Ručně malované olejné plátno v libovolném rozměru i s rámem, vyrobené našimi umělci na zakázku. ( Přepnout na tiskové verze
Přepnout na digitální verzi obrazu)
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry pro konkrétní rám nebo prostor. Pokud se vámi vybraná velikost neshoduje s proporcemi původního obrazu, dílo buď ořízneme, nebo jej doplníme ručně malovanými prvky. Před zahájením výroby vám bude zaslán digitální náhled ke schválení.
Upozorňujeme, že náhled na obrazovce neodpovídá skutečnému ořezu ani rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv je možné zvolit vlastní velikost, pro zachování původních proporcí doporučujeme vybrat rozměr z předdefinovaného seznamu.
Celosvětová doprava () za 3–4 týdny namísto standardních 5 týdnů. (21 září). Bez kompromisů v kvalitě.
Modiolastrum Lateritium
Velikost reprodukce
Born in 1975 in the scenic Kanagawa Prefecture of Japan, Mami Kosemura has cultivated a creative practice that serves as a profound dialogue between disparate worlds. Her artistic journey is not merely a progression of styles but a deliberate weaving together of visual storytelling disciplines. From her earliest years, Kose andmura found herself captivated by the potential of both photography and animation, two mediums that she would eventually intertwine to create works that transcend conventional boundaries. This fusion allows her to explore the ephemeral nature of time and the layered complexities of human perception, creating a body of work that feels both deeply rooted in heritage and strikingly modern.
The foundation of Kosemura’s aesthetic lies in a unique dual immersion. Her formative years were shaped by an encounter with classical European motifs alongside the rich, textured tapestry of Japanese painting traditions. This synthesis is most evident in her early photographic explorations, where she sought to capture ethereal landscapes and portraits imbued with a symbolic resonance reminiscent of Romanticism and Impressionism. In these works, she masterfully employs light and shadow, subtly mirroring the delicate techniques found in Japanese ink wash paintings, or sumi-e, to evoke deep emotional landscapes and atmospheric moods.
As her practice evolved, Kosemura transitioned into the realm of animation, treating the medium not simply as a way to depict movement, but as a vital conceptual framework. Through animation, she delves into profound themes such as memory, perception, and the intricate relationship between the observer and the observed. Her work often reflects the philosophical undercurrents of Zen Buddhism and Japanese aesthetics, where the concept of emptiness and the beauty of the transient are central. By introducing motion into her visual narratives, she breathes life into her compositions, allowing themes of temporal flux to unfold before the viewer's eyes.
This movement serves as a bridge between the static beauty of a photograph and the fluid storytelling of cinema, creating a space where the viewer is invited to contemplate the layers of reality. Her ability to utilize animation as a tool for conceptual inquiry has allowed her to push the boundaries of contemporary art, making her work a significant contribution to the discourse on how technology can serve ancient philosophical inquiries.
Kosemura’s ascent in the international art scene was marked by prestigious exhibitions at renowned institutions, including the Hara Museum in Tokyo and the Dillon + Lee Gallery in New York. These platforms provided her with a global stage, solidifying her reputation as a visionary artist capable of communicating across cultural divides. Beyond her individual practice, her commitment to the broader art community is evidenced by her leadership and entrepreneurial spirit.
Her contributions to the art world extend into the structural support of emerging talent through several key initiatives:
Through these endeavors, Mami Kosemura has not only established herself as a master of her craft but also as a pivotal figure in the global art ecosystem, ensuring that the voices of new generations are heard within the grander narrative of art history.
1975 - , Japan