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Scott Chaseling initially studied sculpture at art school but in the 1980s he was drawn to the medium of glass and undertook a traineeship in glass-blowing at the Jam Factory in Adelaide. He subsequently worked with glass artists in Australia and the United States of America, and in 1991 completed post-graduate studies in glass at the ANU School of Art. Chaseling has a strong international reputation in hot glass for his technical expertise and innovation and his conceptual freshness. His work has been included in many solo and group exhibitions in Australia and overseas, and he has been the recipient of a number of prestigious glass awards, including the 2002 Gold Medal at the Bavarian State Prize in Munich, Germany and the 2004 Ranamok Glass Prize, the major Australian award for the medium. Chaseling’s favoured form is a large open vase carrying a combination of pattern and visual narrative, inside and outside. The artist paints images with colour glass enamels onto white glass, which is then fused with cut and tiled Bullseye colour glass, achieving a complex layered interaction of pattern and visual narrative. The fused sheets are rolled up into a cylindrical form and blown, a process requiring the expertise of several glass technicians. The surface is then ground back. The ‘roll-up’ process, a combination of fusing and blowing, was pioneered in international studio glass production by Chaseling and fellow glass artist Kirstie Rea. In his work Chaseling is essentially a storyteller whose engaging images derive from nostalgic popular culture such as comic books and boys’ own annuals. There is a dream-like quality in his snapshots of familiar, ordinary life and a nod to another time, a parallel world of memories and associations. For the artist the images exist to suggest rather than circumscribe, and their decorative setting and enigmatic texts further locate them in the spaces of the imagination. Chaseling’s vigorous style and bold palette reflect the influence of the Venetian glass tradition; paradoxically the modernity of his work and its technical bravura confirms its place within the medium’s enduring language of ornamentation and innovation.

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Scott Chaseling: Sculptural Glass – A Journey Through Form and Light

Scott Chaseling, born in Darwin, Australia (1962), represents a singular voice within the contemporary glass art landscape—a visionary artist who elevates craftsmanship to an exploration of materiality, process, and above all, the mesmerizing interplay between form and light. His artistic trajectory began with formative studies at Canberra School of Art, followed by postgraduate qualifications nurtured at the University of Sydney, equipping him with both foundational artistic principles and unparalleled technical mastery. This dual grounding informs his distinctive approach—one rooted in conceptual understanding, the other honed through meticulous execution. His breakthrough arrived with the embrace of glass casting – a technique demanding unwavering patience and precision – allowing Chaseling to transform molten glass into monumental sculptural forms that defy gravity and captivate viewers’ gaze. More than mere replication of shapes, this method is an active dialogue with the material itself; it seeks to liberate inherent textures and patterns born from heat and vibration. Frequently mirroring geological formations or abstracted landscapes, his sculptures reflect a profound fascination with natural processes and their transformative impact on visual form—a recurring motif throughout his oeuvre. Influenced by Minimalist aesthetics and deeply appreciative of Japanese ceramics, particularly Raku firing – a method celebrated for its unpredictable beauty and textural richness – Chaseling’s artistic vision prioritizes essential visual elements. The resulting sculptures possess an ethereal luminescence, inviting contemplation about the artist's relationship with the material and prompting viewers to consider the sublime qualities inherent in natural phenomena. Artists like Richard Glazier and Edmund Stoneman served as formative inspirations, recognizing their pioneering efforts to transcend conventional decorative applications of glass and delve into its expressive potential. A significant validation of his artistic dedication came in 2009 with the bestowal of the Ranamok Glass Prize – an accolade acknowledging Chaseling’s substantial contribution to Australian glass art and establishing him as a leader within the field. His sculptures are held in prestigious collections across Australia and internationally, including the National Gallery of Australia and the Museum of Glass in Tacoma, Washington, demonstrating the enduring appeal of sculptural glass as a medium for conveying complex ideas about beauty, permanence, and artistic innovation. His artistic journey continues to unfold, marked by ongoing experimentation with diverse techniques and materials—a testament to his unwavering curiosity and commitment to pushing the boundaries of what is possible within this captivating art form. Chaseling’s work stands as an enduring reminder that true artistry resides not merely in skillful execution but also in a profound engagement with the material world and its capacity to inspire contemplation and wonder.

Notable Exhibitions: Solo exhibitions at Peter Scott Gallery (Lancaster University), Tunbridge Wells Museum & Art Gallery, and numerous international showcases.
Education: Lecturer in Glass Art at Canberra School of Art and University of Sydney
Awards: Ranamok Glass Prize (2009)

Скот Часелѝнг

1962 - , Австралия

Бързи факти

Artistic Movement Or Style: Скулптурална стъклопластика
Artists Who Influenced This Artist:
- Роберт Сeldън Данкасън
- Ричард Глейзър
- Едмунд Стонеман
Date Of Birth: 1962
Full Name: Scott Chaseling
Nationality: Австралийски
Notable Artworks: ['The Cleansing']
Place Of Birth: Darwin, Australia

The cleansing

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Описание на колекционерския предмет

Биография на художника

Scott Chaseling: Sculptural Glass – A Journey Through Form and Light

Скот Часелѝнг