Giclée nebo plátěný tisk muzeální kvality s rychlou výrobou a flexibilními možnostmi povrchové úpravy. ( Koupit ručně malovaný obraz
Přepnout na digitální obraz)
Vyberte si z našich přednastavených velikostí, které odpovídají původním proporcím díla.
Můžete zadat vlastní rozměry tak, aby výtvor odpovídal konkrétnímu rámu nebo prostoru. Pokud zvolená velikost nebude odpovídat poměru stran původního obrazu, dílo buď ořížeme, nebo obraz rozšíříme pomocí zrcadlového efektu či jednobarevného okraje. Před zahájením výroby vám bude zaslán digitální náhled k schválení.
Mějte prosím na paměti, že náhled na obrazovce neodráží skutečné oříznutí nebo rozšíření. Pouze digitální náhled přesně zobrazí finální kompozici.
Ačkoliv jsou k dispozici i vlastní rozměry, pro zachování původních proporcí doporučujeme vybrat si rozměr z předdefinovaného seznamu.
Celosvětové doručení () do 2 týdnů namísto standardních 4/5 týdnů. (9 září)
Just Before
Rozměry reprodukce
In the heart of Lagos, within a studio that breathes with the spirit of transformation, Abinoro Akporode Collins performs a modern kind of alchemy. Born in 1984 in the quiet town of Agbarho, Delta State, Nigeria, Collins has emerged as a sculptor who does not merely shape matter, but reimagines it. His journey from a young student in Agbarho to an internationally recognized contemporary artist is a testament to the power of seeing extraordinary potential within the mundane. While many artists seek out rare or precious materials, Collins finds his muse in the silver gleam of stainless steel cutlery—knives, spoons, and forks—and the versatile strength of fiberglass, turning the discarded and the domestic into breathtaking avian wonders.
The genesis of his unique technique was born from a moment of academic curiosity. While studying at the Auchi School of Art and Design in Edo State, a challenge from a lecturer to work with repurposed materials led him to a profound discovery: the curved surface of a spoon could mimic the delicate texture of a bird's feather. His first significant triumph, a cockerel fashioned from over a hundred spoons salvaged from refuse, set the stage for a career defined by repurposing as a form of storytelling. This method is more than a technical feat; it is a philosophical statement on creative freedom and the ability to find beauty in the overlooked, echoing the resilience required to thrive in a changing world.
To encounter a sculpture by Collins is to enter a narrative space where nature and humanity intersect. His frequent use of birds as primary subjects is deeply intentional. In his hands, these creatures become symbols of resilience, transformation, and aspiration. The meticulous arrangement of cutlery creates a sense of movement, as if the sculptures are caught in a fleeting moment of takeoff or descent. Through these avian forms, Collins explores the complexities of the human experience—capturing themes of passion, love, and the enduring strength of the spirit.
His work serves as a bridge between African traditions and contemporary global dialogue. While his influences are rooted in the natural phenomena and cultural heritage of Nigeria, his message is universal. He views art as a vital instrument for communication, documentation, and peace. By transforming cold, industrial steel into organic, lifelike forms, he provokes deep contemplation regarding our relationship with the environment and the importance of preserving the stories that define us. His sculptures are not merely objects to be viewed; they are embodiments of tales whispered across generations.
The impact of Collins' work has resonated far beyond the borders of Nigeria, earning him a place on the international stage. His career is marked by significant milestones that have brought his "cutlery chronicles" to diverse audiences across Africa, Europe, Asia, the United States, and the Middle East. Notable achievements include:
As he continues to evolve, Collins remains driven by a mission to make his art "count," using it as a universal language to educate and inspire. His contribution to the Nigerian art scene is profound, elevating the concept of found-object sculpture to a level of intellectual and visual richness that challenges the boundaries of contemporary fine art. Through his hands, the simple tools of a meal become the wings of a dream.
1984 - , Nigeria