Is Bean Vine under copyright?

No, this artwork is in the public domain.

What is the thematic context of Bean Vine?

chinese poetic influence, zen buddhism symbolism, cao zhi's literary tale, nature's duality theme, greengrocer's iconography, jakuchu's signature style, vegetable-based motifs, scroll painting tradition

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Itō Jakuchū, son of a greengrocer, used vegetables and plants as a personal iconography that almost always included a moral or religious meaning. This handsome sketch of a bean plant, paired with a poem by Ōbaku Zen monk Musen Jōzen (Tangai), refers to a story about the Chinese poet Cao Zhi (192–232), whose tyrannical brother, Cao Pei (Emperor Wen), once commanded him to compose a poem before he took seven steps, threatening him with execution if he failed. Tangai’s verse makes an erudite reference to Cao Zhi’s original poem comparing himself and his brother to the parts of a bean plant, while also alluding to the Zen philosophy of nonduality. The green vine puts forth blossoms, and its pods are like half-formed swords. The bean and stalk are inseparable; both were born from the same roots. —Trans. John T. Carpenter

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Itō Jakuchū: A Kyoto Merchant’s Vision – Reclaiming Eccentric Genius

Itō Jakuchū (1716 – 1800) stands as a singular figure in Edo period Japanese art, an artist whose legacy transcends mere technical skill and delves into the profound intersection of Zen philosophy and societal transformation. Unlike many of his contemporaries who adhered to established artistic lineages—primarily within the Kano school—Jakuchū’s path was forged by a unique blend of familial prosperity and a deeply personal engagement with Buddhist principles, shaping not only his aesthetic sensibilities but also his worldview.

Early Life & Family Background: Born in Kyoto's Nishiki market district, Jakuchū descended from a family involved in the wholesale trade of vegetables—a circumstance that instilled in him an awareness of economic realities alongside artistic aspirations. His father’s business acumen provided stability while simultaneously exposing him to the burgeoning commercial spirit of Edo society.
Zen Influence & Artistic Training: Recognizing the importance of spiritual grounding, Jakuchū enrolled as a lay brother at Shokoku-ji temple, immersing himself in Zen meditation and absorbing the teachings of his master, Daiten Kenjo. This formative experience profoundly impacted his artistic approach, fostering detachment from worldly concerns and prioritizing direct observation—a cornerstone of Zen aesthetics. Notably, he studied under Ōoka Shunboku, a Kano school artist specializing in bird and flower paintings, gaining invaluable insight into traditional techniques.
Distinctive Style & Subject Matter: Jakuchū’s artistic style defied categorization, characterized by meticulous realism interwoven with daring experimentation—a hallmark of what Tsuji termed “Lineage of Eccentrics.” He eschewed human figures, focusing instead on capturing the essence of nature through vibrant polychrome renderings (doshoku sai-e), particularly birds and flowers. His masterful brushwork achieved unparalleled detail, mirroring his fascination with observing natural phenomena closely.
Notable Works & Recognition: Among Jakuchū’s most celebrated creations are *Five Hundred Arhats*, a monumental undertaking demonstrating his extraordinary artistic prowess; *Hanshan and Shide*, reflecting Kyoto’s cultural heritage; *Crabs and Peonies*, embodying Zen principles through exquisite color palettes; *Bean Vine*, representing the cyclical nature of existence with intricate textural detail; and *Two Cranes*, symbolizing longevity and aspiration. His work gained posthumous recognition thanks to Nobuo Tsuji's influential book, “Kisō no Keifu,” which championed artists who challenged conventions—solidifying Jakuchū’s place as a pivotal figure in Edo period art history.
Legacy & Influence: Ito Jakuchu’s artistic vision continues to inspire contemporary artists and scholars alike. His willingness to break with tradition paved the way for future generations to explore new creative possibilities, cementing his enduring significance within Japanese art history and establishing him as a beacon of originality amidst the established artistic landscape of his time.

His contribution to Ukiyo-e—the popular genre of woodblock prints—further amplified his influence, demonstrating a broader impact on Japanese visual culture.

Ито Якучо

1716 - 1800 , Япония

Бързи факти

Artistic Movement Or Style: Едо периодна живопис
Artists Or Movements Influenced By This Artist: ['Хакъин Экаку']
Artists Who Influenced This Artist: ['Оока Шунбуко']
Date Of Birth: 2 март 1716 г.
Date Of Death: 27 октомври 1800 г.
Full Name: Ито Якучо
Nationality: Японски
Notable Artworks: ['Пейзажи от Едо']
Place Of Birth: Киото, Япония

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Ephemeral Expressions: Exploring the Nuances of Ink on Paper Through History & Contemporary Art

Ито Якучо: Пълната колекция

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Itō Jakuchū: A Kyoto Merchant’s Vision – Reclaiming Eccentric Genius

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