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Storage Jar

Explore the remarkable life and artistic legacy of Dave the Potter, an enslaved African American potter who defied oppression through his poetic stoneware creations and unwavering signature – a testament to resilience and artistry.

Discover Dave the Potter (David Drake), a 19th-century enslaved African American artist renowned for his poetic stoneware & unique signature. Explore Edgefield pottery & Southern folk art!

Umělecké dílo zobrazené na této stránce je chráněno autorským zákonem, což znamená, že nemůžeme legálně vytvářet ani prodávat jeho identickou reprodukci. Tato ochrana je vymáhána na základě mezinárodních dohod, jako například Berberská úmluva a národními zákony, včetně těch stanovených v Americký autorský zákon – Díl 17. Všechna práva vyhrazena.

Tato metoda je plně v souladu s autorským právem, protože nezahrnuje kopírování ani duplikování chráněného díla. Jde o kreativní reinterpretaci – nový obraz, který je inspirován originálem, ale není s ním identický.

Giclée / Umělecký tisk

Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a širokou nabídkou povrchových úprav. ( Objednat ručně malovanou reprodukci Přepnout na digitální verzi obrazu)

Corner sample of the P118B picture frame: vylisovaný polystyren, 5 cm wide and 3 cm thick
P118B Kč10
Corner sample of the P118H picture frame: vylisovaný polystyren, 5 cm wide and 3 cm thick
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Corner sample of the P118W picture frame: vylisovaný polystyren, 5 cm wide and 3 cm thick
P118W Kč10
Corner sample of the P438Z picture frame: vylisovaný polystyren, 5.5 cm wide and 3.5 cm thick
P438Z Kč10
Corner sample of the P508JH picture frame: vylisovaný polystyren, 7 cm wide and 3.5 cm thick
P508JH Kč12
Corner sample of the P508YH picture frame: vylisovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P805H picture frame: vylisovaný polystyren, 5 cm wide and 3.5 cm thick
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Corner sample of the P805Z picture frame: vylisovaný polystyren, 5 cm wide and 3.5 cm thick
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Corner sample of the P919BZ picture frame: vylisovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919G picture frame: vylisovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P919XJ picture frame: vylisovaný polystyren, 7 cm wide and 3.5 cm thick
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Corner sample of the P959ZH picture frame: vylisovaný polystyren, 5 cm wide and 3 cm thick
P959ZH Kč10
Corner sample of the P968JZ picture frame: vylisovaný polystyren, 6 cm wide and 4 cm thick
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Corner sample of the W106C picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W218G picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W218JH picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W218Y picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W307PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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Corner sample of the W316G picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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Corner sample of the W316PJ picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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Corner sample of the W316Y picture frame: masivní dřevo, 6 cm wide and 3 cm thick
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Corner sample of the W398PJ picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W4111J picture frame: masivní dřevo, 6.5 cm wide and 3.5 cm thick
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Corner sample of the W500HY picture frame: masivní dřevo, 7 cm wide and 5 cm thick
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Corner sample of the W500JH picture frame: masivní dřevo, 7 cm wide and 5 cm thick
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Corner sample of the W692G picture frame: masivní dřevo, 8 cm wide and 4 cm thick
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Corner sample of the W849H picture frame: masivní dřevo, 5 cm wide and 3 cm thick
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Corner sample of the W940BG picture frame: masivní dřevo, 7.5 cm wide and 4.5 cm thick
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Corner sample of the W953PJ picture frame: masivní dřevo, 6 cm wide and 3.5 cm thick
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Standardní velikost
na zakázku
CM
INCH

Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.

šířka
výška

Zadejte šířku a výšku, které potřebujete pro váš rám nebo stěnu. Tisk lze pouze oříznout, nikdy však nelze zvětšit obraz nad jeho původní rozměr, proto při výběru jiného formátu dochází ke ztrátě části obrazu. Před samotným tiskem vám zašleme digitální náhled k schválení. Obraz zobrazený na této stránce nenabízí skutečný výřez — ten uvidíte pouze v náhledu.

Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (23 říjen)

Zdarma celosvětová expresní doprava
Vysoce kvalitní lněné plátno
Úplné pojištění přepravy
Záruka vrácení celního poplatku
Záruka věrného barevného shodu
100dení lhůta pro vrácení zboží (pouze při vadách výroby)
100% garance vrácení peněz
Sleva při více objednávkách

Celková cena

Kč 1458

Storage Jar

Giclée / Umělecký tisk

Velikost reprodukce

-

Celková cena

Kč 1458

Rychlé informace

  • Location: MFA Collection
  • Influences: African Pottery Traditions
  • Dimensions: 67 x 59 cm
  • Artistic style: Southern Folk Art
  • Medium: Alkaline-glazed stoneware

Dave the Potter: A Testament to Resilience and Artistic Genius

The stoneware jar presented here transcends mere utilitarian function; it embodies a profound narrative of survival, creativity, and cultural heritage—a story inextricably linked to the life and legacy of Dave the Potter.

  • Subject Matter: The vessel itself is remarkably simple in design – a cylindrical form executed with meticulous care. However, its understated elegance belies the rich symbolism embedded within its creation.
  • Style: Dave’s distinctive artistic style is characterized by an almost meditative approach to pottery making. He eschewed elaborate ornamentation, prioritizing functionality and conveying emotion through subtle textural variations achieved during glazing.
  • Technique: Crafted in Pottersville, South Carolina—a region steeped in African American tradition—the jar exemplifies the alkaline-glazed stoneware technique prevalent during the mid-19th century. This method involves firing clay at high temperatures to create a durable surface that resists staining and imparts a distinctive brownish hue.
  • Historical Context: Produced during the era of slavery in America, this piece stands as a poignant reminder of the constraints faced by African Americans striving for self-expression amidst oppressive societal norms. The act of inscribing poetry onto the clay—a defiant gesture against legal prohibitions—represents an assertion of intellectual freedom and cultural identity.
  • Symbolism: The jar’s form symbolizes stability, nourishment, and remembrance – qualities deeply valued within African American culture. Furthermore, Dave's signature and poetic inscriptions serve as emblems of perseverance and artistic integrity, celebrating the triumph of creativity over adversity.

