Adèle Romany, 1769 – 1846

37-те най-известни картини на Adèle Romany

Картината, която донесе слава на Adèle Romany, е Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795); тя се намира в National Museum of Women in the Arts, Уокшънтън, Ди. Си.. Madame Coury, Duhamel Widow (1811) и Portrait of a Young Woman (1804) следват след тях в сърцата на колекционери и музейни посетители. От 39 произведения на Adèle Romany в нашия каталог, тези 37 са най-обожавани – всяко от тях е представено с дата, музей и описание на това, което го прави уникално.

Класирани според нашия коефициент за популярност, който съчетава търсенията, посещенията и поръчките за всяко произведение. Обновено Ноември 2026. Всяко шедьовър на тази страница може да бъде поръчано като маслено репродукция на ръка с музейно качество или като художествен принт, в избран от Вас размер.

Портрет на Adèle Romany
Adèle Romany · 1769 – 1846
Роден · починал
1769 – 1846, Paris
Движение
Neoclassicism
Работи в нашия каталог
39
Най-известни
Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795)
Най-много творби в
Library-museum of the Comédie-Française

Adèle Romany: десетте шедьовъра

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795) на Adèle Romany
1

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou

1795 · Oil · National Museum of Women in the Arts, Уокшънтън, Ди. Си.

The gaze of the sitter meets us in Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, a work that captures a quiet, creative pause. Painted by Adèle Romany around 1795, the portrait presents a woman poised amidst the tools of her intellect and expression. She exists in a moment of stillness, her presence defined by the delicate textures of her attire and the objects that surround her.

Ръчно рисувана маслена репродукция от $181 27 × 36 cm Размер като оригинала $525 97 × 128 cm Поръчайте в оригиналния размер →
Madame Coury, Duhamel Widow (1811) на Adèle Romany
2

Madame Coury, Duhamel Widow

1811 · Oil On Canvas · Национален музей, Стокхолм

In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence defined by a sense of refined status and the stillness of a life lived with intention. The composition is a three-quarter length arrangement, positioning her slightly off-center to create a balanced, natural poise. A deep forest green gown anchors the figure, its…

Ръчно рисувана маслена репродукция от $181 28 × 36 cm Размер като оригинала $470 90 × 117 cm Поръчайте в оригиналния размер →
Portrait of a Young Woman (1804) на Adèle Romany
3

Portrait of a Young Woman

1804 · Oil On Canvas · Музеен фонд Моне – Мармотън, Париж

The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of portraiture. The subject of the painting is a single young woman, depicted in a full-length vertical composition.

Ръчно рисувана маслена репродукция от $181 29 × 35 cm Размер като оригинала $245 51 × 61 cm Поръчайте в оригиналния размер →
Portrait of Julie Candeille (1791) на Adèle Romany
4

Portrait of Julie Candeille

1791 · Oil On Canvas

In Portrait of Julie Candeille, Adèle Romany employs a formal, neoclassical arrangement to present the subject in a medium close-up. The figure is contained within an oval vignette, a choice that creates a sense of depth and focuses the viewer's attention on the sitter. This geometric structure provides a controlled boundary against a soft, atmospheric background of dark greenery. The composition balances the organic fluidity of the subject with this…

Ръчно рисувана маслена репродукция от $181 29 × 34 cm
Portrait of a Young Harpist (1795) на Adèle Romany
5

Portrait of a Young Harpist

1795 · Oil On Canvas · Palais des Beaux-Arts de Lille, Лил

The air in the room feels heavy with the scent of old wood and the quiet anticipation of a single note. A young woman sits poised, her body angled toward the left as her fingers prepare to brush against the vertical strings of a harp. The warm, reddish-brown wood of the instrument catches the light, creating a soft glow that contrasts against the deep, muted teal of the background. She…

Ръчно рисувана маслена репродукция от $181 28 × 35 cm Размер като оригинала $354 73 × 92 cm Поръчайте в оригиналния размер →
Portrait of a woman (1795) на Adèle Romany
6

Portrait of a woman

1795 · Oil On Canvas · Musée Jacquemart-André, Пари

The Portrait of a woman by Adèle Romany captures a single, quiet moment from 1795. This bust-length composition is set within an oval format, focusing the viewer's attention on the presence of the sitter. The subject is an elegant and intimate young woman, her likeness emerging from a dark, muted background that recedes into shadow.

