Pompejis sidste dag (1833) er det mest berømte maleri af Karl Pavlovitj Brjullov, som er i Det Statlige Russiske Museums samling i Sankt Petersborg. Rytteren (1832) og Bathsheba (1832) er de næste to værker, som verden kender bedst. Udvalgt fra de 407 værker af Karl Pavlovitj Brjullov i vores katalog er her de 100, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Karl Bryullov skabte Pompejis sidste dag mellem 1830 og 1833. Dette monumentale historiske lærred var bestilt af Anatoly Demidov. Værket indfanger det katastrofale udbrud fra Vesuv i år 79 e.Kr.
Karl Pavlovich Bryullovs "Rytteren", malet i 1832, er mere end blot et portræt; det er et omhyggeligt konstrueret tableau af aristokratisk fritid og spirende romantisk sentimentalitet. Dette fængslende værk, som nu er tilgængeligt som en overvældende håndmalet reproduktion fra WahooArt.com, transporterer beskueren til et solbeskinnet italiensk gods og indfanger en intim scene med en ung kvinde – Giovanina og Amacilia Pacini, de adopterede børn af grevinde Yuliya Pavlovna Samoil –…
In the quiet, luminous depths of Karl Pavlovich Bryullov’s 1832 masterpiece, Bathsheba, we find ourselves transported to a moment where time itself seems to hold its breath. This monumental canvas is far more than a mere biblical illustration; it is a profound psychological study wrapped in the velvet textures of the Romantic era. The scene captures the biblical Bathsheba in a state of private contemplation, seated as she tends to…
To stand before Karl Pavlovich Brulloff's depiction of Pilgrims at the Entrance of the Lateran Basilica is to step across the threshold of time itself. This oil on canvas, executed in 1825, is far more than a mere historical scene; it is a profound meditation on faith, community, and the enduring human journey toward something sacred. Brulloff captures that exquisite moment when the weight of worldly experience meets the promise…
The artwork is titled Portrait of F.A. Bruni and was executed by the artist Karl Bryullov. This specific work is a monochromatic portrait sketch that focuses on the head and upper torso of a man. The subject is presented in a three-quarter view, with his gaze directed toward the viewer. Based on the title, the man depicted is likely F.A. Bruni.
A Portrait Steeped in Romantic Grandeur: Bryullov’s “Horsewoman” The canvas breathes with an immediacy rarely achieved by artists of its era—a testament to Karl Pavlovich Bryullov's masterful command of Romanticism. Completed around 1840, "Horsewoman," housed prominently within the Tretyakov Gallery in Moscow, transcends mere depiction; it’s a carefully constructed narrative designed to evoke profound emotion and celebrate idealized beauty. Bryullov wasn’t simply capturing an image; he was striving to embody…
The Portrait of V. A. Perovsky is a stunning oil on canvas painting created by the renowned Russian artist Karl Pavlovich Brulloff in 1837. This magnificent work of art measures 247 x 152 cm and is currently housed at the prestigious Tretyakov Gallery in Moscow, Russia. As a professional expert in Art and salesman at https://AllPaintingsStore.com, I can attest that this painting is a true masterpiece that showcases Brulloff's exceptional…
Karl Pavlovich Bryullov's "Child in a Swimming Pool," painted in 1829, is more than just a charming pastoral scene; it’s a poignant meditation on innocence, fleeting beauty, and the ephemeral nature of childhood. This watercolor masterpiece, currently residing within the hallowed halls of the Tretyakov Gallery in Moscow, captures a young boy – widely believed to be Prince Alexander Gagarin, a future figure in Russian history – immersed in a…
The evening air settles heavily around the figures in Vespers, a genre painting by Karl Bryullov. Created in 1825, the work captures a quiet, communal moment of devotion. Here, the artist turns his gaze toward the simple, profound acts of faith that define a community. The scene unfolds as a gathering of souls, each caught in a private moment of prayer or reflection during an evening service.