The photograph captures a close-up view of the jar against a stark white backdrop, emphasizing its textural surface and highlighting the delicate cursive lettering that adorns its side—a testament to Dave’s unwavering commitment to preserving his craft and communicating his vision.

A Pioneer in African American Ceramics

Dave Drake's contribution to ceramic art is unparalleled. He stands as one of the first enslaved African Americans recognized for mastering a complex artistic skill, defying legal restrictions that sought to stifle Black literacy and creativity. His dedication to honing his craft—producing an estimated 40,000 pieces during his lifetime—solidifies his place in American art history.

The Alchemy of Clay: Technique and Craftsmanship

The alkaline glaze technique employed by Dave is more than just a method of surface treatment; it’s a deliberate choice that reflects the potter's understanding of material properties. Combining wood ash, sand, and water—ingredients readily available in Pottersville—Dave achieved a distinctive brown coloration through careful experimentation and observation.

Beyond Function: Poetry as Resistance

The inscription of poetry onto Dave’s vessels represents a powerful act of defiance against legal prohibitions prohibiting Black literacy. Each poem serves as a conduit for emotion, intellect, and cultural heritage—a declaration of independence from societal constraints and an affirmation of artistic expression.

A Legacy Enduring Through Time

Today, reproductions of Dave the Potter’s stoneware jar continue to inspire collectors and interior designers alike. Its understated beauty speaks volumes about resilience, creativity, and the enduring spirit of African American artistry—a legacy that transcends time and celebrates the transformative power of art.

Otázky a odpovědi

Jakým způsobem spolu barvy díla "Storage Jar" navazují?

Barevná harmonie díla "Storage Jar" je hodnocena jako Unified Palette.

K jaké fázi kariéry Dave The Potter odpovídá datum vzniku díla „Storage Jar“ z roku 1859?

Vzhledem k datování z roku 1859 spadá dílo „Storage Jar“ do Mature Period umělce Dave The Potter.

Kde si mohu koupit ručně malovanou reprodukci díla „Storage Jar“ od Dave The Potter?

Ruční kopie díla „Storage Jar“ od Dave The Potter jsou k zakoupení na webu tento web: ručně malovaná olejová reprodukce na lněném plátně, a to prostřednictvím jeho stránky Ručně malovaná reprodukce.


Biografie umělce

Dave the Potter: Life and Legacy

Early Life and Enslavement

Born around 1800 in South Carolina, David Drake, more famously known as Dave the Potter, lived a life deeply marked by the institution of slavery. He was first enslaved by Harvey Drake, who co-owned a large pottery business with Abner Landrum in Edgefield County, South Carolina. It is believed that Landrum, unusually for the time, taught Dave to read and write – a skill forbidden to enslaved people under South Carolina law.

Pottery and Artistic Development

Dave’s career as a potter began within Drake and Landrum's workshop. He quickly demonstrated exceptional skill in crafting large alkaline-glazed stoneware vessels, primarily jugs. His earliest recorded work dates back to July 12, 1834, marking the beginning of his unique artistic practice. Between the 1820s and 1870s, Dave produced an estimated 40,000 pieces during his lifetime.

Unique Artistic Style

What sets Dave the Potter apart is not merely his skill as a potter but his groundbreaking practice of inscribing his work. He signed many vessels with “Dave” and, remarkably, included original poetry – often rhyming couplets – alongside dates and maker’s marks. This was an unprecedented act for an enslaved African American artist.

  • His jars are typically bulbous in form, characteristic of Edgefield County stoneware.
  • The alkaline glaze gives his pottery a distinctive appearance.
  • His poetry often reflects on his experiences and observations with wit and insight.

Influences and Historical Context

While direct artistic influences are difficult to pinpoint, Dave’s work existed within the context of Edgefield County pottery traditions. However, his literacy and poetic voice were exceptional for an enslaved person. The very act of self-expression through inscription was a form of resistance and assertion of identity in a system designed to deny both.

Major Achievements and Recognition

Dave the Potter’s achievements lie not only in his prolific output but also in his defiance of societal norms. He became the first enslaved potter to sign his work and incorporate poetry, leaving behind a legacy that challenges conventional narratives about African American art and history.

  • Over 20 jars and jugs bear his original poetry.
  • More than 50 vessels feature his signature, date, or maker’s mark.
  • His work is now held in major museum collections, including the Philadelphia Museum of Art.

Historical Significance

Dave the Potter's story represents a powerful testament to human creativity and resilience in the face of adversity. His pottery provides invaluable insights into the lives and experiences of enslaved African Americans during the 19th century. He is now celebrated as a significant figure in Southern folk art, American ceramics, and African American history.

His work continues to inspire artists and scholars today, prompting ongoing discussions about race, identity, and artistic expression.

Dave The Potter

Dave The Potter

1800 - , United States of America

Rychlé informace

  • Name: Dave the Potter (David Drake)
  • Movement: Southern Folk Art, 19th Century Pottery
  • Birth Date: c. 1800
  • Death Date: c. 1870s
  • Birth Place: South Carolina, United States
  • Nationality: American
  • Date Of Birth: 1800
  • Notable Works: Inscribed stoneware jugs and jars with poetry
  • Place Of Birth: South Carolina, United States of America