Maleriet, der gjorde Alfred Kubin berømt, er The swamp. One woman for all og Colored nightmares følger efter i samlernes og museumsgæsternes hjerter. Af de 17 værker af Alfred Kubin i vores katalog er disse 17 de mest beundrede, hver præsenteret med sit årstal, sit museum og det, der gør værket unikt.
Rangordnet efter vores popularitetsscore, som kombinerer søgninger, besøg og ordrer for hvert værk. Opdateret oktober 2026.
The artwork titled Dolmen, c. 1900-1902 was created by the Austrian artist Alfred Kubin. Born in 1877 and passing away in 1959, Kubin produced this work during the turn of the twentieth century. The piece is currently held within the collection of the Albertina Museum in Vienna.
Alfred Leopold Isidor Kubin (1877 – 1959), born in Leitmeritz, Bohemia, stands as a singular figure in Austrian art history, recognized primarily for his hauntingly beautiful and psychologically…
Det museum, der rummer flest af malerierne på denne side.
| Museum | By | Værker af Alfred Kubin | Malerier fra denne liste |
|---|---|---|---|
 Albertina |
Wien | 2 | Dolmen, c. 1900-1902, Self-Reflection, c. 1901-1902 |
Kun 5 år adskiller Alfred Kubins første og sidste daterede mesterværker, 1900 og 1904: her er den korte karriere, år for år.
The artwork titled Dolmen, c. 1900-1902 was created by the Austrian artist Alfred Kubin. Born in 1877 and passing away in 1959, Kubin produced this work during the…
Alfred Leopold Isidor Kubin (1877 – 1959), born in Leitmeritz, Bohemia, stands as a singular figure in Austrian art history, recognized primarily for his hauntingly beautiful and psychologically…
The swamp. Derefter følger One woman for all og Colored nightmares.
The swamp, One woman for all, Colored nightmares, The Last King, Head with cut off nose, Das Grausen (That’s Horrible), Untitled (653), Untitled (360), Untitled (134) og Dolmen, c. 1900-1902. Ranglisten ovenfor angiver årstallet og museet for hver af dem.
Vores katalog indeholder 17 værker af Alfred Kubin, dateret fra 1900 til 1904.
De fleste af dem findes i Albertina (Wien). Tabellen ovenfor lister museerne enkeltvis.
I 1901: 2 af de 17 værker på denne side stammer fra denne periode, herunder Government.
Det tidligste på denne side er The Last King (1900), det seneste Head with cut off nose (1904).
Dolmen, c. 1900-1902 og Self-Reflection, c. 1901-1902 er blandt de 2 værker på denne side, som er i Albertina, Wien's samling.
Alfred Leopold Isidor Kubin stands as a singular, haunting figure in the annals of Austrian art history, a master whose brush and needle seemed to navigate the darkest corridors of the human psyche. Born in 1877 in Leitmeritz, Bohemia, Kubin’s life was inextricably linked to the landscapes of his own imagination—landscapes often populated by grotesque creatures, shadowy figures, and an overwhelming sense of existential dread. His early years were marked by profound personal turbulence; a near-fatal suicide attempt following the loss of his mother and subsequent mental instability during his military service forged an artist profoundly attuned to the inner landscapes of fear, grief, and the subconscious mind.
Before he became a titan of the Symbolist movement, Kubin’s formative years included a brief apprenticeship under the photographer Alois Beer. While he gained little practical skill in the photographic arts, this early exposure to light and shadow likely informed the tonal subtlety that would later define his graphic work. His artistic journey truly ignited during his studies at the Munich Academy, where he encountered the revolutionary visions of Odilon Redon, Edvard Munch, and James Enscor. It was here that he found a kindred spirit in the works of Max Klinger, whose mastery of the aquatint technique left an indelible mark on Kubin’s style, inspiring him to pursue a method that prioritized psychological depth and atmospheric density over mere representation.
Kubin’s artistic output was a deliberate exploration of the dream world, primarily expressed through pen and ink drawings, watercolors, and lithographs. He eschewed the bright palettes of his contemporaries in favor of a monochromatic or muted spectrum that allowed for the creation of murky, unsettling atmospheres. His work often feels like a window into a fever dream, where the boundaries between reality and nightmare are perilously thin. This fascination with the irrational and the macabre placed him at the forefront of both Symbolism and the burgeoning Expressionist movement.
The themes within his oeuvre are as recurring as they are unsettling:
Beyond his graphic mastery, Kubin was also a gifted writer, most notably composing the single novel The Other Side (Die andere Seite). This allegorical work serves as a literary companion to his visual art, mirroring the same themes of displacement and the haunting presence of an unseen, darker reality. His ability to bridge the gap between the written word and the visual image solidified his reputation as a complete creator of mythic worlds.
The historical significance of Alfred Kubin extends far beyond the borders of Austria. He was a pivotal figure whose work bridged the gap between the late 19th-century Symbolist obsession with myth and the early 20th-century Expressionist focus on raw, emotional truth. His influence can be traced through the works of other masters; notably, his dark, atmospheric style resonated deeply with Franz Kafka, whose own literary explorations of bureaucracy and nightmare share a spiritual kinship with Kubin’s visual nightmares.
Throughout his career, Kubin achieved international recognition, illustrating the works of legendary authors such as Fyodor Dostoevsky and Edgar Allan Poe. His membership in prestigious institutions, including the Prussian Academy of Arts in Berlin and the Bavarian Academy of Fine Arts, underscores the respect he commanded within the European art establishment. Even as the world moved through the upheavals of the two World Wars, Kubin’s work remained a steadfast exploration of the eternal shadows that reside within us all. Today, he is remembered not merely as a printmaker, but as an architect of the subconscious, a painter who dared to give form to the fears that most of humanity seeks to keep hidden.