In this portrait of Countess Samoilova by Karl Bryullov, the composition is anchored by the central figure of the woman. She is positioned prominently in the middle of the frame, wearing a blue dress and a crown upon her head. This central placement establishes her as the primary focus of the work. To her sides, two other figures complete the grouping. On one side, a person is dressed in a…
The Portrait of the Shishmariov Sisters, painted in 1839, depicts two women dressed in black clothing. One woman stands to the left of the other, and the woman…
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The oil on canvas painting titled Girl riding a horse was produced by the artist Karl Bryullov in 1832. This work is a product of the Romantic period.…
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In this oil painting, two figures occupy a woodland setting during twilight or a nocturnal hour. The composition centers on the interaction between Daphnis and Chloe. One figure,…
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This oil on canvas, titled Portrait of Baroness Reinthal with her daughter., was executed by the artist Karl Bryullov. Created in 1825, the work emerged from the Russian…
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The painting titled Italian Morning was created by the artist Karl Bryullov. It dates to 1823. A quiet stillness settles over the subject, a woman with long hair.…
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The Portrait of N. A. Okhotnikov is an oil on canvas painting by the artist Karl Pavlovich Brulloff. Executed in 1827, the work was produced during the artist's…
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The Portrait of U. M. Smirnova is an oil on canvas work by the artist Karl Bryullov. Created in 1840, the painting captures a woman in a moment…
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The painting "Portrait of Countess Yu. P. Samoilova and Her Ward Amacilia Pacini Leaving a Ball" by Karl Pavlovich Brulloff is a masterpiece that captures the essence of…
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In the quiet, dramatic depths of 1836, Karl Pavlovich Brulloff captured more than just a likeness; he captured a moment of profound creative introspection. His Portrait of the…
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This intimate sketch, titled Sketch on the Subject of the Trinity Beneath the Oak of Mambre, offers a quiet glimpse into the early creative development of Karl Bryullov.…
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To gaze upon this watercolour is to step directly into the gilded salons of 19th-century Russia, where elegance met profound emotion. Karl Pavlovich Brulloff’s Portrait of Countess O.I.Orlova-Davydova…
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To stand before Karl Pavlovich Brulloff's Portrait of Sculptor I. P. Vitaly is to step directly into the vibrant, emotionally charged atmosphere of early nineteenth-century Russian intellectual life.…
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Karl Pavlovich Bryullov's 'Portrait of Georg Kleberg,' painted in 1833, is more than a simple likeness; it’s a meticulously crafted embodiment of Russian aristocratic identity during the Romantic…
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In the vast, storied halls of The State Hermitage Museum, there exists a window into the soul of 19th-century Russia through Karl Pavlovich Brulloff’s Portrait of the Poet…
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To gaze upon Karl Pavlovich Brulloff’s Portrait of Children of Volkonsky is to step directly into a sun-dappled moment suspended in time. This oil on canvas masterpiece, dating…
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In this oil on canvas work, titled Girl in a Forest, the artist Karl Bryullov captures a quiet, fleeting moment in time. Painted between 1850 and 1852, the…
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In the quietude of 1835, Karl Pavlovich Bryullov captured a scene that transcends mere portraiture, inviting the viewer into a profound state of introspection. Greek Lying on a…
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In the delicate washes of Karl Pavlovich Brulloff’s 1835 masterpiece, Greek Morning in Myraca, we are invited to step into a world where time seems to have slowed…
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To stand before "Erminia and the Shepherds" is to step into a moment suspended between pastoral tranquility and profound narrative weight. This captivating oil on canvas, dating back…
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To gaze upon Karl Pavlovich Brulloff’s Genserich's Invasion of Rome. Study is to step directly into the tumultuous heart of history, a moment rendered with breathtaking dramatic flair.…
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In the grand tapestry of nineteenth-century Russian Romanticism, few works command the eye with such visceral intensity as Karl Pavlovich Brulloff’s Siege of Pskov. Painted in 1843, this…
