People (1919) er det mest berømte maleri af Josef Eberz, som er i Saint Louis Art Museums samling i Saint Louis. Christ in Gethsemane (1910) og Crucifixion er de næste to værker, som verden kender bedst. Udvalgt fra de 9 værker af Josef Eberz i vores katalog er her de 5, som samlere og museumsgæster oftest opsøger, inklusiv årstal, museum og historien bag hvert værk.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret november 2026. Hvert mesterværk på denne side kan bestilles som en håndmalet oliereproduktion i museumskvalitet eller som et kunsttryk i den størrelse, du vælger.
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Josef Eberz | Malerier fra denne liste |
|---|---|---|---|
 Saint Louis Art Museum |
Saint Louis | 1 | People |
Cirka ti år, fra 1910 til 1919, rummer alle Josef Eberz's daterede mesterværker: her er de, år for år.
People (1919), Saint Louis Art Museum, Saint Louis. Derefter følger Christ in Gethsemane (1910) og Crucifixion.
39 år gammel: People er fra 1919, og Josef Eberz blev født i 1880.
Vores katalog indeholder 9 værker af Josef Eberz, dateret fra 1910 til 1919.
De fleste af dem findes i Saint Louis Art Museum (Saint Louis). Tabellen ovenfor lister museerne enkeltvis.
Det tidligste på denne side er Christ in Gethsemane (1910), det seneste People (1919).
Ja. Hvert maleri på denne side kan bestilles som en håndmalet oliereproduktion i museums kvalitet eller som et kunstprint i den størrelse, du ønsker, direkte fra maleriets egen side.
Born in Limburg an der Lahn, Germany, Josef Eberz was a painter, illustrator, printmaker, and designer of mosaics and stained glass. His academic journey began at the Kunstakademie München, where he studied under Franz Stuck and Peter Halm, before moving to the Kunstakademie Düsseldorf and later to Karlsruhe. His formal training continued at the Kunstakademie Stuttgart, where he was a master student of Adolf Hölzel from 1907 to 1912. During this period, he was a member of the Hölzelkreis, a group that exhibited alongside artists such as Willi Baumeister and Oskar Schlemmer. Eberz also held the title of Professor, having led studios for painting and graphics in the Munich teaching workshops.
His career was marked by significant religious commissions, including an altar painting for the Konviktskirche in Ehingen an der Donau and various works for the Pfarrkirche St. Rupert in Freilassing. His artistic output extended to large-scale murals, such as a fresco for the Deutsche Gewerbeschau München in 1922, and intricate mosaics, including works for the Kirche St. Gabriel in Munich and the Basilika St. Willibrord in Echternach. Throughout his life, Eberz was involved with several artistic associations, including the Neue Münchner Secession and the Darmstädter Sezession.
The body of work produced by Josef Eberz encompasses a diverse range of media, including: