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Self-Portrait

Jméno Třída Datum

Nikolás Poussin, Self-Portrait (1650). Veřejná doména Objevte toto plátno v pohyblivém světle: kresbu, skutečnou barvu pod lakem i čistý pigment

Fakta

Umělec
Nikolás Poussin wahooart.com/cs/artists/nikolas-poussin_cs/
Datum vzniku díla
1594 – 1665
Malováno
1650
Artistic style
Classical, realistic
Influences
Italian masters
Notable elements
Book, clock, figures
Subject or theme
Self-reflection

V kontextu

Self-Portrait — Nikolás Poussin

Kdy bylo toto dílo namalováno?

  1. 1590
  2. 1600
  3. 1610
  4. 1620
  5. 1630
  6. 1640
  7. 1650
  8. 1660

Horní řada: roky. Dolní řada: věk umělce na začátku a na konci každého období — 0 při narození, 71 při smrti.

Vymalováno v době, kdy bylo umělci 56 let. Umělec dožil se 71 let. 176 z celkových 212 děl tohoto umělce v našem katalogu je datováno dříve.

Shaded: životopis Nikolás Poussin (1594–1665) ▲ toto dílo, 1650 každý obraz s datem vzniku, dekáda po dekádě

První díla: až do 1630 Hlavní období tvůrčí činnosti: 1630–1648 Pozdní díla: od 1648

Tyto tři pásma rozdělují díla s uvedeným datem na první čtvrtinu, prostřední polovinu a poslední čtvrtinu. Nejedná se o kompletní tvorbu daného umělce: úzká pásma mohou představovat spíše mezery v záznamech než období nečinnosti. Ty samé roky, v nichž se odehrává život umělce

Porovnat s

Vyberte si jedno z výše uvedených děl: uveďte dvě věci, které má společné s tímto dílem, a jednu věc, ve které se liší.

Další díla, která se k tomuto hodí: wahooart.com/cs/art/similar/nicolas-poussin-self-portrait-9H6AKT-en/

Barvy

Určeno podle obrazu

    Hlavní barva

    Phthalo Green #2b1d1d

    Katalogizovaná paleta

    • #2B1D1D
    • #897167
    • #E5CCB0
    • #564343

    Tyto barvy v rámci celé umělecké palety Najděte další obrazy podle barvy

    Paleta
    Earthy Dominantní barevná rodina na obrázku.
    Název hlavní barvy
    Phthalo Green
    Intenzita
    Monochromatic Jak nasycené a rozmanité barvy jsou, od jediného tlumeného odstínu až po mnoho jasných tónů.
    Kontrast
    Bold Míra rozdílů v jasnosti a sytosti barev v rámci celého obrazu.
    Harmonie
    Softly Mixed Palette Jak dobře barvy spolu ladí, od kontrastních až po plně harmonické.
    Jasnost
    Deep_shadow Jak moc je obraz celkově světlý nebo tmavý, od hlubokého stínu až po jasný světelný vrchol.
    Nasycení
    Muted Jak čisté a syté jsou tyto barvy, od téměř šedých až po plně živé.

    Kde na světě se na tento obraz dívají lidé?

    • méně než 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% a více
    Tento obraz sám o sobě nemá pro zmapování dostatek zaznamenaných návštěvníků, proto tato deska obsahuje všechna díla autora Nikolás Poussin za posledních dvanáct měsíců — celkem 52 zemí. Zdroj těchto údajů

    Deset nejvýznamnějších zemí

    1. 1 Čína 37,2%54 500 visits
    2. 2 Francie 15,7%23 000 visits
    3. 3 Spojené státy americké 8,7%12 700 visits
    4. 4 Hongkong 7,4%10 900 visits
    5. 5 Singapur 6,9%10 100 visits
    6. 6 Rumunsko 5,5%8 000 visits
    7. 7 Itálie 3,1%4 500 visits
    8. 8 Španělsko 2,8%4 100 visits
    9. 9 Německo 2,0%2 900 visits
    10. 10 Gruzie 1,4%2 000 visits
    11. · 42 dalších zemí 9,3%13 800 visits

    Najděte na mapě tři nejtmavší země. Nachází se v některé z nich muzeum, které toto malířské dílo uchovává? Napište jeden důvod, proč by se na něj mohli dívat lidé z dalekých krajin.

    Top 20 nejvíce prohlížených děl umělce Nikolás Poussin

    1. 1 Et in Arcadia Ego (Poussin), 1638 14,4%25 400 visits
    2. 2 Úděsná bolest v zahradě, 1626 2,4%4 300 visits
    3. 3 Et in Arcadia Ego, 1637 2,3%4 100 visits
    4. 4 Násilné odvlečení Sabinek, 1637 1,8%3 100 visits
    5. 5 Echot a Narcissus, 1628 1,8%3 100 visits
    6. 6 Triumf Bacha (The Triumph of Bacchus), 1636 1,4%2 500 visits
    7. 7 Smrt Germánicka, 1627 1,4%2 500 visits
    8. 8 A Roman Road, 1648 1,2%2 200 visits
    9. 9 Inspirace básníka, 1630 1,2%2 200 visits
    10. 10 Následování Šabských žen, 1634 1,2%2 100 visits
    11. 11 The Seven Sacraments, Eucharist 1,1%2 000 visits
    12. 12 Uctívání zlatého býka, 1634 1,0%1 800 visits
    13. 13 Triumf Neptuna, 1634 1,0%1 800 visits
    14. 14 Tanec času, 1638 1,0%1 800 visits
    15. 15 Čas odhalující pravdu s závistí a rozdělením, 1640 1,0%1 700 visits
    16. 16 Sláva Josua nad amoritmi, 1625 0,9%1 600 visits
    17. 17 Sv. Cecilia, 1627 0,9%1 600 visits
    18. 18 Nanebevzetí Panny Marie, 1650 0,8%1 400 visits
    19. 19 The Holy Family with St. Elizabeth and John the Baptist, 1655 0,8%1 400 visits
    20. 246 Self-Portrait, 1650 tento obraz 0,1%100 visits

    Tyto práce společně si nárokují 37,7% veškeré pozornosti, kterou obrazy tohoto umělce obdržely za posledních dvanáct měsíců. Katalog obsahuje 333 děl tohoto umělce, z nichž 270 byla prohlédnuta alespoň jednou. This painting ranks 246 of them, with 0,1% of that attention (100 visits). Stále stejné, měsíc po měsíci

    Sloupce měří pozornost, nikoliv kvalitu. Vyberte dílo na vrcholu a toto: uveďte jednu věc, která by mohla způsobit, že si obraz získá slávu mimo to, jak je vymalovaný.

    O tomto uměleckém díle

    Self-Portrait — Nikolás Poussin

    A Portrait of Contemplation: Unveiling Nicolas Poussin’s Self-Portrait

    The year 1649 marks a pivotal moment in the artistic journey of Nicolas Poussin, a period etched into his oeuvre with an exquisite blend of introspection and classical restraint. This self-portrait, a remarkably intimate depiction of the artist himself, transcends mere likeness; it’s a window into the mind of a man wrestling with profound questions about art, faith, and the very nature of representation. Painted during his formative years in Rome – a city he considered his true home after abandoning his native Normandy – the work speaks volumes about Poussin's evolving artistic philosophy and his deep engagement with the legacy of antiquity.

    The composition is deceptively simple, yet profoundly layered. Poussin, clad in a dark robe that suggests both solemnity and intellectual rigor, sits before an unseen viewer. His gaze is direct, almost challenging, conveying a sense of seriousness and quiet contemplation. The inclusion of two figures – partially obscured on either side – adds a subtle narrative complexity, hinting at the social and intellectual circles within which Poussin moved during this period. These secondary characters aren’t mere decorative elements; they subtly enrich the scene, suggesting a life lived beyond the confines of his studio and the demands of his commissions.

    The Language of Classical Restraint

    Poussin's technique is characterized by an almost obsessive attention to detail and a masterful command of light and shadow. He employs a muted palette – predominantly browns, grays, and deep blues – creating a sense of atmospheric depth and drawing the viewer into the scene’s quiet intimacy. The brushwork is smooth and refined, reflecting his commitment to classical ideals of beauty and harmony. Unlike the vibrant colors favored by Venetian painters, Poussin prioritized clarity and order, meticulously rendering each element with an unwavering focus on accuracy and proportion.

    Notably, the background features a clock, a recurring motif in Poussin’s work that symbolizes the passage of time and the fleeting nature of earthly existence. This detail reinforces the portrait's contemplative mood, inviting viewers to consider not only Poussin’s present state but also his place within the broader context of history and eternity. The wall itself is rendered with a subtle texture, suggesting the solidity of the Roman architecture that so profoundly influenced his artistic vision.

    Symbolism and the Pursuit of Ideal Beauty

    Beyond its technical brilliance, this self-portrait is laden with symbolic meaning. Poussin’s book – held casually in his hand – represents his intellectual pursuits and his deep engagement with classical literature and philosophy. It speaks to his desire to elevate art beyond mere representation, aiming instead to capture the essence of beauty and truth through reasoned observation and careful study. The act of holding the book also suggests a deliberate choice—a conscious decision to engage with ideas that transcend the immediate concerns of daily life.

    The portrait’s overall effect is one of profound serenity and intellectual curiosity. It's not a flamboyant display of ego, but rather a quiet affirmation of Poussin’s artistic principles and his unwavering commitment to the pursuit of classical ideals. It offers a rare glimpse into the soul of a master artist, inviting us to contemplate the complexities of his creative process and the enduring power of art to illuminate the human condition.

    A Legacy in Reproduction

    WahooArt is proud to offer meticulously crafted hand-painted reproductions of Nicolas Poussin’s ‘Self-Portrait.’ Each reproduction captures the nuances of Poussin's technique, from the subtle gradations of light and shadow to the delicate texture of his brushstrokes. Whether you are an art enthusiast, a collector seeking to expand your collection, or an interior designer looking for a timeless piece to elevate your space, our reproductions provide an authentic connection to this seminal work of art. Experience the grandeur and intellectual depth of Poussin’s vision in stunning detail – a testament to his enduring legacy.

    Umělec a muzeum

    Autor

    Nikolás Poussin

    Narozen(a) v Les Andelys, Francie

    Nicolas Poussin – A Life Steeped in Classical Reverie

    Nicolas Poussin, a name synonymous with the grandeur of French Baroque painting, was nonetheless a soul deeply rooted in Italian soil for much of his artistic life. Born in Les Andelys, Normandy, in June 1594, his early years remain somewhat veiled in mystery, yet they undoubtedly laid the foundation for a career that would become pivotal in shaping the classical tradition within French art. Though he briefly studied in Paris during the early 1610s, absorbing influences from lesser-known artists of the time, it was his journey to Rome in 1624 that truly ignited his artistic destiny. This wasn’t merely a geographical relocation; it was an immersion into the heart of antiquity, a pilgrimage to the very source of inspiration that would define his aesthetic vision. Poussin's initial forays into painting were marked by a sensuous quality reminiscent of Venetian masters like Titian, yet even in these early works, a nascent sense of order and intellectual rigor began to emerge—a foreshadowing of the style he would so masterfully refine.

    Early Influences and Parisian Years

    His formative years were spent honing his skills under Quentin Varin, a respected artist who instilled in him an appreciation for draughtsmanship and observation. Shortly thereafter, Poussin ventured into Paris, where he engaged with the artistic currents of the era—particularly those championed by Raphael and Giulio Romano—artists whose harmonious compositions and graceful forms would profoundly shape his subsequent style. The Parisian environment fostered intellectual curiosity and exposed him to humanist scholarship, influencing his worldview and fueling his desire for artistic excellence. During this period, Poussin produced a series of mythological drawings that showcased his burgeoning talent and demonstrated his commitment to capturing the beauty and dignity of classical ideals. These early works established a foundation for his later explorations of history and myth—themes he would revisit throughout his illustrious career.

    The Roman Years: Forging a Classical Ideal

    Rome proved to be more than just a studio for Poussin; it became his intellectual crucible. He found himself amidst a vibrant circle of scholars, archaeologists, and fellow artists, notably Cassiano dal Pozzo, whose profound understanding of classical antiquity profoundly influenced the artist’s approach. Dal Pozzo's dedication to meticulously documenting ancient remains instilled in Poussin a deep respect for historical accuracy and a desire to imbue his paintings with a sense of timelessness. This period saw Poussin move away from the flamboyant exuberance of some of his contemporaries, instead embracing a style characterized by clarity, balance, and a deliberate emphasis on linear composition. He meticulously studied Raphael’s works, absorbing their harmonious arrangements and graceful forms, while simultaneously drawing inspiration from ancient sculptures and literary sources like Ovid's Metamorphoses. His paintings began to populate with figures drawn from classical history and mythology, rendered not as mere decorative elements but as embodiments of moral virtues and philosophical ideals. He became acquainted with Cardinal Francesco Barberini, whose patronage provided him with invaluable support and access to a stimulating intellectual milieu.

    Style and Technique: Classical Restraint Amidst Baroque Flourish

    Poussin’s artistic style distinguished itself from the prevailing Baroque trends—characterized by dramatic emotion and opulent ornamentation—through its unwavering commitment to classical principles. He rejected excessive theatricality in favor of serene beauty, prioritizing compositional clarity and harmonious color palettes. His technique involved painstaking draughtsmanship, utilizing precise lines and subtle shading to create illusions of depth and perspective that mirrored the achievements of Renaissance masters. The artist’s meticulous attention to detail—evident in his depictions of drapery folds, facial expressions, and landscape vistas—reflected a profound understanding of artistic craftmanship. He skillfully blended influences from Venetian painters like Titian with the stylistic refinements of Raphael, resulting in an oeuvre marked by both sensuous richness and intellectual rigor.

    Legacy: Shaping French Art and Beyond

    Nicolas Poussin’s influence extended far beyond his own lifetime, establishing a cornerstone of French Classical painting. His unwavering devotion to classical ideals served as inspiration for subsequent generations of artists—Jacques-Louis David and Paul Cézanne among them—who acknowledged their debt to Poussin's stylistic precision and philosophical depth. He championed the pursuit of beauty and order, advocating for artistic training rooted in humanist scholarship and informed by a deep appreciation for antiquity. His enduring legacy resides not merely in his magnificent paintings but also in his contribution to shaping the intellectual landscape of France—a testament to an artist who transcended mere aesthetic achievement to become a symbol of cultural excellence. He remains one of the most revered figures in French art history, celebrated for his mastery of technique and his profound engagement with timeless themes.

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    QR kód odkazující na stránku ke stažení Self-Portrait

    wahooart.com/cs/art/download/nicolas-poussin-self-portrait-9H6AKT-en/

    Jak citovat toto dílo

    MLA
    Poussin, Nikolás. Self-Portrait. 1650, https://wahooart.com/cs/art/nicolas-poussin-self-portrait-9H6AKT-en/
    APA
    Poussin, Nikolás (1650). Self-Portrait [Painting]. https://wahooart.com/cs/art/nicolas-poussin-self-portrait-9H6AKT-en/
    Chicago
    Nikolás Poussin. Self-Portrait. 1650. https://wahooart.com/cs/art/nicolas-poussin-self-portrait-9H6AKT-en/
    Harvard
    Poussin, Nikolás (1650) Self-Portrait. Available at: https://wahooart.com/cs/art/nicolas-poussin-self-portrait-9H6AKT-en/

    Zaměřte se pozorně

    Self-Portrait — Nikolás Poussin

    Zaměřte se na detail

    Odpovídejte vlastními slovy. Neexistují zde žádné špatné odpovědi – pouze odpovědi, které dokážete vysvětlit.

    1. Co vás zaujme jako první a proč?
    2. Které barvy nebo tvary vytvářejí atmosféru – a jaká to je atmosféra?
    3. V našem katalogu je toto dílo zařazeno pod: portrait, contemplation, book. Souhlasíte? Co byste k němu přidali nebo co byste z něj odebrali?
    4. Vraťte se k dílu Násilné odvlečení Sabinek (1637), který jste v tomto průvodci viděli dříve. Uveďte dvě věci, které má společné s tímto dílem, a jednu věc, která je odlišná.
    5. Nikolás Poussin bylo při vzniku tohoto díla ve věku přibližně 56. Co v něm vypadá jako práce umělce právě v této životní fázi?

    Vaše odpověď

    Napište krátký odstavec o tomto uměleckém díle. Vycházejte při psaní z faktů uvedených v předchozích částech tohoto průvodce a ze svých předchozích odpovědí.

    Artový kvíz

    Self-Portrait — Nikolás Poussin

    Jak dobře znáte toto umělecké dílo?

    U každé z následujících 5 otázek zaškrtněte jednu odpověď. Každá má právě jednu správnou odpověď.

    1. 1. What is the primary subject depicted in Nicolas Poussin’s ‘Self-Portrait’?

      • A A landscape scene with a distant mountain range.
      • B A religious allegory featuring biblical figures.
      • C The artist himself, holding a book and contemplating.
    2. 2. Based on the image description, what is noticeable about the figure partially obscured on the left side of the painting?

      • A They are fully visible and appear to be engaged in conversation.
      • B They are partially obscured by the main figure.
      • C They are a prominent detail within the background architecture.
    3. 3. The presence of a clock on the wall in Poussin’s ‘Self-Portrait’ primarily serves to emphasize which aspect?

      • A The artist's wealth and status.
      • B The passage of time and the contemplation of mortality.
      • C A specific historical event depicted within the scene.
    4. 4. Nicolas Poussin’s work is often associated with which artistic movement?

      • A The Venetian School of Painting.
      • B The French Baroque style and classical tradition.
      • C The Northern Renaissance art movement.
    5. 5. Considering Poussin’s background, where did he spend a significant portion of his artistic career?

      • A Paris, France.
      • B Le Havre, Normandy, France.
      • C Rome, Italy.

    Můj výsledek: ____ z 5

    Klíč k odpovědím – pro učitele

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    1C · 2B · 3B · 4B · 5C

    Ověřte jakoukoli odpověď v katalogovém záznamu tohoto obrazu

    Otázky a odpovědi

    Jaké umístění se hodí k formátu díla „Self-Portrait“ od Nikolás Poussin?

    Formát Portrait díla „Self-Portrait“ od Nikolás Poussin doporučujeme pro Living Room. Formát i prostor společně určují ideální umístění reprodukce.

    Do jakého prostoru se doporučuje umělecké dílo „Self-Portrait“ od Nikolás Poussin?

    Reprodukce díla „Self-Portrait“ se skvěle hodí do Living Room.

    Je dílo „Self-Portrait“ od Nikolás Poussin spíše světlé, nebo tmavé?

    Vnímaná jasnost díla „Self-Portrait“ od Nikolás Poussin je deep_shadow. Lze jej přizpůsobit osvětlení daného prostoru.