Ръчно рисувана маслена репродукция от $181 29 × 35 cm Размер като оригинала $294 62 × 76 cm Поръчайте в оригиналния размер →
Portrait of Amélie-Justine Pontois (1795) на Adèle Romany
7

Portrait of Amélie-Justine Pontois

1795 · Oil

In this oval-format portrait, we encounter Amélie-Justine Pontois in a moment of quiet poise. The composition, captured in a three-quarter view, positions her with a gentle sense of movement that avoids the stiffness often found in formal commissions of the era. She is rendered with a soft, luminous quality, her skin tones warming against a background of atmospheric greys and deep, nebulous shadows. There is a certain stillness here, a…

Ръчно рисувана маслена репродукция от $181 28 × 36 cm Размер като оригинала $243 49 × 61 cm Поръчайте в оригиналния размер →
Charles-Antoine d'Artenay (1792) на Adèle Romany
8

Charles-Antoine d'Artenay

1792 · Oil On Canvas · Версалешкият дворец, Версай

The man sits in a quiet, oval frame, caught in a moment of stillness. He is a figure of the late eighteenth century, draped in the heavy, tactile weight of a dark coat. A crisp white cravat provides a sharp, bright break against the warmth of his skin and the earthy tones of his attire. Light falls from the upper left, carving the geometry of his face with a gentle…

Ръчно рисувана маслена репродукция от $181 29 × 35 cm Размер като оригинала $256 53 × 65 cm Поръчайте в оригиналния размер →
Portrait of Amélie-Justine and Charles-Édouard Pontois (1800) на Adèle Romany
9

Portrait of Amélie-Justine and Charles-Édouard Pontois

1800 · Oil

The air feels still, as if the world has paused to allow this couple a moment of private repose. Amélie-Justine and Charles-Édouard Pontois lean toward one another, their connection felt through the gentle tilt of their heads and the soft drape of a shawl. She rests her arm upon his shoulder, a gesture of quiet intimacy that speaks of a shared life lived in the calm of a changing era.…

Ръчно рисувана маслена репродукция от $206 28 × 35 cm Размер като оригинала $380 73 × 92 cm Поръчайте в оригиналния размер →
A young person hesitating to play the piano in front of her family (1804) на Adèle Romany
10

A young person hesitating to play the piano in front of her family

1804 · Oil On Canvas · Frances Lehman Loeb Art Center

The scene unfolds within the quiet tension of "A young person hesitating to play the piano in front of her family," an oil on canvas work that captures a fleeting moment of domestic hesitation. Adèle Romany brings this intimate gathering to life, freezing a single instance of social grace and youthful uncertainty. The figures are suspended in a poised, formal arrangement that suggests the weight of expectation hanging in the…

Ръчно рисувана маслена репродукция от $281 36 × 28 cm Размер като оригинала $749 146 × 113 cm Поръчайте в оригиналния размер →

Още шедьоври от Adèle Romany, от 11 до 37

Картини на Adèle Romany по периоди

Обичаните сюжети на Adèle Romany

Четирите най-често срещани сюжета сред тези шедьоври, с най-добрия пример за всеки от тях.

Къде могат да се видят картините на Adèle Romany

8 музея, които притежават най-голям брой от картините на тази страница.

Музеи Град Творения на Adèle Romany Картини от този списък
Library-museum of the Comédie-Française Paris 5 Portrait of Emilie Leverd, Mlle Raucourt as Agrippine, Portrait of Fleury
Версалешкият дворец, ВерсайВерсалешкият дворец Версай 2 Charles-Antoine d'Artenay, The Marquis de Romance Mesmon's snack
Музей на изкуствата във Бостън, БостънМузей на изкуствата във Бостън Бостън 2 Portrait of a Lady at a Pianoforte, Joseph-Dominique Fabry Garat Playing a Lyre Guitar
National Museum of Women in the Arts, Уокшънтън, Ди. Си.National Museum of Women in the Arts Уокшънтън, Ди. Си. 1 Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou
Национален музей, СтокхолмНационален музей Стокхолм 1 Madame Coury, Duhamel Widow
Музеен фонд Моне – Мармотън, ПарижМузеен фонд Моне – Мармотън Париж 1 Portrait of a Young Woman
Palais des Beaux-Arts de Lille, ЛилPalais des Beaux-Arts de Lille Лил 1 Portrait of a Young Harpist
Musée Jacquemart-André, ПариMusée Jacquemart-André Пари 1 Portrait of a woman

