3 (1970) er det mest berømte maleri af Taro Yamamoto. 4 (1970) og 1 (1970) er de næste to værker, som verden kender bedst. Udvalgt fra de 9 værker af Taro Yamamoto i vores katalog er her de 9, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026.
In the evocative masterpiece Memorial Byobu for Kumamoto, the viewer is invited into a deeply personal sanctuary where the boundaries between the material world and the realm of memory blur. This striking work presents a domestic tableau that feels both intimate and monumental, centered around the poignant juxtaposition of a pristine white wedding dress and a traditional Japanese kimono. The composition breathes with a quiet, contemplative energy, as if capturing…
Taro Yamamoto was a prominent figure in the New York School Abstract Expressionist movement, and his artwork Untitled is a testament to his innovative style. Created in 1961, this painting showcases Yamamoto's ability to balance color and composition, resulting in a visually striking piece. The Artist's Background Born on October 29, 1919, in Hollywood, California, Taro Yamamoto spent his early years in Japan before returning to the United States. He…
De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Taro Yamamoto | Malerier fra denne liste |
|---|---|---|---|
 Meiji Jingu Forest Festival of Art |
Tokyo | 4 | Memorial Byobu for Kumamoto, Hagoromo Balloons, MARIO and LUIGI Rimpa Screen |
Cirka ti år, fra 1961 til 1970, rummer alle Taro Yamamoto's daterede mesterværker: her er de, år for år.
3 (1970). Derefter følger 4 (1970) og 1 (1970).
51 år gammel: 3 er fra 1970, og Taro Yamamoto blev født i 1919.
Vores katalog indeholder 9 værker af Taro Yamamoto, dateret fra 1961 til 1970.
De fleste af dem findes i Meiji Jingu Forest Festival of Art (Tokyo). Tabellen ovenfor lister museerne enkeltvis.
I 1970: 4 af de 9 værker på denne side stammer fra denne periode, herunder 3.
Det tidligste på denne side er Untitled (1961), det seneste 3 (1970).
Abstract expressionism, som malerierne på denne side viser.
Memorial Byobu for Kumamoto, Hagoromo Balloons og MARIO and LUIGI Rimpa Screen er blandt de 4 værker på denne side, som er i Meiji Jingu Forest Festival of Art, Tokyo's samling.
Taro Yamamoto (born October 29, 1919, in Hollywood, California – died 1994) was a significant figure within the New York School of Abstract Expressionist artists. His early life was marked by a unique cultural experience; he lived in Japan from the age of six to nineteen, an upbringing that would profoundly influence his artistic vision.
Following his military service, Yamamoto dedicated himself to formal artistic training. He studied at several prestigious institutions:
The teachings of Hans Hofmann were particularly influential, shaping Yamamoto’s understanding of color and form. His exposure to the vibrant art scene of post-war New York further solidified his commitment to abstract expressionism.
Yamamoto’s work gained recognition within the burgeoning Abstract Expressionist movement, exhibiting alongside prominent artists like Jackson Pollock and Willem de Kooning.
Yamamoto's paintings are characterized by a dynamic interplay of abstract forms, bold colors, and layered textures. While rooted in the principles of Abstract Expressionism, his work often reveals subtle references to Japanese aesthetics and cultural motifs.
His pieces frequently explore themes of memory, identity, and the intersection of Eastern and Western artistic traditions.Taro Yamamoto played a vital role in bridging the gap between American Abstract Expressionism and Japanese artistic sensibilities. As part of the New York School, he contributed to the movement’s international acclaim during the post-World War II era. His work demonstrates the power of art to transcend cultural boundaries and express universal human experiences.
Though not as widely celebrated as some of his contemporaries, Yamamoto's contributions remain significant in understanding the diversity and complexity of Abstract Expressionism.
