Zanzibrrrace by Romuald Hazoumè: A Critical Assemblage

• Artist: Romuald Hazoumè
• Year: 2003
• Origin: Benin, West Africa
• Medium: Repurposed Metal (Gasoline Canisters)
• Size: 32 x 30 cm

Subject and Style: Reclaiming Waste, Revealing Society

“Zanzibrrrace” is a striking assemblage artwork by Romuald Hazoumè, a Beninese artist renowned for transforming discarded materials into powerful statements about society and global issues. The piece exemplifies the style of found object art or assemblage, where everyday objects are creatively reconfigured to form new artistic expressions. Hazoumè’s work often carries a critical edge, using recycled refuse as a commentary on consumerism, political systems, and cultural heritage.

Composition and Visual Elements: A Stylized Bloom

The artwork presents a captivating circular composition centered around a large disc with a hole and handle. Radiating outwards are five curved forms resembling petals, creating a symmetrical and dynamic visual flow reminiscent of a stylized flower or fan. The color palette is dominated by earthy tones – browns and blacks – accented by metallic gold on the central disc. This limited palette emphasizes the textures and shapes of the repurposed materials. Sharp lines define the petal-like forms, contrasting with the smooth curves of the circular disc, creating visual interest and movement.

Historical Context and Symbolism: Yoruba Heritage and Global Critique

Hazoumè’s artistic practice is deeply rooted in his Yoruba heritage and influenced by traditional African masks. However, unlike those masks, which often strip away individuality, Hazoumè's creations expose the wearer’s true nature, acting as a modern reinterpretation of trances and revealing societal madness. “Zanzibrrrace” draws on the vocabulary of initiated traditions, referencing the "Whirlwind" mask in Bambara rituals that symbolizes creation. The use of discarded gasoline canisters—a common sight along roadsides in Benin—directly addresses issues of consumerism, waste, and the black market economy. Hazoumè himself has stated his intention to “send back to the West that which belongs to them,” highlighting a critique of Western consumer culture’s impact on Africa.

Emotional Impact and Interpretation: A Reflection of Our Times

“Zanzibrrrace” evokes a complex range of emotions. The rough textures and repurposed materials convey a sense of resilience and resourcefulness, while the overall composition inspires contemplation about our relationship with consumerism and its consequences. The artwork’s symbolic depth invites viewers to consider broader themes of cultural identity, political critique, and the enduring power of transformation. It serves as both an aesthetic object and a poignant commentary on the challenges and complexities of contemporary life.