Adèle Romany, десетилетие по десетилетие: най-значимата картина за всяко от тях

  1. 1790s
  2. 1800s
    Portrait of a Young Woman (1804) на Adèle Romany
    #3 от 37

    Portrait of a Young Woman

    Възраст 31 – 40 · Музеен фонд Моне – Мармотън

    The artwork titled Portrait of a Young Woman is a portrait painted by Adèle Romany. Created in 1804, this oil on canvas work belongs to the genre of…

  3. 1810s
    Madame Coury, Duhamel Widow (1811) на Adèle Romany
    #2 от 37

    Madame Coury, Duhamel Widow

    Възраст 41 – 50 · Национален музей

    In this portrait from 1811, we find ourselves in the private, composed space of Madame Coury, the widow Duhamel. She is seated with a quiet dignity, her presence…

  4. 1830s
    Portrait de Zoé Prévost, de l'Opéra-Comique (1830) на Adèle Romany
    #32 от 37

    Portrait de Zoé Prévost, de l'Opéra-Comique

    Възраст 61 – 70 · Musée Magnin

    The artwork is titled Portrait de Zoé Prévost, de l'Opéra-Comique and was executed by the artist Adèle Romany. This portrait depicts Geneviève-Aimé-Zoë Prévost, a figure known in professional…

Шедьоври на Adèle Romany: въпроси и отговори

С коя картина е най-известен Adèle Romany?Покажи отговора

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou (1795), National Museum of Women in the Arts, Уокшънтън, Ди. Си.. Следват Madame Coury, Duhamel Widow (1811) и Portrait of a Young Woman (1804).

На колко години е бил Adèle Romany, когато е създавал Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou?Покажи отговора

26 години: Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou е от 1795 г., а Adèle Romany е роден/а в 1769.

Кои са десетте най-велики картини на Adèle Romany?Покажи отговора

Portrait of an Artist, Traditionally Identified as Mademoiselle Halbou, Madame Coury, Duhamel Widow, Portrait of a Young Woman, Portrait of Julie Candeille, Portrait of a Young Harpist, Portrait of a woman, Portrait of Amélie-Justine Pontois, Charles-Antoine d'Artenay, Portrait of Amélie-Justine and Charles-Édouard Pontois и A young person hesitating to play the piano in front of her family. Класацията по-горе посочва годината и музея на всяко от тях.

Колко произведения е нарисувал Adèle Romany?Покажи отговора

В нашия каталог са изброени 39 произведения на Adèle Romany, датирани от 1791 до 1836.

В кои музеи мога да видя шедьоврите на Adèle Romany?Покажи отговора

Повечето от тях се намират в Library-museum of the Comédie-Française (Paris), Версалешкият дворец (Версай) и Музей на изкуствата във Бостън (Бостън). В горната таблица музеите са изброени един по един.

Кога Adèle Romany е създала своите шедьоври?Покажи отговора

В 1800s: 13 от 37 произведенията на тази страница са от този период, като сред тях са Portrait of a Young Woman.

Кои са първата и последната известни картини на Adèle Romany?Покажи отговора

Най-старата творба на тази страница е от Portrait of Julie Candeille (1791), а най-новата е от Portrait of Voltaire (1836).

Кои бяха любимите теми на Adèle Romany?Покажи отговора

Woman (24), Man (14) и White dress (6), сред 37 произведения на тази страница.

Коя техника е предпочитала Adèle Romany?Покажи отговора

Oil On Canvas: 29 от общо 37 произведения на тази страница.

Към кое художествено направление принадлежи Adèle Romany?Покажи отговора

Neoclassicism, както показват картините на тази страница.

