
2. Mother And Child 4 — Henry Moore
3. Working Thought (from the — melvin edwards, 1985
4. Installation View — melvin edwards, 2012
5. Notch View — herbert ferber, 1978
6. Amanda — melvin edwards, 1981

stemning

1. Hillargia — jorge oteiza enbil, 1957
2. Figure lying on its side (Version V) — William Kenneth Armitage, 1957
3. Amanda — melvin edwards, 1981

emner

1. Working Thought (from the — melvin edwards, 1985
2. Installation View — melvin edwards, 2012
3. Amanda — melvin edwards, 1981

nøgleord

tone

1. Disc with Strings (Moon) — Barbara Hepworth, 1969
2. Two Piece Sculpture No. 7; Pipe — Henry Moore
3. Installation View — melvin edwards, 2012
4. Hillargia — jorge oteiza enbil, 1957
5. Working Thought (from the — melvin edwards, 1985
6. Figure lying on its side (Version V) — William Kenneth Armitage, 1957
7. Oval Sculpture — Barbara Hepworth, 1943
8. Amanda — melvin edwards, 1981

primær farve

1. Figure Lying on its Side (No.5) — William Kenneth Armitage, 1957
2. 5 And A Half (Use Half Sign) — David Smith
3. Amanda — melvin edwards, 1981
4. Two Piece Sculpture No. 7; Pipe — Henry Moore
5. Installation View — melvin edwards, 2012
6. Minotaur — Rodin, 1886
7. Figure lying on its side (Version V) — William Kenneth Armitage, 1957
8. The lakeside — Alfred Freddy Krupa, 2007
9. Night (Two Sleeping Children) — Edmonia Lewis
10. Bagdad City — hazoumè, romuald, 1992
11. President Nelson Mandela I — michael edwards, 1998
12. Woman with Her Throat Cut — Alberto Giacometti, 1940
13. Sculpture with Colour (Deep Blue and Red) — Barbara Hepworth, 1940
14. Oval Sculpture — Barbara Hepworth, 1943
15. Disc with Strings (Moon) — Barbara Hepworth, 1969
16. Hillargia — jorge oteiza enbil, 1957
17. The high carry — Frank Weston Benson
18. Working Thought (from the — melvin edwards, 1985
19. Sitting Induna — samuel makoanyane, 1940
20. Woman Shaman\n\nWoman Shaman — roger aksadjuak, 2000
21. Installation View — melvin edwards, 2012

andet

1. Bird, GNP — nadežda petrović, 1987