Ručně malovaná olejná barva na plátně ve vašem zvoleném rozměru i s rámem, vyrobená našimi umělci na zakázku. ( Koupit tisk
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Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry pro konkrétní rám nebo prostor. Pokud se vámi vybraná velikost neshoduje s proporcemi původního obrazu, dílo buď ořízneme, nebo jej doplníme ručně malovanými prvky. Před zahájením výroby vám bude zaslán digitální náhled ke schválení.
Upozorňujeme, že náhled na obrazovce neodpovídá skutečnému ořezu ani rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv je možné zvolit vlastní velikost, pro zachování původních proporcí doporučujeme vybrat rozměr z předdefinovaného seznamu.
Celosvětová doprava () za 3–4 týdny namísto standardních 5 týdnů. (6 září). Bez kompromisů v kvalitě.
Amphibole Object
Rozměry reprodukce
In the vibrant heart of Seoul, a new creative voice is emerging that seeks to bridge the profound depths of Korean heritage with the sleek sensibilities of modern expression. Yoon Yongbin, known to many by his stage name Lee Sae-on, is an artist whose multidisciplinary journey reflects a rare synthesis of performance and plastic arts. Born in 1995, Yongbin’s early life was steeped in the cultural atmosphere of South Korea, where the echoes of history are never far from the surface. His formative years were deeply influenced by the legacy of the Yoon Dongju Memorial Hall, an encounter that instilled in him a reverence for the melancholic and poetic spirit of Korea's national bard. This early exposure to lyrical tragedy and beauty laid the groundwork for an artistic identity defined by emotional depth and symbolic weight.
While many recognize his presence through the lens of contemporary media—having debuted in the 2018 drama Inspector 2 of the Devil and gaining widespread visibility through his participation in Produce 101 Season 2—Yongbin’s true sanctuary lies in the tactile world of sculpture and conceptual form. His transition from the spotlight of the entertainment industry to the quiet intensity of the studio marks a profound evolution, moving from the ephemeral nature of performance to the enduring permanence of stone and mineral.
At the core of Yongbin’s artistic practice is a meticulous exploration of texture, history, and the elemental properties of the earth. His work is most notably characterized by his “Amphibole Object” series, a collection that serves as a profound dialogue between the Joseon Dynasty and the contemporary era. By utilizing amphibole—a specific stone from the Jangsu region of Korea—Yongbin invokes a lineage of craftsmanship that once graced the tables of Korean royalty. These objects are not merely sculptural forms; they are vessels of cultural memory, designed to honor the ancient techniques used to preserve nutrients and enhance the essence of life through heat and mineral transfer.
His technique is a deliberate study in minimalism and symbolic representation. In his hands, the heavy, rugged nature of Korean stone is transformed into something contemplative and ethereal. The artist focuses on:
The significance of Yoon Yongbin’s work lies in its ability to act as a bridge. He does not merely replicate the past; he recontextualizes it for a modern audience that is often disconnected from ancestral traditions. Through his sculptural explorations, he invites viewers to contemplate the enduring beauty of natural materials and the cyclical nature of history. His art suggests that while the world moves toward rapid technological advancement, there remains an essential, grounding need to reconnect with the minerals and memories of our origins.
As his career continues to unfold, Yongbin stands as a testament to the versatility of the modern creator. Whether through the rhythmic movement of cultural performance or the silent, powerful presence of a stone vessel, his work remains anchored in a singular mission: to find the eternal within the contemporary and to ensure that the poetic soul of Korea continues to resonate in the modern age.
1995 - , South Korea