استشارة فنية مجانية

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اطلب نسخة مرسومة يدوياً اطلب نسخة مرسومة يدوياًشراء الصورة بدقة عالية شراء الصورة بدقة عالية مشاركةمشاركة
التفاصيلالتفاصيل أضف إلى المفضلة أضف إلى المفضلة تحميل الملفتحميل الملف قطع مشابهةقطع مشابهة الأشعة السينيةالأشعة السينية عرض شرائحعرض شرائح

A waterfall

Philipp Peter Roos (1655-1706), German Baroque painter known as Rosa di Tivoli, specialized in Italianate landscapes & animal paintings. Explore his idyllic scenes of cattle, sheep, and goats – a key figure in 17th/18th century art.

طباعة جيلي / مطبوعات فنية

طباعة جيكلي أو كانفاس بجودة المتاحف، مع سرعة في التنفيذ وخيارات متنوعة للتشطيب.

Standard
custom
CM
INCH

اختر من بين أحجامنا المُعدّة مسبقًا والتي تتطابق مع النسب الأصلية للعمل الفني.

العرض
الارتفاع

يمكنك إدخال أبعادك الخاصة لتناسب إطاراً أو مساحة معينة. وإذا لم يتطابق الحجم الذي اخترته مع نسب الصورة الأصلية، فسنقوم إما بقص العمل الفني أو تمديد الصورة باستخدام حافة معكوسة أو بلون مصمت. سيتم إرسال نموذج تجريبي رقمي لاعتمادك قبل بدء الإنتاج.
يرجى ملاحظة أن المعاينة على الشاشة لا تعكس عملية القص أو التمديد الفعلية؛ حيث سيوضح النموذج التجريبي فقط التكوين النهائي بدقة.
وعلى الرغم من توفر أحجام مخصصة، إلا أننا نوصي باختيار أبعاد من القائمة المحددة مسبقاً للحفاظ على النسب الأصلية.

توصيل عالمي إلى خلال أسبوعين بدلاً من المدة القياسية البالغة 4/5 أسابيع. 2 يوليو

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إجمالي السعر

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reproduction

A waterfall

طباعة جيلي / مطبوعات فنية

مقاس النسخة المطبوعة

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السعر الإجمالي النهائي

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أعمال فنية ذات صلة


السيرة الذاتية للفنان

Philipp Peter Roos (1655-1706): The Shepherd’s Painter of Tivoli

Philipp Peter Roos, later known as Rosa di Tivoli, stands as a fascinating figure in the artistic landscape of Baroque Italy – specifically within the vibrant milieu of Tivoli and Rome. Born in Frankfurt am Main around 1655, Roos embarked on an artistic journey shaped by familial influence and propelled forward by patronage, ultimately achieving renown for his distinctive style: Italianate landscapes populated with meticulously rendered animals. His legacy resides not merely in aesthetically pleasing depictions but also in embodying the spirit of a period grappling with scientific inquiry alongside religious fervor. Roos’s formative years were spent under the tutelage of his father, Johann Heinrich Roos, a landscape painter who instilled in him a foundational understanding of tonal harmony and compositional balance. This early training proved invaluable as he honed his skills independently before accepting an invitation from Charles I, Landgrave of Hesse-Kassel, to relocate to Rome in 1677. Recognizing Roos’s talent, the Landgrave generously provided financial support for this ambitious undertaking – a pivotal moment that allowed Roos to immerse himself fully within the artistic currents of the era and collaborate closely with Giacometano Brandi, a celebrated Roman painter who served as his mentor. The relationship between Roos and Brandi fostered an exchange of ideas concerning artistic technique and stylistic considerations. It was during this period that Roos encountered Isabella Brandi, Brandi’s daughter, whom he passionately loved and ultimately married. Their life in Tivoli became synonymous with the “Noah’s Ark,” a sprawling villa adorned with exotic animals—a deliberate choice by Roos intended to serve as a living studio for his artistic endeavors. This environment profoundly impacted his oeuvre, informing his meticulous observation of animal behavior and translating into canvases brimming with palpable vitality. Roos joined the Congregation of Virtuosi al Pantheon in 1683, marking an important step toward establishing himself within Rome’s artistic community. The guild fostered connections and provided opportunities for commissions—though often modest—allowing Roos to sustain his livelihood through smaller paintings and sketches catering to tourists. His nickname, “Mercurius,” reflected the remarkable speed with which he executed his works; this efficiency was a testament to his dedication and underscored the pressures faced by artists of the time who sought recognition amidst intense competition. Despite facing financial hardships in his later years, Roos continued to produce artwork until his death in 1706. His contribution to Baroque art is particularly noteworthy for its embrace of animal painting—a genre that simultaneously reflected scientific advancements (anatomical studies) and upheld traditional artistic conventions. He achieved particular acclaim for his depictions of oxen, sheep, and goats, capturing their textures and movements with unparalleled accuracy. Roos’s distinctive style – characterized by broad brown tones and a masterful command of tonal gradation – cemented his place as one of the foremost landscape artists of his time, leaving behind a body of work that continues to inspire admiration for its beauty and technical prowess.
  • Notable Works: “A Landscape with a Milkmaid,” “Landscape with Goats and Cattle,” “Landscape with Bull, Goats and Attendant”
  • Influences: Johann Heinrich Roos (Father), Giacometano Brandi
  • Guild Membership: Congregation of Virtuosi al Pantheon
Philipp Peter Roos

Philipp Peter Roos

1655 - 1706 , Germany

حقائق سريعة

  • Artistic Movement Or Style: Baroque
  • Artists Or Movements Influenced By This Artist: ['Dutch Golden Age']
  • Artists Who Influenced This Artist: ['Johann Heinrich Roos']
  • Date Of Birth: 1655
  • Date Of Death: 1706
  • Full Name: Philipp Peter Roos
  • Nationality: German
  • Notable Artworks:
    • A Landscape with a Milkmaid
    • Landscape with Goats and Cattle
    • Landscape with Bull, Goats and Attendant
  • Place Of Birth: Frankfurt am Main, Germany
استكشف الأعمال الفنية المصنفة حسب الموضوعات والأنماط والخصائص.