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To stand before Karl Pavlovich Brulloff’s Portrait of Ye. I. Durnova is to encounter a moment suspended in time, a quiet confrontation across the span of decades. Painted…
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In the heart of a sun-dappled forest, Karl Pavlovich Bryullov captures a moment of profound intimacy and quiet adventure in his 1849 masterpiece, Portrait of Ye. Mussart and…
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In the delicate dance of light and pigment, Karl Pavlovich Brulloff’s Grape Harvest Celebration emerges as a breathtaking window into a bygone era of communal splendor. Created in…
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Portrait of Grand Duchess Elena Pavlovna is a work by Karl Bryullov, executed in 1829. The subject is Grand Duchess Elena Pavlovna, a member of the Russian royal…
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In the delicate, translucent layers of Karl Pavlovich Brulloff’s 1835 watercolor, Temple of Apollo in Phigalia, we are invited to witness a moment of profound stillness. The painting…
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The painting Genserich's Invasion of Rome by Karl Pavlovich Bryullov is a stunning example of Romanticism, a style that emphasizes emotion, imagination, and individualism. Created in 1835, this…
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In the quiet, amber-hued moments before the world awakens, Karl Pavlovich Bryullov captures a profound sense of stillness in his evocative watercolor, A Dream of a Girl Before…
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In the quiet, hallowed corridors of art history, few works capture the intersection of spiritual devotion and earthly grace as tenderly as Karl Pavlovich Brulloff’s Nuns of the…
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In the delicate brushstrokes of Karl Pavlovich Bryullov’s Girl Gathering Grapes in a Suburb of Naples, we are transported to the vibrant, sun-soaked landscapes of nineteenth-century Italy. This…
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In the delicate, evocative strokes of "Forced to Swim," created in 1852 by the Russian master Karl Pavlovich Bryullov, we encounter a moment frozen in time that vibrates…
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In the quiet, focused strokes of Karl Pavlovich Brulloff’s 1837 pencil drawing, Portrait of P. V. Kukolnic, we encounter more than just a mere likeness; we witness a…
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A Moment of Contemplation: Karl Bryullov’s 1829 Portrait This striking black and white portrait by Karl Pavlovich Bryullov, created in 1829, offers a compelling glimpse into the introspective…
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The painting The Model by Karl Pavlovich Bryullov is a captivating work of art that showcases the artist's skill and attention to detail. Created in 1822, this oil…
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De fire motiver, der optræder hyppigst blandt disse mesterværker, med det fineste eksempel på hvert enkelt.
De 8 museer, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Karl Pavlovitj Brjullov | Malerier fra denne liste |
|---|---|---|---|
 Tretyakov Gallery |
Moskva | 32 | Rytteren, Bathsheba, Pilgrims at the Entrance of the Lateran Basilica |
 Hermitage Museum |
Sankt Petersborg | 5 | Daphnis and Chloe, Portrait of N. A. Okhotnikov, Sketch on the Subject of the Trinity Beneath the Oak of Mambre |
 Pushkin State Museum of Fine Arts |
Moskva | 6 | Greek Morning in Myraca, Temple of Apollo in Phigalia |
 Den Statlige Russiske Museums |
Saint Petersburg | 3 | Princess Yuliya Pavlovna Samoilova Leaving a Ball with Adopted Daughter Amacilia Pacini |
 Det Statlige Russiske Museum |
Sankt Petersborg | 2 | Pompejis sidste dag |
 Finnish National Gallery |
Helsinki | 2 | Portrait of a woman |
 Nationalmuseet i Warszawa |
Warszawa | 1 | Portrait of Baroness Reinthal with her daughter. |
 Taras Shevchenko National Museum |
Kiev | 1 | Portrait of V. A. Zhukovsky |
To stand before Karl Pavlovich Brulloff's depiction of Pilgrims at the Entrance of the Lateran Basilica is to step across the threshold of time itself. This oil on…
Karl Bryullov skabte Pompejis sidste dag mellem 1830 og 1833. Dette monumentale historiske lærred var bestilt af Anatoly Demidov. Værket indfanger det katastrofale udbrud fra Vesuv i år…
The Portrait of U. M. Smirnova is an oil on canvas work by the artist Karl Bryullov. Created in 1840, the painting captures a woman in a moment…
In this oil painting, two figures occupy a woodland setting during twilight or a nocturnal hour. The composition centers on the interaction between Daphnis and Chloe. One figure,…
Pompejis sidste dag (1833), Det Statlige Russiske Museum, Sankt Petersborg. Derefter følger Rytteren (1832) og Bathsheba (1832).
