Mirror Mirror

A Life Immersed in Art: The Vision of Linda Pace

Linda Pace (1945–2007) was more than an artist; she was a force of nature, a cultural catalyst whose life became inextricably interwoven with the art she passionately championed. Born in San Antonio, Texas, to David Earl Pace and Margaret Emma Bosshardt Pace, her upbringing was steeped in creativity—her mother, herself an artist and teacher, instilled a love for visual expression early on. While her family’s burgeoning business, Pace Foods, would later provide the means for her artistic endeavors, it was this foundational encouragement that truly shaped her trajectory. Pace's lineage also held a strong entrepreneurial spirit; her maternal great-aunt Emma Koehler built a legacy with the Pearl Brewery, and these roots fostered an independent drive within Linda to not only create but to build lasting institutions. She attended St. Mary’s Hall High School before pursuing studies at Southern Methodist University and later the University of Texas at Austin, initially focusing on hard-edge abstraction and abstract expressionism. However, a pivotal moment—a discouraging critique from a professor—led her back to San Antonio, where she would forge her own unique path.

From Picante Sauce to Patronage: A Creative Renaissance

Pace’s life took several unexpected turns before fully blossoming into the artistic sphere. Her marriage to Christopher “Kit” Goldsbury in 1967 marked a period of family life and involvement with Pace Foods, which she helped transform into a national brand. While raising her children, Margaret Marie (“Mardie”) and Christopher, she continued to nurture her artistic inclinations through classes at Trinity University. In 1980, she earned her art degree from Trinity, reigniting her commitment to creation. The subsequent purchase of Pace Foods with Goldsbury allowed for a level of financial freedom that would prove transformative. However, the divorce in 1987 freed Pace to fully dedicate herself to her artistic vision and philanthropic pursuits. This period saw the birth of Artpace San Antonio in 1995—a groundbreaking residency program designed to foster creativity and exchange between regional, national, and international artists. Artpace wasn’t merely a gallery; it was conceived as a “laboratory of dreams,” a space where artists could explore new ideas and push boundaries.

The Language of Assemblage: Exploring Memory and Loss

Pace's own artistic practice centered around deeply personal themes—memory, loss, spirituality, and the complexities of human experience. She worked primarily in assemblage and drawing, creating evocative compositions that layered images, objects, and text to convey profound emotional resonance. Her work wasn’t about pristine aesthetics; it was raw, honest, and often unsettling. She frequently incorporated found materials, imbuing them with new meaning and significance. Recurring motifs included architectural elements, botanical forms, and fragments of everyday life—symbols that spoke to the fragility of existence and the enduring power of the past. Her color-pencil sketches, often born from vivid dreams, served as a crucial starting point for larger works, capturing fleeting moments of inspiration and subconscious thought. Pace’s art wasn't about providing answers; it was about posing questions, inviting viewers to contemplate their own experiences and interpretations.

Chris Park: A Testament to Love and Remembrance

The tragic loss of her son, David Christopher (“Chris”) Goldsbury, in 1997 profoundly impacted Pace’s life and work. In his memory, she created Chris Park—a one-acre public green space in San Antonio that served as a poignant tribute to his life. Designed in collaboration with artist Teresita Fernández, the park is not a traditional memorial but rather an immersive environment that encourages contemplation and healing. The rhythmic layout of foliage, coupled with subtle artistic interventions, creates a sense of peace and tranquility. Chris Park became a testament to Pace’s ability to transform personal grief into something beautiful and meaningful for the wider community—a space where others could find solace and connection.

A Lasting Legacy: Ruby City and Beyond

Linda Pace's impact extends far beyond her own artistic creations. The founding of the Linda Pace Foundation in 2003 ensured that her collection would continue to inspire generations of artists and art lovers. Her most ambitious project, Ruby City—a stunning contemporary art center completed posthumously in 2019—stands as a testament to her visionary spirit. Designed by Sir David Adjaye, the building itself is a work of art, its crimson façade evoking the dream that inspired it. Ruby City houses hundreds of works from Pace’s collection, alongside exhibitions featuring both established and emerging artists. Her unwavering belief in the power of art as a social force, coupled with her dedication to supporting regional talent, has cemented her place as a pioneering figure in contemporary art. Pace's legacy is not simply about the artworks she created or collected; it’s about the institutions she built and the countless lives she touched—a vibrant tapestry woven from creativity, compassion, and an enduring commitment to the transformative power of artistic expression.