Sejiro Avoseh: A Voice From Nigeria Through Assemblage

Sejiro Avoseh (born 1990) stands at the forefront of contemporary Nigerian art, forging a distinctive path through blending abstract human figures with repurposed automotive components—a striking juxtaposition that speaks volumes about societal critique and artistic innovation. Based in Essex, United Kingdom, Avoseh’s work transcends mere visual representation; it's an urgent commentary on issues facing his homeland and a testament to the transformative power of collage. His artistic journey began with formal training at Lagos State Polytechnic, earning him a Higher National Diploma in Creative Arts. Subsequently, he pursued postgraduate studies at the University for the Creative Arts in Canterbury, Kent, England, honing his skills in painting and mixed media techniques. This dual grounding provides a rich foundation for understanding his artistic vision. Early Influences: Avoseh’s fascination with assemblage began during his formative years, absorbing inspiration from Dadaist and Surrealist movements—artists who challenged conventions through unconventional materials and processes. These influences are palpable in his approach to creating art, prioritizing conceptual depth over polished aesthetics. He admired the daring experimentation of artists like Francis Bacon and Picasso, recognizing their ability to convey profound emotions through distorted forms and unsettling imagery. Technique & Material Exploration: Avoseh’s signature style centers around meticulously crafted montages constructed from cut-out magazines and newspapers. He painstakingly selects images—often depicting human forms—and combines them with discarded automotive parts, resulting in textured surfaces and layered narratives. This deliberate use of found objects elevates the artwork beyond a simple depiction to an investigation into materiality and its symbolic resonance. The juxtaposition of organic and inorganic elements serves as a powerful metaphor for confronting societal complexities and exploring the relationship between humanity and technology. Themes & Conceptual Concerns: At the core of Avoseh’s oeuvre lies a profound engagement with social justice issues prevalent in Nigeria. His artworks confront corruption, inequality, and abuses of power by governmental officials—subjects tackled with unflinching honesty and artistic sensitivity. Through his visual language, he aims to provoke dialogue and inspire action. He frequently references political realities within his paintings, portraying figures struggling against oppressive forces – a reflection of the ongoing battle for freedom and social reform in Nigeria. His work is deeply rooted in personal experience, mirroring his own journey from Lagos to London—a displacement that informs his artistic perspective. Recognition & Critical Acclaim: In 2018, Avoseh garnered significant attention from the Financial Times as one of Nigeria’s most promising artists—a recognition that underscores the growing appreciation for experimental art forms originating in Africa. He was listed as “18 Nigerian young visual artists under 30 to follow” by Jess Castellote, cementing his position within the international art community. His work has been featured in prominent art fairs such as FNB Art Joburg and Art Dubai, demonstrating its reach and impact on a global scale. Furthermore, Avoseh’s pieces are currently showcased on WahooArt.com and other platforms, offering viewers a glimpse into his distinctive artistic vision. Education: Avoseh holds a Higher National Diploma in Creative Arts from Lagos State Polytechnic, Lagos, Nigeria in 2013. Since then, he collaborated with international doll maker Aidamaris Roman on her “Forgotten Heart” series. In 2018, he was recognized as one of “18 Nigerian young visual artists under 30 to follow” by art critic and author Jess Castellote. His work has been featured in several art fairs including FNB Art Joburg (2019) and Art Dubai (2020).