Кои шедьоври на Adèle Romany се съхраняват в Library-museum of the Comédie-Française?Покажи отговора

Portrait of Emilie Leverd, Mlle Raucourt as Agrippine и Portrait of Fleury са сред 5-те произведения на тази страница, съхранявани в Library-museum of the Comédie-Française, Paris.

Мога ли да притежавам репродукция от шедьовър на Adèle Romany?Покажи отговора

Да. Всяка картина на тази страница може да бъде поръчана като ръчно рисувано маслено репродукция музейно качество или като художествен принт в избран от Вас размер, директно от страницата на съответната картина.

Животът на Adèle Romany

Adèle de Romance (Adèle Romanée): A Life in Miniature and Portraiture

Adèle de Romance, also known as Adèle Romany or Adèle Romanée (December 7, 1769 – June 6, 1846), was a highly regarded French painter specializing in miniatures and portraits. Her career spanned several decades of significant social and political change in France, and she successfully navigated the art world while adapting her name and artistic presentation to reflect evolving circumstances.

Early Life and Artistic Training

  • Birth and Legitimation: Born Jeanne Marie Mercier in Paris, Adèle was initially recognized as an illegitimate child. In 1778, at age eight, she was legitimized by her father, Godefroy V, Marquis de Romance, brother of the writer Germain-Hyacinthe de Romance, from this point adopting the name Adèle de Romance.
  • Formal Education: She received formal artistic training under Jean-Baptiste Regnault, a prominent French history painter and academician. This foundational education provided her with a strong understanding of drawing, composition, and color theory – essential skills for both miniature painting and portraiture.
  • Marriage to François Antoine Romany: In 1790, Adèle married fellow miniature painter François Antoine Romany. While their marriage eventually ended in divorce, it significantly influenced her early career as she often exhibited under his surname, "Romany."

Artistic Style and Notable Works

  • Specialization: Adèle de Romance’s artistic focus centered on miniatures and portraits, particularly those depicting individuals involved in the performing arts. This niche allowed her to cultivate a clientele within Parisian theatrical and musical circles.
  • Exhibitions at the Paris Salon: From 1793 to 1808, she exhibited her works under the name "Romany," and subsequently from 1808 to 1833 as “Romanée.” She presented a substantial body of work over forty years, demonstrating consistent artistic output.
  • Notable Works:
    • Portrait of Auguste Vestris: This piece, housed at the Rhode Island School of Design Museum of Art, exemplifies her skill in capturing likeness and character.
    • Self-portrait with her children (1800): A poignant depiction showcasing both artistic talent and familial life.
    • Portraits of Mlle Raucourt and Mlle Emilie Leverd: These portraits, exhibited at various Salons, further solidified her reputation for capturing the essence of theatrical personalities.
  • Artistic Characteristics: Her miniatures are known for their delicate detail, refined color palettes, and ability to convey a sense of personality within a small format. Her larger portraits demonstrate a similar attention to detail and an understanding of light and shadow.

Recognition and Historical Significance

  • Gold Medal of the Jury (1808): This prestigious award recognized her artistic merit and contributed to her standing within the French art establishment.
  • Influence on Other Artists: While not a revolutionary figure, Adèle de Romance’s consistent production of high-quality miniatures and portraits helped maintain the popularity of these genres during a period when larger historical paintings were gaining prominence.
  • Representation of Performing Arts: Her focus on portraying actors, actresses, and musicians provides valuable visual documentation of Parisian theatrical life in the late 18th and early 19th centuries. The Comédie-Française holds a significant collection of her works due to this specialization.
  • Financial Acumen: Beyond her artistic pursuits, Adèle demonstrated business savvy through financial speculations during periods of political upheaval, showcasing an entrepreneurial spirit uncommon for women artists of the time.

Legacy and Rediscovery

Adèle de Romance’s work received limited critical attention after her death in 1846. However, recent scholarship and a retrospective exhibition at the Jean-Honoré-Fragonard Museum in Grasse (scheduled for 2025) are contributing to a renewed appreciation of her artistic contributions. Her legacy lies not only in her skillful execution but also in her ability to capture the spirit of a vibrant cultural scene and navigate a complex historical landscape as a successful female artist.