34 år gammel: Pompejis sidste dag er fra 1833, og Karl Pavlovitj Brjullov blev født i 1799.
Pompejis sidste dag, Rytteren, Bathsheba, Pilgrims at the Entrance of the Lateran Basilica, Portrait of F.A. Bruni, Princess Yuliya Pavlovna Samoilova Leaving a Ball with Adopted Daughter Amacilia Pacini, Portrait of V. A. Perovsky, Child in a Swimming Pool (Portrait of Prince A.G. Gagarin in Childhood), Vespers og Portrait of Countess Samoilova. Ranglisten ovenfor angiver årstallet og museet for hver af dem.
Vores katalog indeholder 407 værker af Karl Pavlovitj Brjullov, dateret fra 1811 til 1852.
De fleste af dem findes i Tretyakov Gallery (Moskva), Hermitage Museum (Sankt Petersborg) og Pushkin State Museum of Fine Arts (Moskva). Tabellen ovenfor lister museerne enkeltvis.
I 1820s: 44 af de 100 værker på denne side stammer fra denne periode, herunder Pilgrims at the Entrance of the Lateran Basilica.
Det tidligste på denne side er The head of Bacchus (1811), det seneste Forced to Swim (1852).
Portraits (18), Portrait (16) og Men (16), blandt de 100 værker på denne side.
Oil On Canvas: 26 ud af de 100 værker på denne side.
Romanticism og Neo-classicism, som malerierne på denne side viser.
Rytteren, Bathsheba og Pilgrims at the Entrance of the Lateran Basilica er blandt de 23 værker på denne side, som er i Tretyakov Gallery, Moskva's samling.
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Karl Pavlovich Bryullov (født Karl Briullo) blev født den 23. december 1799 i Sankt Petersborg, Rusland. Hans far, Pavel Ivanovich Briullo, var akademiker, træskærer og graver af huguenottisk afstamning, og det var ham, der indgydede den unge Karl en dyb kærlighed til kunsten. Bryullovs kunstneriske rejse begyndte under farens vejledning, før han i 1809 formelt blev optaget på Det Kejserlige Kunstakademi i Sankt Petersborg.
Selvom han blev uddannet inden for en klassisk ramme, omfavnede Bryullov aldrig fuldt ud dens stive begrænsninger. Fra en tidlig alder følte han en stærk dragning mod Italien, og hans kunstneriske udvikling blev i betydelig grad formet af de italienske renæssancemestre. Hans værk udviser tydelig indflydelse fra kunstnere som Rafael, Michelangelo og Caravaggio, især i deres dramatiske brug af lys og skygge samt deres mesterskab over anatomiske detaljer.
Bryullovs store gennembrud kom med “Pompejis sidste dag” (1830-1833), et monumentalt historisk maleri, der sendte ham direkte til international berømmelse. Værket, som skildrer det kaotiske udbrud fra Vesuv, blev hyldet for sin dramatiske komposition, følelsesmæssige intensitet og tekniske brillans. Det vakte enorm beundring hos samtidige som Pushkin og Gogol.
Efter succesen med “Pompejis sidste dag” vendte Bryullov triumferende tilbage til Rusland og sikrede sig i 1836 en prestigefyldt stilling ved Det Kejserlige Kunstakademi. Han tjente som professor der frem til 1848, hvor han prægede en hel generation af russiske kunstnere.
Karl Pavlovich Bryullov betragtes som en skelsættende figur i den russiske romantik. Hans arbejde markerede et skift mod større følelsesmæssig ekspression og dramatisk historiefortælling inden for russisk kunst. Han byggede bro mellem den neoklassiske formalitet og den spirende romantiske bevægelse, hvilket påvirkede efterfølgende generationer af kunstnere, herunder Gavriil Gorelov.
Bryullovs eftermæle rækker langt ud over hans malerier; han var en respekteret lærer og en forkæmper for kunstnerisk innovation. Hans bidrag cementerede hans plads som en af de største visuelle kunstnere i russisk historie og satte et uudsletteligt præg på nationens kulturarv. Han døde den 23. juni 1852 nær Rom og er begravet på Cimitero Acattolico.
