Ručně malovaná olejná barva na plátně ve vašem zvoleném rozměru i s rámem, vyrobená našimi umělci na zakázku. ( Přepnout na tisk
Přepnout na digitální obraz)
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry pro konkrétní rám nebo prostor. Pokud se vámi vybraná velikost neshoduje s proporcemi původního obrazu, dílo buď ořízneme, nebo jej doplníme ručně malovanými prvky. Před zahájením výroby vám bude zaslán digitální náhled ke schválení.
Upozorňujeme, že náhled na obrazovce neodpovídá skutečnému ořezu ani rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv je možné zvolit vlastní velikost, pro zachování původních proporcí doporučujeme vybrat rozměr z předdefinovaného seznamu.
Celosvětová doprava () za 3–4 týdny namísto standardních 5 týdnů. (9 září). Bez kompromisů v kvalitě.
The Hague
Rozměry reprodukce
Born in Berlin, Germany, in 1886, Dr. Erich Salomon (originally Otto Erich Salomon) was a groundbreaking German Jewish news photographer whose innovative techniques and compelling images documented the world of diplomacy and law during a turbulent era. His life tragically ended in Auschwitz in 1944, but his legacy as a pioneer of photojournalism endures.
Salomon’s early life was marked by privilege; he came from a wealthy Jewish banking family. He initially pursued studies in law, engineering, and zoology before World War I. Serving on the Western Front, he was captured by French forces in 1914. Following the war, he transitioned to advertising within the Ullstein publishing empire, designing billboard advertisements. A pivotal moment arrived in 1927 when, at age 41, he began using a camera to document legal proceedings. His ingenuity quickly became apparent: Salomon famously concealed an Ermanox camera—a model known for its low-light capabilities—within his bowler hat, allowing him to discreetly capture images of trials and courtrooms. This innovative approach, exemplified by his photograph of a police killer on trial in Berlin, marked the beginning of his career as a news photographer.
Salomon’s photographic style was defined by its daring and unconventional methods. He possessed remarkable multilingual skills and an uncanny ability to blend into high-profile events. Beginning in 1928, he worked for the *Berliner Illustrirte Zeitung*, rapidly gaining recognition across Europe. His most audacious feat occurred during the 1928 signing of the Kellogg-Briand Pact: Salomon secured a seat as the Polish delegate and photographed the historic event from within the room itself – an unprecedented act of journalistic ingenuity. He documented significant events, including migration routes to Ellis Island and is notably one of only two people known to have photographed a session of the U.S. Supreme Court. His ability to capture candid moments in restricted environments revolutionized news photography.
With the rise of Adolf Hitler and the Nazi regime, Salomon’s life took a devastating turn. He fled to the Netherlands with his wife, continuing his photographic work in The Hague. Despite invitations to relocate to the United States from *Life* magazine, he remained in Europe. In 1940, as Germany invaded the Low Countries, Salomon and his family were trapped. They were subsequently held in the Westerbork transit camp before being deported to Theresienstadt concentration camp. Tragically, both Erich Salomon and his wife perished in Auschwitz on July 7, 1944.
Despite his tragic fate, Dr. Erich Salomon’s contributions to photojournalism remain significant. He pioneered techniques that blurred the lines between observer and participant, allowing him to capture intimate moments within exclusive settings. His work demonstrated a remarkable ability to document history in real-time, influencing generations of photographers. The Dr. Erich Salomon Award, a lifetime achievement award for photojournalists given by the German society for photography, stands as a testament to his enduring legacy. His induction into the International Photography Hall of Fame and Museum further solidifies his place in photographic history.
1886 - 1944 , Germany