1620 - 1704

أساسيات

  • Color intensity: monochromatic
  • Also known as:
    • Jacob van Rysbroeck
    • Reesbroeck
    • J. Van Reesbroek
    • Jacob Van Reesbroek
    • Jacob Van Reesbroeck
  • Copyright status: Public domain
  • Top 3 works:
    • Portrait of Maria de Sweert
    • Portrait of Balthasar III Moretus
    • Portrait of Anna Goos
  • Lifespan: 84 years
  • Museums on this site: متحف بلانتين-موريتوس
  • Died: 1704

The Life and Art of Jacob van Reesbroeck

Born in Antwerp, Belgium, Jacob van Reesbroeck was a Flemish painter and engraver who began his artistic training at the age of fourteen under Jacob Spaeingaert. He studied both painting and engraving, eventually becoming a master of the Antwerp Guild of Saint Luke in 1641. During this time, he was also inducted into the sodaliteit of bejaerde jongmans, a fraternity for bachelors established by the Jesuit order. His social standing in Antwerp was further reflected by his appointment as wijkmeester by the Antwerp magistrate and his roles within the sodaliteit der getrouwden.

His professional career was marked by commissions from a diverse range of patrons, including local families, ecclesiastical clients, and foreign aristocrats. Notable subjects included Edward Hyde, 1st Earl of Clarendon, and members of the Moretus family, the owners of the Plantin Press. He also received commissions to paint portraits of Charles-Antoine de Calonne and Frederick William, Elector of Brandenburg. In his later years, he moved to Hoogstraten, where he painted four works representing the church fathers for the Saint John Evangelist Church of the local beguinage.

Portraiture and Technique

The oeuvre of van Reesbroeck consists primarily of portraits. His work often features specific compositional elements, such as a red curtain, a view to the open sky, and an antique column in the background. In his portraits of Balthasar Moretus II and his wife Anna Goos, the sitters are depicted with stern expressions, dressed in the latest fashions without extravagance, conveying an impression of wealth and virtue. In contrast, his portrait of the fourteen-year-old Balthasar III Moretus is described as more lively, showing the young man in a confident, akimbo posture with richly detailed costume.

While much of his work is known through original paintings, some of his works are only known through prints made by himself or other Antwerp engravers, such as the Portrait of Cardinal Benedict Blommaerts. His technical range included:

الأسئلة والأجوبة

أين يمكنني استعراض جميع أعمال Jacob van Reesbroeck الفنية؟

يمكن تصفح جميع أعمال Jacob van Reesbroeck على هذا الموقع عبر صفحة كافة الأعمال الفنية الخاصة بالفنان.

هل يمكنني استكشاف نمط استخدام الألوان لدى Jacob van Reesbroeck في جميع أعماله؟

يمكن استكشاف أسلوب Jacob van Reesbroeck في استخدام الألوان عبر الأعمال المدرجة في هذا الموقع من خلال صفحة بصمة الألوان الفنية الخاصة بالفنان.

أين يمكن العثور على أعمال Jacob van Reesbroeck الفنية مصنفة حسب لوحة الألوان؟

يمكنك تصفح أعمال Jacob van Reesbroeck حسب لوحة الألوان عبر صفحة حسب لوحة الألوان الخاصة بالفنان.

كيف يمكنني العثور على جميع أعمال Jacob van Reesbroeck حسب الوسيط الفني؟

للعثور على جميع أعمال Jacob van Reesbroeck حسب الوسيط الفني، يرجى زيارة صفحة حسب الوسيط الفني الخاصة بالفنان.

اختبر ذائقتك الفنية

لكل سؤال إجابة صحيحة واحدة فقط.

سؤال 1:
In which city was Jacob van Reesbroeck born?
سؤال 2:
Which family did van Reesbroeck serve as a 'private painter' for?
سؤال 3:
What was van Reesbroeck's profession in addition to being a painter?
سؤال 4:
Where did van Reesbroeck move his residence in 1682?
سؤال 5:
Which of these is the only known subject of van Reesbroeck's work that is not a portrait?