Ръчно рисувана маслена картина върху платно във вашия размер и рамка, изработена по поръчка от нашите художници. ( Избор на принт
Превключване към дигитално изображение)
Изберете от нашите предварително зададени размери, които съответстват на оригиналните пропорции на произведението.
Можете да въведете свои собствени размери, за да паснат на конкретна рамка или пространство. Ако избраният от вас размер не съответства на пропорциите на оригиналното изображение, ние ще изрежем произведението или ще разширим картината с допълнителни ръчно рисувани елементи. Дигитален макет ще бъде изпратен за ваше одобрение преди започване на производството.
Моля, обърнете внимание, че предпрогледа на екрана не отразява действителното изрязване или разширяване. Само макетът ще покаже точно финалната композиция.
Въпреки че са налични персонализирани размери, препоръчваме да изберете размер от предварително дефинирания списък, за да запазите оригиналните пропорции.
Доставка по целия свят () в рамките на 3-4 седмици вместо стандартните 5 седмици. (26 Септември). Без компромис с качеството.
Metamorphosis - Two Spirals
Размер на репродукцията
Born in the historic landscape of Nagasaki, Japan, in 1958, Tetsuro Yamasaki has dedicated his life to a profound exploration of form, weight, and the unexpected. His artistic journey began within the rigorous academic environment of Tokyo’s Zokei University, where he graduated in 1986 with a degree in sculpture. This period of intense study did more than just refine his technical skills; it instilled in him a lifelong fascination with the inherent properties of materials and the transformative power of the artist's hand. Beyond his personal practice, Yamasaki’s commitment to the arts led him back to his alma mater as an educator, where he has played a pivotal role in nurturing the next generation of Japanese sculptors, fostering an environment of innovation and creative courage.
The essence of Yamasaki’s work lies in a remarkable paradox: the ability to make heavy, industrial metal appear weightless and fluid. Working primarily with iron, he approaches the medium not as a rigid substance, but as a malleable entity capable of profound metamorphosis. His technique is characterized by an extraordinary dexterity, involving the twisting, inverting, and folding of metal surfaces to create abstract compositions that defy conventional notions of solidity. By manipulating these hard materials with such apparent ease, he carves out negative spaces and intricate voids that invite the viewer to peer into a world of mystery. These intentional gaps between surfaces are not merely absences of material, but active components of his art, designed to evoke a sense of delight and curiosity.
For Yamasaki, the ultimate goal of sculpture is to provoke an emotional response—specifically, a sense of astonishment. He describes his creative process as a deliberate attempt to challenge the viewer's perceptions, aiming to capture that fleeting moment of exhilaration one feels when encountering something entirely unexpected. This pursuit of surprise has earned him significant acclaim within the global art community. His mastery of form has been recognized through prestigious honors, including victories in the Kajima Sculpture Competition and the Asago Art Competition, milestones that have solidified his standing as a visionary contemporary artist.
The enduring impact of his work is reflected in its presence within esteemed permanent collections and international exhibition circuits. His sculptures can be found in significant repositories such as:
Throughout his career, Yamasaki has maintained a vibrant dialogue with the art world through collaborations with renowned galleries like IRIYA TOKYO and Ginza YY Gallery. His reach extends far beyond the borders of Japan, as evidenced by his participation in international initiatives such as Sculpture by the Sea Bondi. Through this continuous engagement with both local and global audiences, Tetsuro Yamasaki continues to push the boundaries of what iron can represent, transforming a cold, industrial element into a poetic language of space, light, and movement.
1958 - , Japan