Ručně malovaná olejná barva na plátně ve vašem zvoleném rozměru i s rámem, vyrobená našimi umělci na zakázku. ( Přepnout na tisk
Přepnout na digitální obraz)
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry pro konkrétní rám nebo prostor. Pokud se vámi vybraná velikost neshoduje s proporcemi původního obrazu, dílo buď ořízneme, nebo jej doplníme ručně malovanými prvky. Před zahájením výroby vám bude zaslán digitální náhled ke schválení.
Upozorňujeme, že náhled na obrazovce neodpovídá skutečnému ořezu ani rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv je možné zvolit vlastní velikost, pro zachování původních proporcí doporučujeme vybrat rozměr z předdefinovaného seznamu.
Celosvětová doprava () za 3–4 týdny namísto standardních 5 týdnů. (10 září). Bez kompromisů v kvalitě.
Going to be a Queen for Tonight
Rozměry reprodukce
David Hockney's “Queen,” painted in 1961, is more than just a portrait; it’s a carefully constructed meditation on identity, authority, and the very nature of representation. Executed in stark monochrome – a deliberate choice that amplifies the work’s graphic intensity – the piece immediately confronts the viewer with a fragmented image of a woman whose face is dominated by the bold declaration of “Queen.” This isn't a conventional depiction of royalty; instead, Hockney presents a figure fractured and layered, hinting at vulnerability beneath an imposed title. The painting’s power resides not in its realism but in its evocative exploration of symbolic weight.
“Queen” firmly establishes Hockney's place within the burgeoning British Pop Art movement, though with a distinctly personal twist. The work showcases his mastery of etching and aquatint on paper, utilizing a technique that allows for incredible tonal variation and textural depth – despite the limited color palette. Notice the deliberate roughness of the surface, achieved through multiple layers of ink and paint. This isn’t about smooth perfection; it's about capturing an immediate, almost visceral impression. The gestural lines defining the face are bold and expressive, reminiscent of Francis Bacon’s distorted figures but imbued with Hockney’s own playful sensibility. The overlapping rectangular forms add to the sense of dynamism and deconstruction, further emphasizing the fragmented nature of the subject.
The central motif – the word “Queen” – is laden with symbolic meaning. It immediately evokes notions of power, control, and societal expectation. However, Hockney subverts this traditional association by presenting the word not as a solid declaration but as an overlaid element, partially obscuring the woman’s face. This suggests a questioning of authority, perhaps even a critique of the performative nature of identity itself. The fragmented composition reinforces this idea – the subject is broken down, reassembled, and ultimately presented as something incomplete. The painting's ambiguity invites viewers to contemplate the complexities of power dynamics and the illusionary nature of appearances.
Created in 1961, “Queen” emerged during a period of significant social and cultural upheaval. Britain was grappling with the aftermath of World War II, experiencing rapid urbanization, and witnessing the rise of youth culture. Hockney’s work reflects this atmosphere of change, challenging traditional artistic conventions and exploring new ways of representing the human figure. The painting's bold style and fragmented composition align with the broader trends of Pop Art, which sought to engage with popular imagery and challenge notions of high art. The piece is a key example of Hockney’s early experimentation and his willingness to push boundaries, solidifying his position as one of Britain’s most innovative artists.
Despite its graphic style, “Queen” possesses a profound emotional resonance. The painting evokes a sense of unease and uncertainty, mirroring the fragmented nature of the subject itself. The stark monochrome palette contributes to this feeling, creating a dramatic and unsettling effect. It’s a portrait that doesn't offer easy answers; instead, it invites viewers to confront questions about identity, power, and the human condition. The work’s enduring appeal lies in its ability to capture a moment of vulnerability and ambiguity – a reminder that even those who hold positions of authority are ultimately subject to the forces of change and uncertainty.
1937 - , Spojené království